Wedding gown of fine white batiste with various kinds of lace. The full-length gown has a slender silhouette which flares out from the Empire waist downward to the hem. The high neckline has a standing lace collar at throat, an embroidered net section covering lower throat and upper chest, an attached small lace fichu or bertha below that, and attached lace simulated shawl collar "lapels" running from the waist at back, up and over the shoulders, to the waist at front. The short sleeves are of bands and tiers of lace, with a satin band and tightly pleated/ruched rosette on each sleeve near cuff. At waist is a wide satin band with larger pleated/ruched satin rosette in front and back. The main body of the skirt has a vertical inset lace panel at front and back which runs from waist to about knee-height. The lower part of the skirt is made of inset horizontal bands of various types of lace Dress has a center back opening with a series of 28 hook-and-eyes, four hook-and-eyes for satin band at waist, and 3 hook-and-eyes for inner waistband. Not shown are accompanying half slip edged with lace and elbow-length kidskin leather gloves size …

A still life painting of instruments and sheet music.

A landscape depicting a viaduct and several homes.

The landscape, sky and water are vaguely suggested in this mostly monochromatic drawing.

The painting depicts a group of men at a dining table on the landing of a large set of stairs to a large building. A waiter stands at their side. The brushstrokes are long and loose.

The close detail of this painting shows the table with the men dining and their waiter. The loose brushwork is visible in this detail.

The portrait is of a man wearing a suit of armor, holding a very small stringed instrument and wearing around his neck a portrait. In the distance is a woman holding or playing a lyre.

The man's face and the woman in the distance are shown in this painting detail.

The portrait is drawn in charcoal on paper. The lines are expressive and bold. A faint drawing is also visible from the opposite side of the paper.

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Man's detachable white collar. "Patented / Mch. 17. 1908" "7644" with lion "Trade Mark" "Lion Brand / Plattsburg / U. S. & C. Co." "15 1/2"

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The interior scene shows a table covered with a red, pink and purple tablecloth with black bands on which a vase of flowers, a bird statue, a piece of fruit, a glass, and a book are seen. In the background is a landscape of a tree with red fruit, green grass, birds, and one white and yellow flower.

A landscape painting of a forest.

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A figure with a halo lays in the center of a fanciful landscape. The composition is symmetrical and the colors bright with patterning on the plants, flowers, and trees.

Pair of boots or "high button shoes" of gray/very pale blue leather. The shoes, designed with pointed toes rounded at the tips, lace closed along center front with laces 16 holes high. The high heels are rounded at sides and back, tapering to center and flaring back out at base, and are curved at front. The sole is of tan leather. Shoes are lined in matching leather and off-white cloth. Retailer's stamp on lining: "Byrn's Boot Sh [partly illeg] / Kansas City" L: 26.5 cm W: 7.5 cm H: 27 cm Heel: 5.5 cm / 2 1/8 in.

Pair of lady's shoes of brown leather. The shoes, designed with gently pointed toes, are of the Oxford style of brown leather with openwork at sides of instep and with laced closure at instep of 4 holes height. The medium height heels are styled as a modified Cuban or continental heel, with rounded sides and back, tapering to base, and slightly curved at front. The heels covered with matching leather. Sole of tan leather, with rubber/composite on heel. Stamped in lining on one shoe: "Arch Rest / Drew / Portsmouth. O." Stamped into lining of shoe: "8 1/2 AAA 75537 / 6003" Stamped on inner sole: "[drawing of arrow] INTERIOR / DREW / [illeg]CK REST" Tooled into inner sole at heel: "SNUG-FITTING / HEEL" Molded into rubber of heel: "Biltrite" L: 26 cm W: 8 cm H: 12.5 cm Heel: 5 cm / 2 in.