Photocopy of a letter from Bill McCarter and Jack Davis, co-directors of North Texas Institute for Educators on the Visual Arts, to Don R. Roberts, Superintendent of Fort Worth ISD. In regards to good news that the Amon Carter Foundation has granted NTIEVA $150,000 for the next three years of their program. McCarter and Davis are thrilled as this amount will go a long way towards meeting their five year matching requirement for the Getty grant. It also insure the ongoing work of the institute. Included in the letter are details about how the Getty grant will release their pay increments during the years. McCarter and Davis write that they need some materials from Roberts, discussing some points they've enclosed in the letter, in order to secure the grant with the Getty Center.

Photocopy of a letter from Suzi Alost-Reid to Bill McCarter, writing about how much Reid loved McCarter's presentation, leading them to a higher level thinking and that the "Chimney and Water Tower" is more meaningful now that McCarter lead them through the analysis of its elements. On October 17, Reid will lead an art discussion with Art Sinks to motivation teachers and students to use art to write to the TAAS objectives. Reid writes that she will use "Chimney" to open her discussions here forward because how McCarter inspired her, she thanks him and the involvement NTIEVA has made on her.

Photocopy of a letter from Bill McCarter and Jack Davis, co-directors of North Texas Institute for Educators on the Visual Arts, to John Biggers. In regards to a project which the NTIEVA initiated, that sought out high quality reproductions of work of at in five museums in the DFW area and that one of Bigger's painting, "Starry Clown" was selected for the portfolio. NTIEVA, with the Marcus Grant, produced 500 portfolios and each was placed at no cost in the elementary and secondary schools in the consortium of the Institute. McCarter and Davis write that the portfolio has been successful with teachers and students, that they received requests for additional portfolios, and are reaching out to Biggers to request the use of the image in commercial production of future portfolios.

Letter from Zinetta A. Burney to Eugene Harrington discussing Burney's absence from a press conference.

Pages two and three of a memo to the Improving Visual Arts Education Consultants, Cincinnati IVAE Seminar Participants, Cranbrook IVAE Seminar Participants. The memo details the Center's appreciation of the interest the consultants have in discipline-based art education and will continue to keep IVAE projects on the mailing list to continue to inform them of future Center plans as the Center has spent many years the best means to spread DBAE across the United States.

Letter from Dean Jaros to Joseph P. Luce discussing his book on early woman pilots and asking if he could contact the individual that was in charge of developing the WASP monument.

An e-mail from Julie Anne Abel to D. Jack Davis and R. William McCarter about the North Texas Institute for Educators on the Visual Arts advocacy project.

A document about an email address to RIG Directors, providing a crucial update on the Annenberg status and earnestly seeking assistance.

A letter that chronicles NTIEVA's impactful journey, highlighting successful staff development initiatives for art and classroom teachers, coupled with large-scale production efforts across five museums in the Dallas/Fort Worth metroplex.