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Concerto for Piano and Orchestra (open access)

Concerto for Piano and Orchestra

Concerto for Piano and Orchestra is a three movement composition. The performance time of the entire composition is approximately nineteen and one-half minutes. Certain melodic similarities are found in the three movements of this composition because some of the pitch successions selected for motives were derived from a twelve tone row. The harmonic sonorities are based on free choice and derivations from the tone row as were the melodic materials. The rhythm in this work is not serialized or in any other way predetermined.
Date: August 1971
Creator: Steinohrt, William
System: The UNT Digital Library
The Emergence of Schoenberg's Twelve-Tone System through Opus 11, Opus 19, and Opus 23 (open access)

The Emergence of Schoenberg's Twelve-Tone System through Opus 11, Opus 19, and Opus 23

None
Date: August 1971
Creator: George, Ruth Minter
System: The UNT Digital Library
The Eumenides (open access)

The Eumenides

The Eumenides is a single-movement composition for orchestra, chorus, and prepared electronic tape. It is based on the Orestoian trilogy, The Agamemnon, The Libation Bearers, and The Eumenides, by the classical Greek dramatist, Aeschylus. The text of the composition was formed by the extraction and amalgamation of certain ideas, key-words, and phrases from English translations of the plays made by Buckley, Hadas, Vellacott, and Lattimore, and also from the modern drama, Les Mouches, by the French writer-philospher, Jean-Paul Sartre. Three short passages of Gregorian Chant from the Liber Usualis are used in the coda section of the work.
Date: December 1971
Creator: Wheat, Margaret Anne, 1922-
System: The UNT Digital Library
Johnny, I Hardly Knew Ye : For Chorus and Orchestra (open access)

Johnny, I Hardly Knew Ye : For Chorus and Orchestra

This composition is based off the poem of the same name by Richard Sale. No particular harmonic plan was envisioned for Parts I, II and IV, because it was necessary for the harmonic scheme to be as fluid as the poetry. If the ideas of the text were similar some attempt was made to use a similar or modified melodic line or harmonic scheme. The structure of the text became the structure of the work. The motivating factor is the text, hence the many meter changes in order to keep pace with the poetry.
Date: December 1971
Creator: Salicco, Betty Lou Everett, 1925-
System: The UNT Digital Library
Piece for Orchestra and Prepared Tape (open access)

Piece for Orchestra and Prepared Tape

This composition is a two-movement work for orchestra and prepared electronic tape. The second movement preceeded by a solo tape prologue. The work requires approximately twenty-five minutes for performance. One of the purposes for the composition of this work was to explore the possibilities, potentialities, and limitations of combining orchestral resources and taped electronic material.
Date: 1971
Creator: Ator, James D.
System: The UNT Digital Library
Pitahaya : Stage Music in One Act (open access)

Pitahaya : Stage Music in One Act

The initial intent in regard to the story line for this work was to utilize an authentic Hispanic-Southwestern folk tale. It was found, however, that the predominance of recorded folk tales was lacking in sufficient plot involvement. It was decided therefore, that a plot would be constructed by the composer using Hispanic folk material. Elements of recorded folk tales are used in the story to maintain the folk-like quality. Some of these elements are a mutual respect among family members, an acceptance of superstitious ideas, a dependence upon a person claiming supernatural powers, the embodiment of the devil in a person or animal, and the punishment of the wayward girl by the devil.
Date: August 1971
Creator: Seale, Bradford Carl, 1936-
System: The UNT Digital Library
The Sacrilege of Alan Kent : A Monodrama in Nine Scenes for Baritone Soloist, Orchestra and Tape (open access)

The Sacrilege of Alan Kent : A Monodrama in Nine Scenes for Baritone Soloist, Orchestra and Tape

The Sacrilege of Alan Kent is a monodrama in nine scenes for baritone soloist, orchestra, and tape. This composition may be presented as a dramatic or concert work. From the standpoint of a dramatic form, it may be considered an opera for one performer in nine brief scenes or vignettes. As a concert work, it resembles a song cycle.
Date: December 1971
Creator: Hutchison, Warner, 1930-
System: The UNT Digital Library
A Study of the Differences in Values and Marital Readiness Between Engaged and Dating Couples (open access)

A Study of the Differences in Values and Marital Readiness Between Engaged and Dating Couples

None
Date: May 1971
Creator: Foreman, Cynthia Woodward
System: The UNT Digital Library
Welcome, All Wonders in One Sight (open access)

Welcome, All Wonders in One Sight

The structure of the present work is clearly described in the foregoing definition. Consisting of fourteen movements of varying length, it is primarily a vocal work for soprano, tenor, and baritone soloists, mixed chorus and an orchestra of moderate size.
Date: May 1971
Creator: Cram, James D., 1931-1974.
System: The UNT Digital Library