An examination of the stanzas of The Faerie Queene reveals a structural complexity that prosodists have not previously discovered. In the prosody of Spenser's epic, two formal prosodic orders function simultaneously. One is the visible structure that has long been acknowledged and studied, eight decasyllabic lines and an alexandrine bound into a coherent entity by a set meter and rhyme scheme. The second is an order made apparent by an oral reading and which involves speech stresses, syntactical groupings, caesura placements, and enjambments. In an audible reading, elements are revealed that oppose the structural integrity of the visible form. The lines cease to be iambic, because most lines contain some irregularities that are incongruent with the meter. The visible structure is further counterpointed by Spenser's free use of caesura and frequent employment of enjambment to create a constantly varying structure of different line lengths in the audible form. This study also examines precedents that Spenser could have known for the union of music and poetry. English lyric poetry written for existing melodies is analyzedand the French experiments with quantitative verse supported with musical settings are discussed. Special emphasis is given to the musical associations of the Orlando furioso, particularly its …

The purpose of this thesis is to propose a theory of language acquisition which could serve as a basis for further studies in this area. The thesis is divided into two sections, the first dealing with the psycholinguistic aspects of language and its acquisition, and the second dealing with the activities of the brain which relate to language ability, behavior, and acquisition.

The problem with which this paper is concerned is that of tracing Gothic elements in the six complete novels of Shirley Jackson (1919-1965). Jackson's novels, magazine reviews of these novels, articles on Gothicism, and histories of English literature form the sources of data for this research project.

The philosophy of Henry Fielding turns more upon a study of human nature than upon any stated adherence to a system of beliefs. The thesis of this paper is that he was a moderate law-and-order Anglican of his time, but strongly influenced by the deist Shaftesbury's studies of the psychological characteristics of men. These inquiries into motivations and Shaftesbury's advocacy of the social virtue of desiring good for others seem to have helped determine Fielding's philosophy.

To provide a current survey of the scholarship and an annotated bibliography on Fanny Burney from 1920-1970 for scholars and students is the purpose of this paper.

This thesis presents an original long poem, followed by a short study of two other poems: "Abt Vogler" by Robert Browning, and "Transcription of Organ Music" by Allen Ginsberg.

This thesis is concerned with establishing the nature of the critical standard which Fraser's Magazine, a Victorian journal, used in evaluating the artistic merit of current English novels. Eminent critics such as William Thackeray, Thomas Carlyle, and William Maginn were associated with the magazine during its early years of publication: thus, the early numbers contain some of its most valuable criticism. Because the English novel was in a period of transition in the decade of the 1840's and the years immediately preceding and following it, this study is confined to the twenty-year period from I830 to 1850. Imitative writers of romance and novels of manners were gradually being replaced with novelists concerned with social reform and with the artistic merit of the genre itself. Thackeray's and Maginn's associations with the magazine also occurred during this period, and their literary opinions are an important indication of the magazine's critical development.

The purpose of this study is to examine two plays by Nicholas Rowe, eighteenth-century English poet, dramatist, editor, and translator, in order to ascertain their historical content, as opposed to their mythological and fictional content.

Because his search for self is such a dominant and important theme of his work and because it grows out of a rich tradition in western thought, it is the purpose of this thesis to examine this search and to clarify Aiken's ideas concerning the self and the methods and form he used to communicate these ideas.

The purpose of this study is to determine whether each of the nine introduced tales in Pickwick Papers was written at the same time as the main narrative of the number in which the tale appears.

One of the three-fold purposes of this study is to indicate the relationship between the cultural advancements of the Cherokees and the development and implementation of a written, printable language into their culture. In fulfilling a second purposes, the study emphasizes the influence of literacy on the social values of the Cherokees. The third purpose is to consider the idea of the Cherokees themselves that bi-lingual education, first in Cherokee, then in English, and a renewed national pride and productivity in literacy could go far in solving the problems of social alienation and educational negativism that exist among un-assimilated Cherokees.

Throughout the poetry of Thomas Hardy, excluding The Dynasts, there reappears a characteristic and constant narrator device which Hardy employs to force the reader to maintain perspective and objectivity upon the action of the poems and to provide a framework of attitudes and conclusions by which the reader can judge the content of the poems.

This dissertation purposes to answer the question of whether or not the verb system of Black English in Dallas has the same features as those that characterize Black English in other sections of the country. Specifically, it describes in detail the use of the verb "be" within the speech of blacks in the Dallas metropolitan area and accounts for these usages formally within the framework of a transformational-generative grammar of the type proposed by Noam Chomsky.

One goal of the present study is to emphasize Johnson's "talent for fiction, the range of his comic invention, and the subtlety of his tone." A substantial group of essays from all three serials, those written in the form of letters ostensibly submitted to the essayist by his readers, appears to offer many examples of the inventiveness of Johnson's mind, and it is to this group that the term epistolary essays refers. Johnson was following a well-established tradition in utilizing the device of the imaginary correspondent, but the main objective of this dissertation is to analyze the various personae which Johnson adopted in these essays.