Photograph of three men standing side by side in front of a large house on piers, all wearing dark-colored suits and hats. The man in the middle has his right hand on the shoulder of the man on the left. Visible on the house are four dormers, wraparound porch with railing and columns, and twelve windows. A hand written note on the back reads, "Left to right: Harvey Pruitt, Stewart Foster, Terrell Foster, May - 1918."

Photograph of L. A. Robinson and an unidentified man standing in the large doorway of Nash-Robinson and Company in Marlin, Texas. Both men are wearing dark-colored suits and hats. A handwritten note on the back reads, "1918, L. A. Robinson, standing in doorway of Nash-Robinson & Co., Marlin, TX."

Photograph of a large field with mountains on the horizon and nothing to be seen except a windmill in the distance and a horse in the foreground. Frank Duncan's title for the photo, printed at the bottom, is: "Out Across the Plains"

Photograph of W. H. Cleaveland wearing suspenders and Harry Andrews standing next to him with his hands on his belt.

Photograph of Mexican Canyon on Allen and Crawford Ranch in Lajitas, Texas. Photo was taken by Frank Duncan and is copyrighted in 1918.

Portrait of the Dominguez family. Alex Dominguez, Sr. and his wife Francisca Dominguez are sitting down with their youngest child sitting in Mr. Dominguez's lap and their son, Ben Dominguez, standing behind them.

Photograph of the funeral procession for Louis Casey, a World War I soldier from Mesquite, Texas. The coffin, which is being pulled by six horses, is surrounded by flower arrangements. Several men are dressed in uniforms.

Photograph of William L. Cleveland, the postmaster of Palo Pinto, Texas, standing inside of the Palo Pinto Post Office. The mustached man wears dark clothes and looks toward the camera while holding a letter. Papers jut out of shelves on both sides of Cleveland. A rolltop desk in the right foreground is covered with papers. "Palo Pinto Post Office 1918 W. L. Cleveland, Postmaster" is handwritten on a slip of paper attached to the bottom of the photo.

Photograph of Shirley Mason and Viola Dana sharing a kiss. Dana wears a floral dress, while Mason wears a plain dress, a hat, and a gingham apron. They stand on the front porch of a house.

Photograph of Viola Dana, Ormer Locklear, and Shirley Mason standing on the front porch of a house. In the photograph, a man, left, is holding a bible and raising one hand. Locklear is putting his arms around Dana and Mason, who are holding hands.

Photograph of Viola Dana on the set of The Skywalker. The background is dark. She wears a dark dress with sheer lace sleeves.

Photograph of Ormer Locklear standing next to an airplane. He holds onto the propeller.

Photograph of Viola Dana and Ormer Locklear sitting at a table. Locklear, right, reads a newspaper while Dana, right, points to something on the page. She wears a velvet dress. A tea service is situated on a table in the living area.

Photograph of Viola Dana and Ormer Locklear standing in front of a car beside the beach. Both wear bathing suits.

Photograph of Jeanie McPherson and Ormer Locklear standing in front of a plane. They wear leather jackets, goggles, and aviator caps.

Photograph of Ormer Locklear and his wife, Ruby, standing next to a biplane. Both wear aviator caps and goggles.

Photograph of Viola Dana and Ormer Locklear sitting at a table. Dana, right, reaches to put a cookie in Locklear's mouth. An older woman stands in the background holding a plate of cookies.

Photograph of Viola Dana and Ormer Locklear out on location. Dana, left, is sitting in a chair with her name on it. She is wearing a fur coat and floppy hat. Text on the reverse reads: "Out on location with her company making picture title 'Eliza Come to Star.'"

Photograph of Ormer Locklear and Louise Lovely. In the photograph, Lovely and Locklear are holding hands as they stand next to a tree. Locklear is dressed in a suit, while Lovely is wearing a lace hat and a dress with a light blue bodice.

Photograph of Viola Dana and Ormer Locklear sitting together on an airplane. They face each other as Dana points her right index finger towards Locklear, Locklear, right, wears a suit and bow tie, while Dana wears a dress which has a gingham blouse and dark skirt.

Photograph of Ormer Locklear, Fred Rochester, and Lt. Ralph Diggins. This photograph is a promotional scheme for the Great Train Robbery movie. The individuals are standing in front of a plane; one of them is holding packages of meat from Morris & Company.

Photograph of Ormer Locklear, Louise Lovely, Cesar Graving, and Milton Elliott on the set of a movie. In the photograph, Ormer Locklear is holding hands with Louise Lovely while Cesar Graving is raising his hands above them and Milton Elliott stands off to the side.

Photograph of Dorothy Phillips looking directly into the camera, posing with her right hand resting underneath her chin. She is wearing a lace blouse, a sheer jacket, and a ring.

Portrait of Viola Dana wearing a silk dress with a dropped waist and holding up a metal box in her hands. Half of her face is visible against a shadowy background.