When Ella Szabó fled her homeland during the Hungarian Revolution of 1956, she never dreamed that someday she would become a member of the US Olympic swimming team, an accomplished baker in America, and the author of a cookbook about Hungarian desserts. But a chance encounter with a fellow Hungarian in Connecticut led to Ella’s becoming the custodian of a collection of heirloom recipes that form the core of this book. You’ll learn from more than fifty recipes how to bake Hungarian tortes, cookies, pastries, and cakes, from elegant old-world pastry-shop classics like Linzer Torte and Esterhazy Torte to easy homestyle desserts, many of them from recipes that have never been published before. Try your hand at delicate nut-flour tortes made from walnuts, almonds, and hazelnuts: Almond Meringue Torte with Coffee-Cream Filling, Walnut Wedding Torte with Hazelnut Filling, and Chocolate Roulade with Hazelnut Cream. Enjoy easy-to-make Hungarian Almond Biscotti, Orange Kugelhopf, and Cherry Sponge Cake. And delight in devouring Walnut-Apricot-Lemon Bars, traditional Hungarian Cheese Biscuits, and Beigli, a Hungarian pastry roll filled with walnuts or poppy seeds, always eaten at Christmas. You’ll also find a complete section on ingredients, equipment, and techniques, as well as several historical and contemporary photographs. …

The stories in What Did You Do Today? explore the ordinary and the offbeat as if they were one and the same, asking what it’s like to be alive and what makes us human. With warmth, humor, and wonder, these stories suggest that the past is always alive in the present and that even the most fleeting relationships have the power to change us forever. In these short narratives, nothing is negligible, and all experience is transformative.

The eight stories of speculative fiction in There Is Only Us explore themes of loneliness, connectedness, and selfhood. Each one is an act of intimacy—an altered world shown through the lens of a close relationship. Brothers, sisters, lovers, mothers, and daughters come together in myriad constellations, often so that one character can make a body-altering choice of extreme proportions. In a variety of forms—from a satirical retelling of Noah’s Ark to a sister drama revolving around naked mole rats—There Is Only Us presents a series of escalating scenarios, intimate and yet absurd, that ask, how much can you change and still be you? Ballering’s stories bring to speculative fiction a new lightness and absurdity and a commitment to contemporary experiences of loneliness, especially among Millennials: loneliness during the COVID-19 pandemic, ecological loneliness (the sense that, by the end of our lives, the earth will be barren), and the unsolvable loneliness that so many experience despite carrying around a tiny device that claims it can connect them to any human anywhere on earth.

Leonidas Warren Payne, Jr. (1873-1945), counted Robert Frost among his friends and a member of the inner circle of poets who embraced him and sought his advice. He altered forever the perception of Texas when he created the Texas Folklore Society that continues to record, publish, and promote Texas history, myth, music, and customs. He guided J. Frank Dobie back into The University of Texas fold, where Dobie produced his finest work and established a voice for Texas literature. L. W. Payne, Jr., influenced generations of American school children through his anthologies that became basic English textbooks. Drawing upon Payne’s own writing, interviews with former colleagues and students, and private letters lain undisclosed since Payne’s death, Rare Integrity reveals a portrait of a man whose great gift of creative generosity and warmth of heart enabled him to see a person as the person wished to be seen.

This is the story of Victor Rodriguez, star track athlete and San Antonio educator. From his earliest days in South Texas in the 1940s he broke many barriers. As a football player and track star he set records and won trophies at Edna High School, at Victoria College, and at North Texas State College. At each stage of his education, he often found himself the only Mexican American in his group. He developed his sports prowess from nine years of early morning running to the church in Edna, to ring the bell before Mass. He earned the first Hispanic scholarships as an athlete at both Victoria Junior College and North Texas State College. After graduating in 1955, he began a career in the San Antonio School District, ultimately retiring in 1994 after twelve years as Superintendent of the District. As a pioneer Mexican American educator in San Antonio, he brought dignity and respect to the people of the Westside, where he remains a role model today.

The nine stories in Mike Alberti’s debut collection shine a sharp light on small-town American life —not the Arcadian small towns of yesteryear, but the old mill towns hanging on after the mill has stopped running, the deserted agricultural communities in the middle of vast industrial farms, places where bad luck has become part of the weather. But even in these blighted, neglected landscapes, the possibility of renewal always presents itself: there is hope for these places and the characters who inhabit them. In these fresh, innovative stories, some people let you down, but some people don’t.

In TFS Extra Book #28, Beatrice Upshaw shares her memories of growing up in County Line. A Biscuit for Your Shoe captures the lore of a community which began as a freedom colony west of Nacogdoches in East Texas. The book is a memoir, but it shares more than merely family memories of significant events. It tells of beliefs, home remedies, folk games, and customs, as well as the importance of religion and education to a community of like-minded people. The narrative is a rich source of colloquial language and proverbial sayings that help define a group of people and their strong sense of place. Richard Orton was first introduced to County Line by F. E. “Ab” Abernethy, the Secretary-Editor of the TFS for nearly four decades. Richard eventually did a photographic book on the people of the community, The Upshaws of County Line: An American Family, but he believed that Beatrice’s memoir should be developed into a separate work that could be shared with an audience larger than just family and friends. Richard’s introduction explains the value of the stories Beatrice Upshaw presents in A Biscuit for Your Shoe; they are personal, but the overall narrative speaks collectively about …

Donald Vogel arrived in Dallas at the beginning of World War II after a sojourn at the Art Institute of Chicago. “The feeling of space, its clear clean atmosphere, the calm courtesy of the people and promises of growth all gave hope to a young, would-be painter. What I could not have anticipated was that there would be no gentle growth: it exploded in every direction and the money followed.” Along with the wealth came East Coast art dealers who followed the oil field trails throughout Oklahoma and Texas. They brought dubious art and fake old masters, but the same growth that attracted disreputable dealers also made it possible for Vogel to be part of bringing fine works of art to Dallas, first at the Betty McLean Gallery and later at his own Valley House Gallery. In the words of Dechard Turner, “The Gallery opened the doors to the highest levels of sophistication in art. Not all entered, but the triumph of the Vogel story is that many did!” Already established as a painter, Vogel soon became the outlet in Dallas of art dealers in the United States and Europe. He has been an important part of the Dallas art …

Quantum Convention’s eight genre-bending stories balance precariously between reality and fantasy, the suburban and the magical, the quotidian and the strange. Caught at a crossroads in his marriage, a high school teacher attends a parallel universe convention, where he meets his multiple selves and explores the alternate paths of life’s what-ifs. The story of Margaret Hamilton, the actress who played the Wicked Witch of the West, parallels the coming of age of a cross-dressing boy whose crisis of identity is tied to The Wizard of Oz. Other stories feature characters labeled as “outcasts” by society—whether physically, morally, or fantastically: an alcoholic lucid dreamer, a closeted bisexual, a bachelor time-epileptic, orphans-turned-keeners, a vengeful banshee, a nerdy cyclops, and more. Many struggle to find what Dorothy and her entourage searched for: the wisdom to trust or discount their faith; the ability of the emotionally detached to love; the courage to speak up for oneself; a place to belong.

Music has long played a role in American presidential campaigns as a mode of both expressing candidates’ messages and criticizing the opposition. The 2016 campaign was no exception and was a game changer similar to the development of music in the 1840 campaign, when “Tippecanoe and Tyler Too” helped sing William Harrison into the White House. The ten chapters in this collection place music use in 2016 in historical perspective before examining musical messaging, strategy, and parody. The book ultimately explores causality: how do music and musicians affect presidential elections, and how do politicians and campaigns affect music and musicians? The authors explain this interaction from various perspectives, with methodological approaches from several fields, including political science, legal studies, musicology, cultural studies, rhetorical studies, and communications and journalism. These chapters will help the reader understand music in the 2016 election to realize how music will be relevant in 2020 and beyond.

"The Byrd Williams Collection at the University of North Texas contains more than 10,000 prints and 300,000 negatives, accumulated by four generations of Texas photographers, all named Byrd Moore Williams. Beginning in the 1880s in Gainesville, the four Byrds photographed customers in their studios, urban landscapes, crime scenes, Pancho Villa's soldiers, televangelists, and whatever aroused their unpredictable and wide-ranging curiosity. When Byrd IV sat down to choose a selection from this dizzying array, he came face to face with the nature of mortality and memory, his own and his family's. In some cases these photos are the only evidence remaining that someone lived and breathed on this earth"--Amazon. The contents include: Foreword : One bright thread / Roy Flukinger -- Photographs : The family album -- Landscape -- Postcard -- The Great Depression -- Studio -- People -- Non-people -- Violence and religion in Texas -- Night -- Afterword : Palimpsest / Anne Wilkes Tucker.

The stories in The Expense of a View explore the psyches of characters under extreme duress. In the title story, a woman who has moved across the country in an attempt to leave her past behind dumps an empty suitcase into the Columbia River over and over again. In another story, a woman who wakes up mornings only to discover she's been shooting heroin in a night trance, meets her doppelganger on a rainy Oregon beach. Most of the characters are displaced and disturbed; they suffer from dissociative disorders, denial, and delusions. The settings—Florida, eastern Washington, Seattle, and the Oregon coast—mirror their lunacies. While refusing to look at what’s right in front of themselves might destroy them, it’s equally likely to be just what they need.The contents include: Honey -- Night train -- Void of course -- The expense of a view -- Three of swords -- Thinking about Carson -- Compliance -- My old man -- My doppelganger's arms -- Festival -- How to make an island -- Blue plastic shades -- The grandmother's vision -- The island of cats.

Assigned as the senior medical advisor to the Army of the Republic of Vietnam in I Corps, an area close to the DMZ, James G. Van Straten traveled extensively and interacted with military officers and non-commissioned officers, peasant-class farmers, Buddhist bonzes, shopkeepers, scribes, physicians, nurses, the mentally ill, and even political operatives. He sent his wife daily letters from July 1966 through June 1967, describing in impressive detail his experiences, and those letters became the primary source for his memoir. The author is grateful that his wife retained all the letters he wrote to her and their children during the year they were apart. The author describes with great clarity and poignancy the anguish among the survivors when an American cargo plane in bad weather lands short of the Da Nang Air Base runway on Christmas Eve and crashes into a Vietnamese coastal village, killing more than 100 people and destroying their village; the heart-wrenching pleadings of a teenage girl that her shrapnel-ravaged leg not be amputated; and the anger of an American helicopter pilot who made repeated trips into a hot landing zone to evacuate the wounded, only to have the Vietnamese insist that the dead be given a …

A History of Fort Worth in Black & White fills a long-empty niche on the Fort Worth bookshelf: a scholarly history of the city's black community that starts at the beginning with Ripley Arnold and the early settlers, and comes down to today with our current battles over education, housing, and representation in city affairs. The book's sidebars on some noted and some not-so-noted African Americans make it appealing as a school text as well as a book for the general reader. Using a wealth of primary sources, Richard Selcer dispels several enduring myths, for instance the mistaken belief that Camp Bowie trained only white soldiers, and the spurious claim that Fort Worth managed to avoid the racial violence that plagued other American cities in the twentieth century. Selcer arrives at some surprisingly frank conclusions that will challenge current politically correct notions. "Selcer does a great job of exploring little-known history about the military, education, sports and even some social life and organizations."--Bob Ray Sanders, author of Calvin Littlejohn: Portrait of a Community in Black and White.

Funny, heartbreaking, and real--these twelve stories showcase a dynamic range of voices belonging to characters who can't stop confessing. They are obsessive storytellers, disturbed professors, depressed auctioneers, gambling clergy. A fourteen-year-old boy gets baptized and speaks in tongues to win the love of a girl who ushers him into adulthood; a troubled insomniac searches the woods behind his mother's house for the "awful pretty" singing that begins each midnight; a school-system employee plans a year-end party at the site of a child's drowning; a burned-out health-care administrator retires from New England to coastal Georgia and stumbles upon a life-changing moment inside Walmart. These big-hearted people--tethered to the places that shape them--survive their daily sorrows and absurdities with well-timed laughter; they slouch toward forgiveness, and they point their ears toward the Holy Ghost's last words. "In its precise prose and spooky intelligence and sharp-eyed examination of the condemned kind we are, Last Words of the Holy Ghost is an original. Listen: if you can find a collection of stories more cohesive, more ambitious in reach, more generous in its passion, and fancier in its footwork, I will buy it for you and deliver it in person. In the meantime, put some …

Guss, Felix, and Jim Upshaw founded the community of County Line in the 1870s in northwest Nacogdoches County, in deep East Texas. As with hundreds of other relatively autonomous black communities created at that time, the Upshaws sought a safe place to raise their children and create a livelihood during Reconstruction and Jim Crow Texas. In the late 1980s photographer Richard Orton visited County Line for the first time and became aware of a world he did not know existed as a white man. He went down the rabbit hole, so to speak, and met some remarkable people there who changed his life. The more than 50 duotone photographs and text convey the contemporary experience of growing up in a "freedom colony." Covering a period of twenty-five years, photographer Richard Orton juxtaposes his images with text from people who grew up in and have remained connected to their birthplace. Thad Sitton's foreword sets the community in historical context and Roy Flukinger points out the beauty of the documentary photographs. This book should appeal to anyone interested in American or Texas history, particularly the history of African Americans in the South in the aftermath of the Civil War. The book should …

The sharp-witted stories in Becky Adnot-Haynes' debut collection explore the secret lives of people—how they deal with the parts of themselves that they choose not to share with their closest confidants—and with the world. A pole-vaulter practices his sport only before dawn. A recently divorced woman signs up for a hallucinogenic drug excursion in the Arizona desert. An uncertain girlfriend goes out into the world wearing a false pregnancy belly. In The Year of Perfect Happiness, the universe is recognizable but slightly askew, a world whose corners can be peeled back to reveal the strange and often comic outcomes of acting out your most self-destructive desires. It is also a winner ofKatherine Anne Porter Prize in Short Fiction Series.

Inside Tim Johnston's Irish Girl, readers will find spellbinding stories of loss, absence, and the devastating effects of chance—of what happens when the unthinkable bad luck of other people, of other towns, becomes our bad luck, our town. The contents include: Dirt men -- Water -- Things go missing -- Antlerless hunt -- Jumping man -- Lucky gorseman -- Up there -- Irish girl.

“Remember, boys, nothing on God's earth must stop the United States mail!” said John Butterfield to his drivers. Short as the life of the Southern Overland Mail turned out to be (1858 to 1861), the saga of the Butterfield Trail remains a high point in the westward movement. A. C. Greene offers a history and guide to retrace that historic and romantic Trail, which stretches 2800 miles from the Mississippi River to the Pacific coast. “A fine mix of past and present to appeal to scholar and lay reader alike.”—Robert M. Utley, author of The Lance and the Shield: The Life and Times of Sitting Bull

Powerful and haunting, the ten stories of this debut collection imagine a world where dreams and reality merge, often with dangerous consequences. Michael Hyde explores the relationships between illusion and reality, delusion and clarity, as his characters come to realize that the revelations they wholeheartedly pursue are often not the ones that await them and will move them. A teenage girl obsessed with the death of a classmate hopes to become the killer's next victim, a wayward graveyard attendant punishes the dead for his punishments in life, and a ghostly vision in a garden shed offers a catalyst for one woman's change. "Michael Hyde’s stories are strangely satisfying and satisfyingly strange. They combine the gothic sensibility of Flannery O’Connor and the restrained prose of Raymond Carver. These are tales of love-in-extremis. They should be taken as a tonic before bedtime, to stir up our dreams and awaken our compassion."—Sharon Oard Warner, judge, author of Learning to Dance and Deep in the Heart

Voudou (an older spelling of voodoo)—a pantheistic belief system developed in West Africa and transported to the Americas during the diaspora of the slave trade—is the generic term for a number of similar African religions which mutated in the Americas, including santeria, candomble, macumbe, obeah, Shango Baptist, etc. Since its violent introduction in the Caribbean islands, it has been the least understood and most feared religion of the New World—suppressed, out-lawed or ridiculed from Haiti to Hattiesburg. Yet with the exception of Zora Neale Hurston's accounts more than a half-century ago and a smattering of lurid, often racist paperbacks, studies of this potent West African theology have focused almost exclusively on Haiti, Cuba and the Caribbean basin. American Voudou turns our gaze back to American shores, principally towards the South, the most important and enduring stronghold of the voudou faith in America and site of its historic yet rarely recounted war with Christianity. This chronicle of Davis' determined search for the true legacy of voudou in America reveals a spirit-world from New Orleans to Miami which will shatter long-held stereotypes about the religion and its role in our culture. The real-life dramas of the practitioners, true believers and skeptics of …

John Thomas Biggers (1924–2001) was a major African American artist who inspired countless others through his teaching, murals, paintings, and drawings. After receiving conventional art training at Hampton Institute and Pennsylvania State, he had his personal and artistic breakthrough in 1957 when he spent six months in the newly independent country of Ghana. From this time forward, he integrated African abstract elements with his rural Southern images to create a personal iconography. His new approach made him famous, as his personal discovery of African heritage fit in well with the growing U.S. civil rights movement. He is best known for his murals at Hampton University, Winston-Salem University, and Texas Southern, but the drawings and lithographs that lie behind the murals have received scant attention—until now. Theisen interviewed Dr. Biggers during the last thirteen years of his life, and was welcomed into his studio innumerable times. Together, they selected representative works for this volume, some of which have not been previously published for a general audience. After his death in 2001, his widow continued to work closely with Theisen, resulting in a book that is intimate and informative for both the scholar and the student.

Did you know that Pre-Columbian Mexican cuisine was low in fat and high in fiber and vitamins? Based on corn, squash, tomatoes, beans, and lean meats, the everyday diet of the first Americans was remarkably close to the recommendations for healthy eating we hear about every day. Now for the first time, cooks can use the secrets of the Aztecs in today’s kitchen, thanks to Kris Rudolph’s thoroughly researched cookbook. And because cooks from both sides of the border will be eager to try these recipes, Rudolph presents the recipes and text in Spanish on facing pages. The book opens with a short introduction outlining the history of Mexican cooking, followed by an overview of healthy eating habits, a description of the most common ingredients, and a useful guide to planning for parties. The fifty recipes cover everything from appetizers to after-dinner refreshers and each includes the number of calories, amounts of total fat and saturated fat, grams of carbohydrates, and amount of fiber. Rudolph suggests low-fat and low-carbohydrate alternatives, as well as ways to vary the spiciness.

A sweet slipstream stew, a call and response to Hemingway’s In Our Time, Geoff Schmidt’s debut collection Out of Time is a meditation on meaning and mortality, and the ways that story and the imagined life can sustain us. In these stories, vengeful infants destroy and rebuild the world, rivalrous siblings and their mother encounter witches and ghosts and the possessed, Barack Obama and Keith Richards smoke their last cigarettes, men and women with cancer variously don gorilla suits or experience all time simultaneously. Time is running out for all of the people in these stories, yet the power of language, the human ability to tell, to imagine and invent, is a redemptive force. “The stories in Out of Time chase after the secrets and sorrows of families, revealing the lengths people will go, and the harm they will do, to keep their worlds together. These characters are not crazy, they are in love and afraid. Geoff Schmidt writes a lucid, new mythology in prose that's limned with fear and awe. To read these stories is to feel the force and urgency of a new and vital literary voice.”—Ben Marcus, author of Age of Wire and String, and judge