Interview with Robert O. Andrews, businessman and an Army Air Forces veteran, concerning his experiences in the China-Burma-India Theater during World War II. Andrews discusses his pre-war education and farming activities in Olney, Texas; enlistment in the Army Air Forces, c. 1941; assignment to Chanute Field, Illinois, c. 1941-42; Officer Candidate School, Miami Beach, Florida, c. 1942; assignment to Perrin Field, Sherman, Texas, c. 1942-44; overseas transport to India; assignment to Warazup, Burma, 1944-45; his reaction to the atomic bombing of Hiroshima and Nagasaki; and postwar career in business.

Interview with attorney and Army veteran John L. Bates Jr. The Interview includes Bates' personal experiences in the China-Burma-India Theater during World War II, Officer Candidate School, being selected for the Counter Intelligence Corps, British Intelligence School, assignment to Kweiyang, China, the end of the war and his transfer to the War Crimes Section as an Assistant Theater Judge Advocate, his assignment to Hankow to investigate the executions of three of Jimmy Doolittle's pilots and to Formosa to investigate war crimes, dealing with Japanese military personnel accused of committing atrocities against Allied POWs on Formosa, and his postwar career in the Army Reserve.

Interview with Army veteran Frank Breyer, including personal experiences about the China-Burma-India Theater during World War II, volunteering for the draft, various assignments, his attachment to Merrill's Marauders, medical evacuation to Ledo, combat around Bhamo, Burma, the opening of the Burma Road, transfer to the 612th Artillery and to Kunming, China, for artillery training, teaching artillery tactics to Chinese troops with the Chinese Combat and Training Command, and the resumption of fighting between Chinese Nationalist and Communist forces.

Interview with Robert Hoe, a Navy WWII veteran of the China-Burma-India theater from Le Roy, New York. Hoe discusses growing up, the reaction to Pearl Harbor, attending college, enlisting in the Navy, training and becoming an officer, joining the Navy Scouts and Raiders, deployment to China and assignment to the Sino-American Cooperative Organization, supplying their forces, operations with guerilla fighters against the Japanese occupation, intelligence gathering, his reaction to the atomic bomb, the end of the war, service in China and discharge, and life as a civilian.

Interview with Jacob Bekker, a Holocaust survivor from Warsaw, Poland. Bekker discusses his upbringing, life for Jews in Warsaw before the war, antisemitism in Warsaw and discrimination, the invasion of Poland, Germans and Poles identifying Jews and singling them out for labor, fleeing to Russia and working there, returning to Poland after the war, and leaving for Israel.

Interview with Alivin Dean, a farmer and former member of the Civilian Conservation Corps from Geronimo, Texas, regarding his experiences and memories of participating in the CCC during the Great Depression.

A faculty recital performed at the UNT College of Music Kenton Hall.

Faculty recital performed at the UNT College of Music Kenton Hall.

Convocation, including a lecture and a faculty recital performed at the UNT School of Music Concert Hall.

Guest artist recital performed at the UNT College of Music Recital Hall.

U.S. Marine George Burlage was part of the largest surrender in American history at Bataan and Corregidor in the spring of 1942, where the Japanese captured more than 85,000 troops. More than forty percent would not survive World War II. His prisoner-of-war ordeal began at Cabanatuan near Manila, where the death rate in the early months of World War II was fifty men a day. Sensing that Cabanatuan was a death trap, he managed to get transferred to the isolated island of Palawan to help build an airfield for his captors. Malaria and other tropical diseases caused him to be sent to Manila for treatment in 1943 (a year later, 139 of his fellow POWs were massacred on Palawan). After another year of building airfields, Burlage survived a 38-day voyage in the hull of a Japanese hell ship and ended the war as a miner for Mitsubishi in northern Japan. By sheer luck, strength, and a bit of sabotage, he survived and was freed in September 1945 after the Japanese surrendered. He had endured starvation and torture and lost half of his prewar weight, but no one had killed him. After the war Burlage became a journalist and wrote about …

Faculty and guest artist recital presented at the UNT College of Music Lyric Theater.

Faculty recital performed at the UNT College of Music

Faculty recital performed at the UNT College of Music Voertman Hall.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate (GAC) degree.

Article on the experimental narrative union of masculine and feminine in Ingeborg Bachmann's 1971 novel, "Malina."

In 1982, a toxic waste facility opened in the Piney Woods in Winona, Texas. The residents were told that the company would plant fruit trees on the land left over from its ostensible salt-water injection well. Soon after the plant opened, however, residents started noticing huge orange clouds rising from the facility and an increase in rates of cancer and birth defects in both humans and animals. The company dismissed their concerns, and confusion about what chemicals it accepted made investigations difficult. Outraged by what she saw, Phyllis Glazer founded Mothers Organized to Stop Environmental Sins (MOSES) and worked tirelessly to publicize the problems in Winona. The story was featured in People , the Houston Chronicle magazine, and The Dallas Observer . The plant finally closed in 1998, citing the negative publicity generated by the group. This book originated in 1994 when Cromer-Campbell was asked by Phyllis Glazer to produce a photograph for a poster about the campaign. She was so touched by the people in the town that she set out to document their stories. Using a plastic Holga camera, she created hauntingly distorted images that are both works of art and testaments to the damage inflicted on the …

Texan Identities rests on the assumption that Texas has distinctive identities that define “what it means to be Texan,” and that these identities flow from myth and memory. What constitutes a Texas identity and how may such change over time? What myths, memories, and fallacies contribute to making a Texas identity? Are all the myths and memories that define Texas identity true or are some of them fallacious? Is there more than one Texas identity? The discussion begins with the idealized narrative and icons revolving around the Texas Revolution, most especially the Alamo. The Texas Rangers in myth and memory are also explored. Other essays expand on traditional and increasingly outdated interpretations of the Anglo-American myth of Texas by considering little known roles played by women, racial minorities, and specific stereotypes such as the cattleman. The contents include: Texan identities / Light Townsend Cummins and Mary L. Scheer -- Line in the sand, lines on the soul / Stephen L. Hardin -- Unequal citizens / Mary L. Scheer -- The Texas Rangers in myth and memory / Jody Edward Ginn -- On becoming Texans / Kay Goldman -- Ethel Tunstall Drought / Light Townsend Cummins -- W. W. Jones of …

Interview with William M. "Zeke" Campbell, musician, concerning his experiences as a member of the "Light Crust Doughboys" western swing band, 1935-42. Campbell also discusses his early radio career, appearances in the movies of Gene Autry, and his musical influences. Includes a photocopy of a newspaper article from the Fort Worth Star Telegram dated June 17-18, 1981 written by Mike H. Price. Article is titled, "He may not be crusty but he's still in the swing" [1] page.

Guest guest artist recital performed at the UNT College of Music Winspear Hall.

Millions of Texans and Southwesterners have been touched over the years by the Light Crust Doughboys. From 1930 to 1952, fans faithfully tuned in to their early-morning and, later, noontime radio program, and turned out in droves to hear them play live. The Doughboys embodied the very essence of the “golden era” of radio—live performances and the dominance of programming by advertising agencies. Their radio program began as a way to sell Light Crust Flour. Their early impresario, W. Lee “Pappy” O'Daniel, quickly learned how to exploit the power of radio to influence voters, and he put that lesson to good use to become a two-time Texas governor and the model for Pappy O'Daniel in the movie, Oh Brother, Where Art Thou? But the group was more than a way to push flour; the talented musicians associated with them included Bob Wills and Milton Brown, each of whom receive credit for founding western swing. With the demise of their regular radio program, the Light Crust Doughboys had to remake themselves. Trailblazers in western swing, the Doughboys explored many other musical genres, including gospel, for which they were nominated for Grammys in 1998, 1999, 2001, and 2002. They continue to play …

Recital presented at the UNT College of Music Voertman Hall.

A faculty recital performed at the UNT College of Music Recital Hall.

Two Counties in Crisis offers a rare opportunity to observe how local political cultures are transformed by state and national events. Utilizing an interdisciplinary fusion of history and political science, Robert J. Dillard analyzes two disparate Texas counties—traditionalist Harrison County and individualist Collin County—and examines four Reconstruction governors (Hamilton, Throckmorton, Pease, Davis) to aid the narrative and provide additional cultural context. Commercially prosperous and built on slave labor in the mold of Deep South plantation culture, East Texas’s Harrison County strongly supported secession in 1861. West Texas’s Collin County, characterized by individual and family farms with a limited slave population, favored the Union. During Reconstruction, Collin County became increasingly conservative and eventually bore a great resemblance to Harrison County. By 1876 and the ratification of the regressive Texas Constitution, Collin County had become firmly resistant to all aspects of Reconstruction.