Photograph of Roy Eldridge with pianist Oscar Peterson, in performance at the Salle Pleyel in Paris. Drummer Louie Bellson is partially visible in the background.

Photograph of Roy Eldridge in performance at the second concert at Salle Pleyel in Paris on April 17, 1972. The Tom Lord discography indicates this performance was with the Count Basie band. Al Grey is visible in the background, holding a trombone. Writing on the back of the photo indicates the date, location, and event.

Stéphane Mallarmé, 1842-1897, was driven by a yearning for the ideal, and felt an immense despair when his human attempts to reach up to it, through his poetry, fell far too short. The void (le Néant) into which he fell is the subject of the present study. Sources used were the writer's poetry, as well as all critical works which seemed pertinent to the study of this poet whose symbolism is so wonderfully and yet frighteningly deep and meaningful.

Letter from Rafael J. Ramón to the Student Nonviolent Coordinating Committee written in Spanish.

Shoes of bright flower silk print. Platform with 3" shaped heel; ankle strap; black button on strap. Stamped inside: "Roger Vivier / Paris" and "sur-mesure" Shoes were made to match an ensemble by Givenchy.