Air for Band is an original composition by Lawrence Weiner.

Alto Requiem is a requiem mass for contralto, chorus, and organ. Several unifying elements have been used throughout the composition. Most of the homophonic texture is limited to quartal and secundal structures. The melodic material is also predominantly quartal and secundal. Key relationships between and within movements are limited to related major and minor modes, modes a major or minor second apart, and modes a fourth apart. Further unity is achieved by emplying motives from the chants of the Roman Missa pro defunctis. These chants are used in the vocal lines as well as in the organ accompaniment.

Concerto for Piano and Orchestra is a three-movement composition for solo piano and orchestra. The three movements follow the general pattern of fast-slow-fast, although the first movement includes some slow sections. There is no break in continuity between the second and third movements. The duration of the entire work is approximately nineteen minutes, the first movement equivalent in time to the second and third movements combined.

Bay Psalmes-1640 is a large work in four movements for orchestra and chorus. The chorus employed is SATB but each of the four sections may be divided into firsts and seconds as required. The orchestra is a standard symphony orchestra consisting of woodwinds in threes, brass of four horns, three trumpets, three trombones, tuba, percussion including orchestral bells, timpani, snare drum, bass drum, triangle, cymbals and suspended cymbal. Special instruments include the harp and the celesta. The orchestra is completed by the usual complement of strings.

The orchestral interpolations in this melodrama are written to support and enhance the spoken parts rather than compete with them. The alternating music and speech result in an intricately woven pattern which presents, ultimately, one dramatic picture. While the fragmented quality of the production could present many problems to a composer, Benda has woven the dramatic and the musical aspects of the composition together so well that one does not detract from the other.

The purpose of this thesis is to isolate the techniques presently being used by composers and to define and explain these techniques. The thesis concludes with a series of studies based on these twentieth-century compositional techniques for high school students in the form of warm-up and technique materials. The purpose of this study was to devise a sequence of studies designed to acquaint band members with twentieth-century composition techniques found in contemporary band literature.

The purpose of this study was to present a comprehensive analysis of the acoustical properties of the trumpet mouthpiece. The first section will be concerned with the individual parts of the mouthpiece and their interrelationship. The second portion of the study will be the physical analysis of three commonly used trumpet mouthpieces. For this study, five examples of each size have been selected. The third section will present a tonal analysis of the selected mouthpieces. These investigative procedures will attempt to recognize any relationships between the individual mouthpieces and the resulting tones.

During the first half of the twentieth century the trumpet has gained its position as a solo instrument, even surpassing its esteemed position in the High Baroque Era. With the combined efforts of performers like Herbert L. Clark, Ernest S. Williams, and Joseph Arban, and the efforts of the French school of trumpet playing, notably those of Raymond Sabarich, the trumpet has risen from a mere accompanying instrument of the Classical Period and early Romantic Era to its present place as an expressive solo instrument. In this relatively new position the trumpeter is faced with one serious problem: that is one of limited literature. The trumpeter of today is almost compelled to perform either works of the Baroque Era or solos written within the last thirty years.

It is the intent of this study to describe the harmonic activity that is present in the tone of the alto saxophone and to compare the spectra of selected tones when the chamber of the mouthpiece is changed in size and shape. It is hoped that the following questions might be answered: 1. What does the harmonic spectrum of the alto saxophone contain in terms of harmonic activity and the relative intensities of these harmonics? 2. What basic changes in chamber shape and size have evolved from early models? 3. Is there an appreciable change in the envelope of harmonic activity when the mouthpiece chamber is altered in size and shape? 4. Is it possible for these changes to be used to explain common terminology of the musician in describing tone qualities?

The British Museum, Additional Manuscript 4918, provides an interesting insight into the sociology as well as the music of the Baroque period. This treatise was written by an unknown "music-lover," who was not a musician by profession. All that is definitely known about his identity are the initials A.D.V. that appear on the title page. The manuscript is dated 1702. In method and design this work represents the transitional character of the seventeenth and eighteenth centuries. Because the author was not a professional musician, it is important to consider the sociological aspects which influenced the writing of a treatise of this sort. A study of the development of Baroque musical treatises indicates a direct parallel with the social and political temperament of the time.

The musical compositions known collectively as the French cantata have remained relatively unknown since their popularity waned in the middle of the 18th century. In order to establish a foundation for their systematic study and to bring them to the attention of a wider audience, this survey and catalog have been prepared. The cultural mileu in which the cantatas were written, their formal structure, and principles related to their performance have been presented along with pertinent biographical and bibliographical information.

In reviewing the events of the advances of science and technology of the past two decades one is struck by the magnificence of man's accomplishments. The first moon walk televised live in 1969, the widespread utilization of color television receivers, the educational uses of sophisticated audio-visual equipment such as overhead projectors, slide projection, sound tape recorders, close-circuit television and videotape and the almost omniscient usage of television, is ample evidence to demonstrate that the tools necessary to accomplish a task are readily accessible items in this age. We are introduced to new gadgets, innovations, and events (like the moon walk) at such a rapid pace that we have become more flexible and more receptive to change; so much so that at times many of us are even blase about nearly miraculous accomplishments.

The purpose of this study were to provide fundamental ethnographic information about the Ticuna Indians and to determine to what extent the programs of bilingual education, administered among them by the Ministerio de Educación Pública del Perú and the Summer Institute of Linguistics (SIL), had accelerated their integration into mainstream Peruvian Life.

On December 5, 1969, an experimental production of Neil Simon's A Star-Spangled Girl was presented at the Callier Hearing and Speech Center in Denton, Texas. On December 6, 1969, the production was repeated in the Studio Theatre on the North Texas State University campus in Denton, Texas. The production was experimental in that it was directed for a deaf audience.

"The problem of this study was to determine attitudes toward physical activity expressed by male and female students in the required physical education activity program at North Texas State University during the 1970 spring semester."--4.

The purpose of this study is to examine the songs Tre Sonetti del Petrarca by Ildebrando Pizzetti. Effort is made to provide the performer with musical and poetic analyses to aid him in the preparation and interpretation of the songs. A consideration of the development of Italian solo song from 1822 to 1950 and brief biographical sketches of both the composer and the author of the text are included as background material. It is assumed that a detailed examination of the music and poetry will lead to a more meaningful expression in performance.

The purpose of this study is a descriptive one concerning some facets of the family setting with emphasis directed to several general questions. What is the basic family structure, i.e., what family characteristics (type of family or subfamily and the relationship to the head of the family or subfamily) characterize the aged? What is the level of family income of the aged? Finally, how do answers to these questions vary with respect to the three basic social traits of race, age, and sex?

The problem with which this study was concerned involved the identification of minimally brain-injured children. The performance on the "Birch-Belmont Auditory-Visual Integration Test" by twenty-five minimally brain-injured students was compared to the performance of twenty-five non-brain-injured children. It was found that when ages and I.Q. scores were not significantly different, and when sexes were approximately proportionate, the M.B.I. children scored significantly lower than did the non-brain-injured children. While it was indicated that the minimally brain-injured children perform less adequately on auditory-visual integration, no comparison of intrasensory and intersensory functioning was made. It was suggested that the test not be employed for sole determination of minimal brain injury, but that it may be used as a screening device quite appropriately.

The purpose of this study is to assess the relationship between job satisfaction and the level of city urbanization. Significant job satisfaction differences between employees in highly urban and in moderately urban cities are expected on the basis of past research. It is hypothesized that employees in moderately urban cities will have higher satisfaction scores than employees in highly urban cities. An affirmative finding would enhance the value of the relationships described in past research, and it would imply a basis for generalization of findings along a rural-urban continuum.

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"The purpose of this study are (1) to identify some of the factors involved in this perceptual ability, (2) to devise a test to measure these factors, and (3) to determine if this test has any predictive validity."--4.

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The piano first came into existence about 1709, but until the 1770's it was probably used most successfully as an accompanying instrument because of the small volume of tone it could produce. In its earlier stages the piano was not capable of producing even as big a tone as a large. sized harpsichord, During these seventy years piano builders experimented a great deal with the piano and its mechanisms, As with any instrument, some ideas were kept and improved, and others were tried and then discarded.

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