Recording of Michel Longtin's Au nord du lac supérieur.

Recording of Gabriel Brnčić's Batucada.

Recording of Ensemble Team Brno's Capriccio. Ensemble Team Brno, founded in 1967, is comprised of the members Alois Pinoš, Arnošt Parsch, Rudolf Růžička, and Miloš Štědroň. All members of the Team studied and graduated at the High Musical School at Brno, the Janáček Academy of the Musical Arts.

Recording of David Koblitz's Ceremony of Shrugs. This piece was originally composed as music to a dance choreographed by Amy Ellsworth and performed by members of the University of Michigan Dancers. It is heard here in a slightly altered form. The sounds used in the piece were produced by electrical acoustic instruments, in addition to purely electronic sources. All were subject to modification and rearrangement in the University of Michigan Electronic Music Studio.

Recording of Miroslav Bázlik's Concertino.

Recording of Ted Dawson's Concerto grosso I.

Recording of Jacqueline Nova's Creación de la tierra

Recording of Michel Longtin's Embarque, on ira pas vite.

Recording of Carl Stone's Etude.

Recording of John Maryn's Fantasie über Zerbrochenes glas.

Recording of Lorenzo Ferrero's Fawn. "Fawn" has a number of very contradictory meanings in English; perhaps this is why it is a good title for a work on love that uses two extracts from Sappho as its text. The letters of this word are even the initials of a dedication that has meaning only for the author. It creates a relationship (Aristotelian?) between an esoteric (for oneself) and esoteric (for the public) that reproduces even romantic attitudes. This work can be performed live without any manipulation of the voice and is written as a normal score. The vocal part uses as a base the ancient eglian-chromatic medium and almost always respects Greek metrics and intonation.

Recording of Hubert Howe's Freeze

Recording of Pierre Bernard's Gérémie.

Recording of Barry Truax's Gilgamesh, The Journey to the Gods, a music theatre work for singers and 12 four-channel tapes. The work is based on the legend of the Sumerian god-king, as told in the Epic of Gilgamesh which dates from the 3rd millennium, B.C., 1500 years before Homer. In the epic, Gilgamesh is part god, part man, who is responsible for the building of the first walled city, Uruk, and other feats of technology. He has become close friends with Enkidu, a "wild man" reared by animals but then tamed and civilized to become Gilgamesh's heroic companion. However, Gilgamesh taunts the gods who declare that one of them must die, and here the story of the musical work begins, with the death of Enkidu. Gilgamesh reacts with anger, nostalgia for the glorious past, a prayer to the gods, and finally he commands them as King to reverse the death, all to no avail. At the end of the first half of the work, a supernatural "God voice" heard through the loudspeakers challenges Gilgamesh to come on a journey of quest for the secret of immortality. The second half begins with a tone poem (tape 7) called The Journey to …

Recording of Alvise Vidolin's Hardlag.

Recording of Peter Kolman's Lentement mais pas trop (suite des Saisons).

Recording of Joaquin Orellana's Malebolge.

"Metallika Glypta III", is the third release of a series of three works under the same title, was written in February 1972. Their processing and the final realization were made in the studio of the author. The sculpture exhibition of Loukoupoulos (1972) was the starting point of "Metallika Glypta". The idea of ​​using sounds taken exclusively from metal sculptures was a particularly challenging stimulus. The musical activity starts at the first moment when the sound material was collected. The ideas on the making of sounds were preconceived, they came one after the other. Each successful essay highlights the emotion of the first creative success. The same emotion was found in later treatments and their inclusion in large units. The form of the work -fluent and evolving without stop- serves the integration of musical ideas in a composition that has not denied the original material. The feeling of metal is thus always present.

Recording of Michaël Christopher's Mithril Canticles.

Recording of Michael Christopher's Mithril Canticles. This piece is a heavily edited work utilizing two opposing sound ideas. One is "noise-oriented" sound achieved through fast sequential activity processed by ring modulating the reverb. This activity is opposed to the three-to-five note tune which permeates the work.

Recording of Eugeniusz Rudnik's Mobile.

Recording of Pekka Siren's Oil. The piece was Siren's protest against the harbor plan proposed by the Finnish oil company Neste in the 1970s to establish a huge oil harbor in the nature preservation area in the southern coast of Finland. It was realized in YLE TV Studio two and three in 1972.

Recording of Peter Kolman's Omaggio a Gesualdo.

Recording of Leonardo Gribaudo's Ordinali - ordinati.