Air for Band is an original composition by Lawrence Weiner.

Alto Requiem is a requiem mass for contralto, chorus, and organ. Several unifying elements have been used throughout the composition. Most of the homophonic texture is limited to quartal and secundal structures. The melodic material is also predominantly quartal and secundal. Key relationships between and within movements are limited to related major and minor modes, modes a major or minor second apart, and modes a fourth apart. Further unity is achieved by emplying motives from the chants of the Roman Missa pro defunctis. These chants are used in the vocal lines as well as in the organ accompaniment.

Concerto for Piano and Orchestra is a three-movement composition for solo piano and orchestra. The three movements follow the general pattern of fast-slow-fast, although the first movement includes some slow sections. There is no break in continuity between the second and third movements. The duration of the entire work is approximately nineteen minutes, the first movement equivalent in time to the second and third movements combined.

Bay Psalmes-1640 is a large work in four movements for orchestra and chorus. The chorus employed is SATB but each of the four sections may be divided into firsts and seconds as required. The orchestra is a standard symphony orchestra consisting of woodwinds in threes, brass of four horns, three trumpets, three trombones, tuba, percussion including orchestral bells, timpani, snare drum, bass drum, triangle, cymbals and suspended cymbal. Special instruments include the harp and the celesta. The orchestra is completed by the usual complement of strings.

The orchestral interpolations in this melodrama are written to support and enhance the spoken parts rather than compete with them. The alternating music and speech result in an intricately woven pattern which presents, ultimately, one dramatic picture. While the fragmented quality of the production could present many problems to a composer, Benda has woven the dramatic and the musical aspects of the composition together so well that one does not detract from the other.

It is the intent of this study to describe the harmonic activity that is present in the tone of the alto saxophone and to compare the spectra of selected tones when the chamber of the mouthpiece is changed in size and shape. It is hoped that the following questions might be answered: 1. What does the harmonic spectrum of the alto saxophone contain in terms of harmonic activity and the relative intensities of these harmonics? 2. What basic changes in chamber shape and size have evolved from early models? 3. Is there an appreciable change in the envelope of harmonic activity when the mouthpiece chamber is altered in size and shape? 4. Is it possible for these changes to be used to explain common terminology of the musician in describing tone qualities?

The purpose of this study were to provide fundamental ethnographic information about the Ticuna Indians and to determine to what extent the programs of bilingual education, administered among them by the Ministerio de Educación Pública del Perú and the Summer Institute of Linguistics (SIL), had accelerated their integration into mainstream Peruvian Life.

On December 5, 1969, an experimental production of Neil Simon's A Star-Spangled Girl was presented at the Callier Hearing and Speech Center in Denton, Texas. On December 6, 1969, the production was repeated in the Studio Theatre on the North Texas State University campus in Denton, Texas. The production was experimental in that it was directed for a deaf audience.

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The study called for the identification of a group of underachievers at the eleventh and tenth grade levels.