Darius Milhaud was born on September 4, 1892, to a Jewish family in Aix-en-Provence in the South of France. This study provide analysis of Darius Milhaud's work, entitled La Creation Du Monde.

This study described various Trombone methods and specifically analysed the eight methods developed at the Paris Conservatory of Music, which considered to be an outstanding methods for most of the good trombone literature of today.

This study closely explores the Chorale Kyrie, Gott Vater in Ewigkeit and its Use in Bach's Clavierubung. The effect is one of gentilness and intimacy that conceal a wealth of inner emotion.

The problem of this investigation is to determine if the shrinkage resulting from water loss, which causes cracking in polymer-acrylic emulsion artists' paints, can be controlled to produce a predictable variety of surface textures useful in painting. Preliminary information on the behavior of polymer-emulsion paints was taken from published material such as Mayer's Artist's Handbook of Materials and Techniques, Woody's Polymer Painting, and various manufacturers' technical publications. Experimental investigations were conducted to observe the media under varied methods of application and conditions of drying. The information gathered in the experiments was used to develop techniques producing a variety of predictable textural alterations, which were used in a series of experimental paintings.

This paper discusses the origin of literary and musical ballads and focuses on analysis and interpretation of the four Chopin ballades. Jill Beth Street also discusses how to perform these ballades based off of this interpretation.

German Chorales is a great resource of church music in use today. This study investigate the Seventeen German Protestant Chorales. The researcher hoped that the important work of reviving the invaluable source of inspiration and sacred song will continue and grow.

Thesis examines the life of prolific composer Sergei Prokofiev and his work for the motion picture Alexander Nevsky. Gary Langford analyzes Prokofiev's use of the brass section in his compositions for the film.