This work includes two different areas of research. Both areas are related to the combustion of the binder-enhanced densified refuse derived fuel (bdRDF) with high sulfur coal and examining trace elements. The first area of this work involved studying the trace metals in the combustion gas of bdRDF/coal blend and the effect of the binder, CA(OH)2, on reducing the trace elements emissions. The second area of work involved studying the trace elements in the fly ash and the effect of the dRDF and the binder of trace metals.

In this study the mouse tumor necrosis factor-alpha (TNF-α) was prepared by stimulating macrophage cell line RAW 264.7 with lipopoly-saccharide (LPS) obtained from Escheria coli strain 055:B5.

In this study a library of EcoRI fragments encompassing the entire TOL region of the Pseudomonas putida TOL plasmid pDK1 was constructed in the Escheria coli cloning vector pBR325.

Fleogan is a work for a flute choir consisting of four piccolos, six C flutes, six alto flutes, and four bass flutes. The formal structure of Fleogan consists of three levels of arch form. First is the arch structure of the work in its entirety; next is the arch form within a movement, and on the smallest scale is the form within a tempo-section.

The purpose of this study was to research and synthesize a new curriculum development model which has a theoretical base, proven practicality, and usefulness for local school districts.

A mating between Escherichia coli 4318 (thi-leu-Las-Hfr) and E. coli A-1 (Met-Las+ F-) resulted in the formation of phototrophic recombinantshaving L-asparaginase activities at three distinct levels. The physiology of L-asparaginase synthesis in these recombinants is described.

Gilgamesh is a dramatic solo for contralto. An unusual feature of this project is the composition of two separate and distinct versions of the instrumental accompaniment. One version is for a large concert band with an expanded percussion section and is almost fourteen minutes in length. The other version is for a small ensemble consisting of piano, percussion (xylophone, 4 tom-toms and miscellaneous instruments) and prepared tape. It is eleven minutes in length.

Settings and notions are as in previous abstracts of W. D. L. Appling. This paper contains an investigation of the relationship between a class of non-linear functions defined on PAB and certain subspaces of PAB in particular Appling's linear C-sets, Solomon leader's finitely additive Lp spaces, and one of the projective limit spaces studied by Davis, Murray, and Weber.

The purpose of this study was to determine the personal reading interests of students in the third, fourth, and fifth grades and to determine if advances in technology in the past twenty years have changed their reading interests.

The problem with which this investigation is concerned is that of determining success of selection of classes and satisfaction or dissatisfaction with self-scheduling as opposed to computer scheduling. A survey is made of 468 randomly selected high school students from four high schools in a large metropolitan school district.

The problem of this study is to describe and analyze faculty attitudes toward administrators in an urban junior college district. The purposes of this study are to ascertain the attitudes of junior college faculty toward campus-level administrative positions and to determine what relationship existed between general and specific measures of faculty attitude.

The purposes of this study were to develop and validate a Prototype Training Program designed to prepare potential curriculum workers to implement the Synthesized Curriculum Development Model in Part I.

The problem of this study was to determine the relationships of certain categories of job satisfaction to selected personal characteristics of teachers who were teaching in rural communities located in isolated rural Texas counties.

The Contest is a ballet scored for orchestra and tape. It was composed in the tradition of dramatic orchestral ballets and sets the biblical story from 1 Kings, chapter 18, verses 20-40. Certain portions of the work were written using computer assisted compositional programs developed by the composer. These programs were written in the BASIC programming language. Other sections of the score were composed intuitively, using no computer programs. The tape for the last movement was prepared on the Synclavier II digital syntesizer using the Script system and the Synclavier II keyboard instrument.

"The Crystalline Sense" is a composition in one movement for chamber orchestra with the following instrumentation: flute, oboe, clarinet in Bb (doubling bass clarinet in Bb), bassoon, horn in F, trumpet in Bb, trombone, percussion and strings. The composition is approximately nine minutes in length. The goals of the work are (1) to employ intra-sectional practices, (2) to derive all rhythmic ideas from the main themes, (3) to combine certain elements of chromatic, whole tone, and certain triadic structures into a valid compositional technique effective in both vertical and horizontal situations, (4) and to produce a piece of music of moderate difficulty which fully exposes each instrument technically and lyrically.

The lecture recital was given on August 8, 1978. The discussion of constructive features in Gabrielli's In ecclesiis (1615) and Canzon VIII à 8 (1615) and Stravinsky's In Memoriam Dylan Thomas established that the architecture of St. Mark's Cathedral and the selected works by the composers bear a simple number relation.

The problem with which this study was concerned was that of comparing biological science in general education among black institutions of higher learning in the United States in 1976 and 1973.

The problem under investigation was a description and analysis of change in selected personality characteristics of guidance associate students during the first and second year of training in the undergraduate curriculum designed for the Guidance Associate Degree at North Texas State University.

The purpose of the present study was to determine: (1) that dental office personnel would be exposed to more toxic chemicals in the workplace than the non-dental office controls; (2) that exposure should lead to a reduction in the efficiency of the immune system in the individuals in the dental office; and (3) the immunological deficit should manifest itself in psychological and/or physiological pathology as measured on the Profile of Mood States (POMS) and Bender Gestalt.

This investigation is concerned is concerned with how a commercial herbicide, dimethyl 2, 3, 5, 6-tetrachloroterephthalate (DCPA) affects the growth, morphology, and physiology of foxtail millet (Setaria italica (L.) Beav.). The objectives were to examine the nature of morphological changes, to determine what physiological and chemical changes accompanied the morphological alterations and to obtain information about the mechanism by which DCPA is herbicidal.

The purpose of this research was to reveal the morphological and cytological characteristics of Azotobacter vinelandii cells cultured in dialyzed soil medium. Culture samples taken at two, four, eight, sixteen and thirty-two days were prepared and examined with the electron microscope. Comparisons of the morphology of Azotobacter vinelandii grown in dialyzed soil medium with those grown in Burk's nitrogen-free, chemically-defined medium were done.

By presenting the auditor as a unifying principle that links Browning's earliest works to his dramatic monologues, this dissertation enhances the importance of the ever-ignored experimental works in developing the dramatic monologue technique. An exploration of the emergence and development of the auditor has an additional, but never ancillary, effect of proclaiming the originality and inventiveness of Browning's dramatic technique.

This study investigates the relationships between planning strategies on how to avoid future DWI arrest and actual DWI recidivism for a group of problem and non-problem drinkers. A sample of 75 individuals who were arrested for DWI and completed a DWI training program in 1987 was gathered.

The process of the organization of the orchestra began with the rise of opera; considered on a broad scale this process divides itself into two periods, the first terminated by the deaths of Bach and Handel (1600-1759) and the second beginning with the complete change of orchestral sound evident in the symphonies of Haydn and Mozart during the second half of the eighteenth century. It is the first of these two periods that witnessed the composers of art music exploiting the natural trumpet, an instrument long associated with court, camp, and field, to the extent that they developed a vast repertoire of trumpet music characterized by its virtuosic technical requirements.