The primary objective of this study is to write a brass method which will give the college student a thorough foundation in articulation, tone production, intonation, and other factors involved in the playing of the trumpet, French horn, bass and trombone. This brass method will be written for college level brass classes.

The composer has earnestly sought to capture in this work, Allegra for Orchestra in C minor, the clarity and simplicity that is commonly associated with works of the Classic Period of musical composition. He has tried to accomplish this by making use of musical composition. He has tried to accomplish this by making use of present day approaches toward musical composition, yet trying to delete the cleverness, the bizarre effects, and the trite pomposity that one finds so prevalent in much of the music that has been written since the beginning of the twentieth century. This effort toward simplicity extends to form, harmonic content, texture, and instrumentation.

This study examines the history of the French solo, Ravel's influences,and the characteristics and relationships of his own music.

Fantasy for Orchestra was first conceived as a symphony in one movement of about twenty minutes duration in sonata-allegra form. It was to include the diversity of moods and materials generally associated with the three, or four movement sonata, or symphony, as had my sonata for violin and piano. The plan of this previous work is as follows: A, Scherzo, B, Closing Theme, Development, A, Slow Movement, B, Closing Theme, Coda.

The first movement is probably best catalogued as highly altered sonata-allegro in form. Exposition of the main thematic material is in the form of a fugue. The main thematic germ of this entire work may be found in the first three ascending fourths.

The problem of this study was to make a transcription of Lincoln Portrait for symphonic band. There is a drastic need for music of a better quality and music by modern composers for symphonic band.The problems of this study concern the following major phases: first, the instrumentation of the work;second an analysis from the point of view of the problem; third, a band transcription of Lincoln Portrait for symphonic band.