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Degree Department
School of Music
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School of Music
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An Examination of Two Significant Percussion Compositions: Karlheinz Stockhausen's Zyklus and Ingolf Dahl's Duettino Concertante, a Lecture Recital Together with Five Recitals of Selected Works of A. Ginastera, A. Wilder, W. Kraft, and Others
An Investigation of the Needs for Music-Related Content in the Bible College Pastoral Curriculum as Perceived by a Selected Group of Pastors
Transposition and the Transposed Modes in Late-Baroque France
Relationships Between Selected Musical Aural Discrimination Skills and a Multivariate Measure of Intellectual Skills
A Comparison of the Transcription Techniques of Godowsky and Liszt as Exemplified in Their Transcriptions of Three Schubert Lieder
An Investigation of Conflicts in the Perceptions of Band Directors, School Administrators, and Selected Members of the Community About Their Respective Band Programs
Avant-Garde Techniques in the Organ Works of György Ligeti, a Lecture Recital, Together with Three Recitals of Selected Works of J. Alain, J.S. Bach, W.A. Mozart, M. Reger, and Others
The Pedagogical Methods of Enrique Granados and Frank Marshall: an Illumination of Relevance to Performance Practice and Interpretation in Granados' Escenas Románticas, a Lecture Recital, together with Three Recitals of Selected Works of Schubert, Pofkofieff, Chopin, Poulenc, and Rachmaninoff
Early English Organ Music: Some Contributions from the Mulliner Book of W. Blitheman, T. Tallis and J. Taverner: Together with Three Recitals of Selected Works of J. S. Bach, D. Buxtehude, M. Duruflé, C. Franck, G. Frescobaldi, J. J. Frogerber, P. Hindemith, O. Messiaen, M. Reger, J. H. Tallis, and C.-M. Widor
The Solo Trombone Works of Kazimierz Serocki, A Lecture Recital, Together with Three Recitals of Selected Works by W. Hartley, P. Dubois, H. Dutilleux, H. Tomasi, G. Jacobs, L. Grondahl, J. Aubain and Others
Spółka Nakładowa Młodych Kompozytorów Polskich (1905-1912) and the Myth of Young Poland in Music
An Exploratory Study of Children's Multi-Sensory Responses to Symbolizing Musical Sound Through Speech Rhythm Patterns
The Nocturnes of Frédéric Chopin and Gabriel Fauré, a Lecture Recital, Together with Three Recitals of Selected Works by Other Composers for Piano
Compositional Devices of Willem Pijper (1894-1947) and Henk Badings (b. 1907) in Two Selected Works, Pijper's "Sonata per Flauto e Pianoforte" (1925) and Badings' "Concerto for Flute and Wind Symphony Orchestra" (1963), a Lecture Recital, Together with Three Recitals of Selected Works of Bach, Vivaldi, Dahl, Françaix, and Others
Programmaticism in Carl Reinecke's Sonata, Opus 167, "Undine" a Lecture Recital, Together with Three Recitals of Selected Works of A. Vivaldi, J.S. Bach, G.P. Telemann, K.D. von Dittersdorf, C. Nielsen, F. Martin, J. Rivier, S. Prokofieff, O. Messiaen, M. Castelnuovo- Tedesco, N. Castiglioni, and E. Bozza
An Investigation of Music Teacher Preparation in Selected United Negro College Fund Colleges and Universities
Mass/360
Rhetorical Analysis of the Sonatas for Organ in E Minor, BWV 528, and G Major, BWV 530, by Johann Sebastian Bach a Lecture Recital, Together with Three Recitals of Selected Works of J. Alain, D. Buxtehude, C. Franck, and Others
Aesthetic Justifications for Music Education: a Theoretical Examination of Their Usefulness
Charles Tomlinson Griffes's Three Preludes (1919) and Sonata for Piano (1918): A Lecture Recital, Together with Three Recitals of Selected Works
The History and Development of Vibrato Among Classical Saxophonists: A Lecture Recital Together with Three Recitals of Selected Works of A. Desenclos, L. Robert, J. Ibert, K. Husa, B. Heiden, R. Schumann and Others
Beethoven's Transcendence of the Additive Tendency in Opus 34, Opus 35, Werk ohne Opuszahl 80, and Opus 120
Schoenberg's Janus-Work Erwartung: Its Musico-Dramatic Structure and Relationship to the Melodrama and Lied Traditions
The Traité d'harmonie of Charles-Simon Catel
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