People lining Congress Avenue watching a parade of military personnel pass on their way from the Capitol.

Crowds on both sides of Congress as the American Legion section of the parade passes.

Photograph of an Armistice Day Parade in Orange, Texas on November 11, 1918. In the foreground is an American flag covered vehicle. A large crowd is moving towards the top of the photograph. Within the crowd are uniformed men, individuals and families. On the bottom left hand corner are wooden beams.

Photographs of "Swords and Ploughshares" John Drinkwater, held by UNT Special Collections. The first image shows the title page, with the page to the left of it containing a small list of books by the same author. Image 2, poem on page 48 titled "On the Picture of a Private Soldier Who Had Gained a Victoria Cross", the page next to it contains a poem titled "One Speaks In Germany. In “On the Picture of a Private Soldier Who Had Gained a Victoria Cross,” the author calls upon the theme of photography to apply pressure to its revelatory and documentary status. Photographs are not only signs. They are also indexes—that is, they are created by the conditions they record. This adds authority to their status as objective or unmediated by interpretive bias, but such objectivity is an illusion. The alignment of the documentary photo with objectivity forgets the deceptive nature of physical surfaces, how they might exclude or even repress the deeper conflicts of inner life expressed in a poem. In Drinkwater’s poem, the deceptive nature of physical appearance dialogues with the deceptive nature of accolades for valor and the sense of liberation from horrors of the past. Drinkwater thus …

Photographs of "The Making of Micky Mcghee" by R.W. Campbell, held by UNT Special Collections. The third image shows the book opened up to pages 64-5. On the left page are the words "Carry On" next to a drawing of a soldier kneeling with a long rifle, followed by a bit of text. On the right page are the words "Miners and Miners" next to a drawing of a man holding a shovel followed by a few paragraphs of text. Image 1, pale brown book cover with the title at the top in an illustration of a man standing in front of a sign, and buildings behind it, the author in the bottom right corner. Image 2, inscription written on the inside of the cover in pencil. Robert Walter Campbell, born 1876, served with the Royal Scots Fusiliers in the Boer War (1899 to 1902), and then again with the 5th battalion in Gallipoli (1914) in the Great War. This second tour gave him the material for his poems in support of the war effort. Campbell wrote 25 lively poems and songs in Standard English for The Making of Micky McGhee. Some 20th century Scottish slang is sprinkled throughout.

Photographs of "Plain Song" by Eden Phillpotts, held by UNT Special Collections. Image 2 shows the table of contents on the left page and a page with a poem titled "August the Fourth." Image 3, continuation of the poem "August the Fourth" and number 2 and 3. Image 1, cover of the book made of grey paper, framed by a thick line with the title at the top followed by the dates 1914-1916. Eden Phillpotts (1862-1960) was born in British India and is best known for his celebration of the landscape of Dartmoor in southern England. His collection of poems, Plain Song, moves from horror to acceptance, but always with a sense of detachment of the poet at home. The opening poem takes its title from the date Britain declared war on Germany, “August 4, 1914.” Thwarting the reader’s expectations, the poem begins with a peaceful woodland scene at dusk, where the speaker watches the moon rise over a clearing filled with emerald-like glow-worms and the purr of a swooping churn-owl, who “throbbed and throbbed, then took his flight...in rapture and delight” (p. 2). The poem ends by shattering this scene “by Nature sanctified” when the speaker suddenly recalls the …

Photographs of "Taps" by Theodore Roosevelt Jr. and Grantland Rice, held by UNT Special Collections. The second image is of pages 110 an 111, the page on the left is a drawing of a figure laying on grass and the page on the right is a poem titled "No Man's Land." Image 3, pages 200 and 201 with the page on the left containing parts of a poem and the page on the right containing a drawing of two soldiers sitting down with skull faces. Image 1, cover of the book. It is dirty yellow in color with title in bold at the top with black lettering, the subtitle and names in smaller letters. Expanding vertically on the left side of the cover is a sketch of a soldier playing a trumpet. Image 4, side view of book's spine that contains the title and author, small white stars along it vertically.

Photographs of "Rookie Rhymes," held by UNT Special Collections. The book is opened up to a page on the left titled "The Call" followed by a poem. On the right page is an illustration of a soldier and woman in a big dress dancing. Image 1, the brown paper book cover has no spine, and the title is at the top in big black letters followed by an illustration of a man in a hat smoking a pipe.

Photographs of "1914 & Other Poems" by Rupert Brooke, held by UNT Special Collections. The first image, is of the inside of the book with a faint illustration of a man's profile, the second image the see-through brown piece of paper is turned over to cover the illustration but to reveal the title of the book. Although Rupert Brooke (1887-1915) died before ever seeing battle, he was renowned for his war sonnets. W.B. Yeats noted that Brooke was “handsomest young man of England,” a fact that may account for some of his fame. Educated at Cambridge, he became a thespian, scholar, and soldier. Brooke, commissioned in the Royal Navy, never got to see battle. He died in 1915 at sea from sepsis. An eerie photograph portrait of the author’s profile, dated 1913, appears opposite the title page in this edition. Following the title page with publisher information and the typical copyright statement, we encounter a brief biographical note listing Brooke’s education and war time experience. His five war sonnets, titled “1914,” became notable for their romantic and patriotic view of the war. As a young man, Brooke wrote poems and published in anthologies and periodicals; his first volume of poetry, …

Copy print of a group photograph of the officers of the 17th and 148th Squadrons; the men are posing directly in front of a large airplane. There are three rows of men, those in the front row are kneeling, and there are two rows of men standing in the back. According to the photo this was taken in Toul, France in 1918. Names of the men are listed on the back from standing left to right.

Copy negative of Mr. and Mrs. W. H. "Bill" Tipton at their home, with the flag-covered casket of their son, Roger, who was killed in World War I. Flowers have been placed on the floor next to the casket, and a piano and stool stand against the left wall.

Photograph from November 11, 1918 in Carlton, TX. Everyone from Hamilton County with a son in World War I was called to Carlton square for a picture. John O. and Beulah Pollard Forrest are seen on the second row, center. John O. is behind the seated man with the hat between his feet and Beulah is to John O.'s left. A sign in the window of the store reads "All Leather Shoes, Friedman Shelby, Curbo Merc. Co."

Photograph of the cover of "Aurelia & Other Poems" by Robert Nichols, held by UNT Special Collections. The book is brown with a white label on the front with the title printed on it.

Panoramic photo of the 314th Aero Squadron which was stationed at Stonehenge during World War I. They wear the customary uniform of the American Expeditionary Forces, with most of the enlisted men wearing leg wraps or spiral puttees; the officers wear leather puttees. Printing on the front of image is "314th Aero Squardron, U.S. Air Service, Stonehenge, England, Nov.; 1918." Also, “Photo by Panora Ltd, 60 Doughty St. W.C. No. 3061.” Four people are identified in the photo. Fred Oscar Weinell is located on the back row, fourth in from the right. An “x” is marked over his head. 2nd Lt. Donald S. Mooney is located on the front row, 17th from the left. Third row from the bottom, first person on the left is Philip Reynolds Sweetman from Las Animas, Colorado. Thomas Gustave Mellberg is on the third row, thirteenth from the left.