Photograph of Shobhana Chelliah working on a Lamkang text during the Lamkang orthography workshop in Don Bosco, Guwahati, Assam.

Recording of a speech by Joy Tholung at the LNBA Fellowship at Thamlapokpi Village in Chandel District.

Recording of proverbs in Lamkang. Beshot Khullar, Rengpu Rex Khullar, Shobhana Chelliah and Harimohon discussing the Lamkang proverbs.

A photograph of Tholung Swamy Ksen and Harimohon Singh at the Independence Day celebration in Don Bosco Institute, during the Lamkang Orthography workshop at DBI Guwahati, Assam.

Photograph of a Lamkang orthography workshop in Don Bosco, Guwahati, Assam.

Recording of the Raapa Story by Stephon Sankhil. A tiger, angry at being duped by Koreng, eats him. Koreng's sisters vow to marry whoever kills the tiger, and the only one able to do it is Raapa. Jealous, the other men conspire to kill Raapa, but he survives two attempts and tricks them so that they drown. In the end Koreng's sisters kill Raapa.

Recording of Sumphaai leh Raangleen story narrated by Grace Sankhil

Recording of Donnu Sankhil telling the story of Uitokpaa and Useen. How the days were being formed. The song of a widow whose house stood alone after all the houses of the villagers sank underground.

Transcription of a retelling of Theipaa paomin (the Squirrel Story), as told by Bunghon Sankhil of Keithelmanbi Lamkang village in Chandel District Manipur.

Recording of Tyler Utt and Shobhana Chelliah eliciting tone words in Lamkang (N-P) with Sumshot Khular.

Recording of Tyler Utt and Shobhana Chelliah eliciting tone words in Lamkang (H-K) with Sumshot Khular.

Recording of Tyler Utt and Shobhana Chelliah eliciting tone words in Lamkang (L-M) with Sumshot Khular.

Photograph of a poster presentation about reduplication in Lamkang at the ICOLSI-38 conference at IIT Guwahati, Assam, India

Retelling of Pear Story in Lamkang by Robert Leivon in New Delhi 2009

Photograph of a Manipuri manuscript, viewed through a plastic barrier. It is written in the Meithei Mayek script, a Brahmic abugida which has been in use since the 11th century. This specific manuscript discusses the art of the architecture and science of construction of houses, buildings, bridges, and walls.

This is a photograph of a Manipuri manuscript in the Meithei Mayek script. The Meithei Mayek script is a Brahmic abugida which has been in use since the 11th century. This specific manuscript discusses the art of the architecture and science of construction of houses, buildings, bridges, and walls. It was photographed through a plastic barrier.

This is a photograph of a Meitei Mayek manuscript. The Meithei Mayek script is a Brahmic abugida which has been in use since the 11th century. It was photographed through a plastic barrier, with the label 'CHADA LAHUI'.

This is a photograph of a woman with a private collection of ancient Manipuri manuscripts stored in a cabinet.

This is a photograph of a Manipuri manuscript originally created around the 16th century, written in the Meithei Mayek script, a Brahmic abugida which has been in use since the 11th century. It was photographed through a plastic barrier, with the label 'PHOUWOBI WAROL' partially obscured by a glare.

This is a photograph of Manipuri manuscript, known as a puya, on agar bark containing traditional lore. It is written in the Meithei Mayek script, a Brahmic script which has been used since the 11th century. It was photographed through a plastic barrier, with the label 'SADING SAKOK'.

This is a photograph of a Manipuri manuscript. It was photographed through a plastic barrier, with the label 'YUMPHAM YENGNABA'.

This is a photograph of a Manipuri manuscript. It is written in the Meithei Mayek script, a Brahmic abugida which has been in use since the 11th century. It was photographed through a plastic barrier, with the label 'YUMSHAROL'.

Melissa Robinson eliciting possessive constructions with Sumshot Khular.

Recording of Melissa Robinson eliciting tone minimal pairs in a frame with Sumshot Khular.