Recording of László Király's Adieu à Terez. “The sound material of the composition is a female voice modulated by various electronic means. The composition consists of 3 parts: 1) The enchantment of Terez, 2) The dream at dawn 3) Farewell The first part is based solely on the modulation of the voice. The beginning of the second part consists of an indiscernible speech and vocal music, which becomes more and more discernible. The third part remains on the contrast of voice and vocal music. For me, the essential was the contrast and the correspondence and the emotional effect the different timbres of sound.” - László Király, composer

Recording of Yvan Szekely's Folkronic.This work is made of human voices and eclectronic sounds. This work has the aim to summarize all the acoustic genres of Hungarian folklore; to melt old, collective forms into a new, individual one. These folklore forms are represented by the essence of their usage, motives, musical structure, performing styles and manners, and by characteristic snaps. It ranges from the quotation of phonograph recordings through live performances up to transforming them into principles of electronic composition. (Based on private folk-collecting and analyzing work). Other important principles: all the frequency proportions are determinate by the time proportions of the selections of the work; the whole electronic material is derived from one-germ; the Quadra system of spatial actions is a special sphere of the work.