New music concert presented at the UNT College of Music Recital Hall.

Notes for a presentation on the historical context of Willis Conover's long-running jazz program, Music USA, on the Voice of America, for the conference Music and the Nation III: Music in Postwar Transitions at the Université de Montréal held on October 18-20, 2018 in Montreal, Canada.

Recording of John Gilliland interviewing Harry Mills of the Mills Brothers for the Pop Chronicles radio program series. This recording includes unrelated audio from other broadcasts after the interview with Mills.

Memorial concert presented at the UNT College of Music Winspear Hall.

Recital presented at the UNT College of Music Kenton Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance.

Composition recital performed at the UNT College of Music Recital Hall.

Presentation on the historical context of Willis Conover's long-running jazz program, Music USA, on the Voice of America, for the conference Music and the Nation III: Music in Postwar Transitions at the Université de Montréal held on October 18-20, 2018 in Montreal, Canada.

A student recital presented at the UNT College of Music Voertman Hall.

2021 High School Invitational concert performed at the UNT College of Music Winspear Hall.

Jazz concert was performed at the UNT College of Music Recital Hall.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances of Beethoven's Overture to The Consecration of the House and Boito's Prologue to Mefistofele, and an interview with the Albeneri Trio.

Recording of John Gilliland interviewing Edgar Bergen for the Pop Chronicles radio program series. The interview begins in track 3 following unrelated material, and continues through track 6, followed by an apparent live performance by the Mills Brothers. This recording contains slurs or stereotyping directed at race, socioeconomic background, sexual orientation, or religion.