Eclectic Style, the Essence of Originality in the Music of Francis Poulenc Discussed Through the Concerto for Piano and Orchestra, 1949 (open access)

Eclectic Style, the Essence of Originality in the Music of Francis Poulenc Discussed Through the Concerto for Piano and Orchestra, 1949

This paper analyzes Francis Poulenc's Concerto for Piano and Orchestra written in 1949. Deborah Lee Erftenbeck explores his eclectic style and the manner of its development, determining the originality of its nature and his works.
Date: December 1976
Creator: Erftenbeck, Deborah Lee
System: The UNT Digital Library
An Analysis of Jaques Ibert’s Concertino Da Camera for Alto Saxophone and Eleven Instruments (open access)

An Analysis of Jaques Ibert’s Concertino Da Camera for Alto Saxophone and Eleven Instruments

This paper provides historical background for the creation of Jacques Ibert's Concertino da camera for alto saxophone and eleven instruments and analyzes its three movements. As one of the first works written for the saxophone, James Garland Riggs explains the importance of the piece.
Date: December 1972
Creator: Riggs, James Garland
System: The UNT Digital Library
French Mélodie: The Solo Songs of Henri Duparc (open access)

French Mélodie: The Solo Songs of Henri Duparc

This paper explores the French mélodies written by Henri Duparc and includes a historical background of both Duparc and the mélodie as a type of song. Carol Tagg explores the roots of the mélodie and how influences of the Romantic movement are reflected in Duparc's work.
Date: December 1978
Creator: Tagg, Carol
System: The UNT Digital Library