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Singing the Republic: Polychoral Culture at San Marco in Venice (1550-1615)
Spółka Nakładowa Młodych Kompozytorów Polskich (1905-1912) and the Myth of Young Poland in Music
The Lute Music and Related Writings in the Stammbuch of Johann Stobaeus
Schoenberg's Janus-Work Erwartung: Its Musico-Dramatic Structure and Relationship to the Melodrama and Lied Traditions
Keyboard Tablatures of the Mid-Seventeenth Century in the Royal Library, Copenhagen: Edition and Commentary
Reconstructing Convention: Ensemble Forms in the Operas of Jules Massenet
Reconsidering the Lament: Form, Content, and Genre in Italian Chamber Recitative Laments: 1600-1640
Use Restricted to the UNT Community.
The "Beethoven Folksong Project" in the Reception of Beethoven and His Music
Sensitivity, Inspiration, and Rational Aesthetics: Experiencing Music in the North German Enlightenment
Caught Between Jazz and Pop: The Contested Origins, Criticism, Performance Practice, and Reception of Smooth Jazz.
"Now His Time Really Seems to Have Come": Ideas about Mahler's Music in Late Imperial and First Republic Vienna
Patronage, Connoisseurship and Antiquarianism in Georgian England: The Fitzwilliam Music Collection (1763-1815)
Opera at the Threshold of a Revolution: Francis Poulenc’s Dialogues des Carmélites (1953-1956)
A Study of the Vocal Chamber Duet Through the Nineteenth Century
On the Nature of Melody in Asia and Medieval Europe
Shaping Hagiography through Liturgy: Music for the Patron Saints of Three Cathedrals in Medieval Aquitaine
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