Recording of Juan Blanco's Musica Para Danza. This is the composer's first work for electroacoustic tape and was created using an oscillator and tape recorders.

Recording of Clarence Barlow's Piano Concerto No. 2 - "Aux fins de quelques siècles". This work started as the second movement of the composers Piano Concerto No. 1 in D and as years past and music changed, the piece changed as well. The composer notes the musical differences throughout the progression of the piece as a reflection of the decade it was written. It was premiered as an orchestral piece in Reykjavik with soloist Deborah Richards and the Iceland Symphony Orchestra.

Recording of Armand Gutheim's Die Mauer. The sight of the former wall, which divided Europe in two, and the feeling that it evoked, was the perfect subject for an electroacoustic piece. Divided into three parts (1. Construction 1961, 2. Checkpoint 1975 and 3. Destruction 1989). Several acoustic instruments, tools and sounds were originally used at the recordings as well as a choir. Nevertheless, they were all processed and adapted into the electroacoustic concept that can be heard. The result became a piece who may give the listener an unpleasant feeling from the past but also a feeling of hope for the future.

Total view from front of accumulation of cans. From the Contemporary Period.

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Painting entitled Dejeuner sur L'Herbe.

central detail

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This abstract painting is in hues of red, blue, green, brown and white.

Painting of seated pink female nude with yellow hair. Floral collage on the left side of the composition and fruit collage of the right.

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This painting contains the lower part of a white window shade over the top part of the canvas with several cords and rings painted on the canvas to give the appearance of a swinging pull cord.

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Sculpture made of welded steel wire and canvas.