Sound recording of two different talks held during the 3rd National Oral History Association Colloquium at the University of Nebraska in Lincoln, Nebraska. The first talk was recorded on Friday November 22, 1968 with Dr. Philip Crowl, and the second was recorded on Saturday November 23, 1968 and features Dr. Shoshnile, Dr. Louis Starr, and Walter Lord.

Recital presented at the UNT Main Auditorium in partial fulfillment of the Master’s of Music degree.

A senior recital presented at the UNT College of Music Voertman Hall.

A senior recital presented at the UNT College of Music Voertman Hall.

Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Master of Music (MM) degree.

Concert presented at Winspear Hall at the Murchison Performing Arts Center.

Presented at the Lyric Theater at the Murchison Performing Arts Center.

The National Museum of the Pacific War presents an oral interview with Don Lamanna. Lamanna joined the Navy in November 1942 and was transferred to hospital corps school in Alabama, where he tended to casualties of flight training. He then attended field medical school at Camp Elliot. Upon completion, he was assigned to a medical battalion in the V Amphibious Corps where he worked as an orderly in hospitals. He landed on Saipan on the eighth day of the invasion and worked at an abandoned Japanese hospital there. He recalls the staff worked 96 hours straight, triaging the wounded before they were sent aboard hospital ships. Natives were also enlisted to help at the hospital. Lamanna returned to Maui and tended to the 4th Marine Division casualties at a hospital there. Next, he went to Iwo Jima and landed four days after the invasion. There the wounded were treated in tents on the beach. After working at a hospital in Sasebo, Japan, supporting the occupation forces, Lamanna boarded the ATA 197, picking up troops from the Philippines and China. He returned to the States and worked at the naval hospital in Oakland until his discharge in 1948.

The National Museum of the Pacific War presents an oral interview with James Procter. Procter volunteered for the Navy in 1944. He was assigned to the gunnery division on the USS Hornet (CV-12). Procter was aboard when the Hornet was supporting at Okinawa. He describes the operation of the 5-inch gun and going through a typhoon that heavily damaged the flight deck. Procter remained aboard after the surrender and took part in Operation Magic Carpet to return servicemen to the States.

The National Museum of the Pacific War presents an oral interview with Russell Santora. Santora was born in Bronx, New York on 4 October 1927. Upon joining the US Merchant Marine in July 1944, he attended boot camp at the US Maritime Training Station. When the training was completed he was sent to Oakland, California. There, he joined the Marine Fireman, Oilers and Water Tenders Union and received his Permit Book and was assigned to a merchant ship. He tells of his duties aboard the various ships to which he was assigned and recalls various trips he made to Iwo Jima, Okinawa and Japan.

The National Museum of the Pacific War presents an oral interview with Louis Justin. Justin volunteered for service in the Army Air Forces in March, 1943 and took the photography course in Denver. He went overseas to Tinian in November, 1944 where he worked in the photo lab developing images. On Tinian, he developed the film from the Enola Gay. After the war, Young returned to the US in January and received his discharge in February. Justin has some help during the interview from his daughter.

The National Museum of the Pacific War presents an interview with Richard Abe. Abe’s wife Yukiko is helping with this interview. Abe was born 29 May 1934 in Ewa, Hawaii, to Japanese immigrant parents. His father was the supervisor of the Ewa Sugar Plantation. He and his family were living on the island, 8 miles west of Pearl Harbor, when the Japanese attacked. Abe was 7 years old at the time, and he provides vivid details of his experiences, witnessing the bombing of military installations, being confined to his house, blackouts and his parents being directed to destroy any documents written in Japanese. From 1956 through 1958, Abe served in the US Army, 4th Infantry Division.

Vocal jazz recital presented at the UNT College of Music Kenton Hall.

Jazz concert presented at the UNT College of Music Kenton Hall.

Jazz concert performed at the UNT College of Music Voertman Hall.

Baroque concert performed at the UNT College of Music Winspear Hall.

This is a conversation in (Pharaī) Chāndpūr village situated in the Maū district of UP, between Irfan Ahmad Usmani, Maaz Shaikh and his uncle Saeeduz Zafar Ali. The conversation begins with a discussion on the variety of Azamgarhi spoken in this village and continues to the Azamgarhi language and thereafter to the different local vernaculars spoken in Eastern UP and Bihar. Further, Mr. Usmani describes the village, its iconic location due to it being situated near the banks of a tributary (Pharaī in Azamgarhi) of the Ghāgrā river, and its unique tongue. Then, the conversation moves on to a discussion on relatives. Later on, his sister too joins the conversation.

This is a conversation primarily with Mr. Akhlaque. After recording some conversations in Rāmpūr village, the researcher learns the language of the Muslims to be Bhojpuri and almost the same as that of the Hindu population, unlike that in Fatehpūr. He then moves near to Mr. Akhlaque to enquire about this. Mr. Jameel then joins the conversation and adds his opinion on the ongoing topic.

This is a monologue on the Pardhānī (village head) elections in Rāmpūr in the Bhojpuri language. The elections were approaching closer at the time of recording, and the speaker Mr. Jameel who was the ex-village headman of Rāmpūr was contesting this time too. He speaks on the history of these elections and his contesting of the same. He then moves on to give information on Rampur village, its demography, and nearby villages.

A senior recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Bachelor of Music (BM) degree.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate (GAC) degree.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance.