Dress of navy blue wool gabardine. Square neck; long sleeves. Slight peplum at waist. Straight skirt center front closure with nine 2" and 1-and-1/2" black patent leather buckles. One buckle on cuffs of sleeves. Label at inside seam near hem: "Chas. Levy & Son / Beverly Hills / Mrs. Ben G. Sterling / Date 8/31/37 No 2001", partly filled out by typewriter on pre-printed label.

Work of art on Acrylic Plastic, Wood, Acrylic Paint, and Metal Zippe by artist Philip F. Samson as part of a 2022 MFA exhibition, entitled "Confluence" in the Environmental Education, Science and Technology Building Atrium on the main campus of the University of North Texas from April 4 to April 14, 2022.

Detail view of work of art on Acrylic Plastic, Wood, Acrylic Paint, and Metal Zippe by artist Philip F. Samson as part of a 2022 MFA exhibition, entitled "Confluence" in the Environmental Education, Science and Technology Building Atrium on the main campus of the University of North Texas from April 4 to April 14, 2022.

Installation view work of art on Acrylic Plastic, plywood, and aluminum rivets by artist Philip F. Samson as part of a 2022 MFA exhibition, entitled "Confluence" in the Environmental Education, Science and Technology Building Atrium on the main campus of the University of North Texas from April 4 to April 14, 2022.

Side view of installation work of art on Acrylic Plastic, plywood, and aluminum rivets by artist Philip F. Samson as part of a 2022 MFA exhibition, entitled "Confluence" in the Environmental Education, Science and Technology Building Atrium on the main campus of the University of North Texas from April 4 to April 14, 2022.

Detail view of work of art on tree trunk and roots, acrylic plastic, latex paint by artist Philip F. Samson as part of a 2022 MFA exhibition, entitled "Confluence" in the Environmental Education, Science and Technology Building Atrium on the main campus of the University of North Texas from April 4 to April 14, 2022.

Installation view of work of art on Acrylic Plastic, and Latex Paint by artist Philip F. Samson as part of a 2022 MFA exhibition, entitled "Confluence" in the Environmental Education, Science and Technology Building Atrium on the main campus of the University of North Texas from April 4 to April 14, 2022.

Work of art on Acrylic Plastic, Metal Rack, LED UV Lights, and Plastic by artist Philip F. Samson as part of a 2022 MFA exhibition, entitled "Confluence" in the Environmental Education, Science and Technology Building Atrium on the main campus of the University of North Texas from April 4 to April 14, 2022.

Detailed view of work of art on Acrylic Plastic, Metal Rack, LED UV Lights, and Plastic by artist Philip F. Samson as part of a 2022 MFA exhibition, entitled "Confluence" in the Environmental Education, Science and Technology Building Atrium on the main campus of the University of North Texas from April 4 to April 14, 2022.

Work of art on tree trunk and roots, acrylic plastic, latex paint by artist Philip F. Samson as part of a 2022 MFA exhibition, entitled "Confluence" in the Environmental Education, Science and Technology Building Atrium on the main campus of the University of North Texas from April 4 to April 14, 2022.

Work of art in mixed media by artist Cosmo Jones as part of a 2021 MFA Exhibition, entitled "Green Man Action Cycle."

Work of art in mixed media by artist Cosmo Jones as part of a 2021 MFA Exhibition, entitled "Green Man Action Cycle."

Advance Fashion News pamphlet with illustrations of various women's and children's designs illustrated in black, white, and blue tones.

Dress of light weight apple green wool crepe with sack back. Short sleeves; knee-length; round neckline, low waisted. Back closure of 5 snaps with top hook & eye. Slit pockets at left and right seams. Top part lined in olive green silk. Bottom lined in apple green silk.

Cocktail dress and coat ensemble of black silk brocade in chrysanthemum design. A) Cocktail dress in shift style of black silk brocade. Slightly fitted in front with wide flaring back. Rounded neckline. Sleeveless with wide openings and bows of self at top of shoulders. V- shaped back with center closure of hook & eye and snaps. Knee length. Unlined. B) Matching coat of black silk brocade. Knee length; elbow length dolman sleeves. Notched collar. Center front closure of hook & eye at gathered empire waist. Vertical welt pockets. Lined in black silk. Designer's label at center back neckline: "Balenciaga / 10, Avenue George V. Paris" Style number under designer label: "71.386" (?)

Work of art by artist Sarah Janke as part of a Creative Problems course with visiting professor Gabrielle Duggan. Submitted as part of her MFA portfolio.

This article explores how the photographs of a basketmaker, as well as photographs of other refugee artisans published in the August 1956 issue of Interior magazine, served the American State Department agenda by characterizing its subject in terms of pathos and need.

Photograph of a bell tower in Lund, Sweden. In the foreground, a grass lawn is visible with goats scattered around. The wooden bell tower is visible on the lawn. A circular driveway surrounds the lawn. A building with a grass roof is visible on the other side of the driveway. Trees are visible in the background.

Photograph of St. Albans Abbey in St. Albans, England. A grassy lawn is visible in the foreground. The lawn ends at the intersection of the nave and the arm of the abbey. The crossing tower is visible in the center of the intersection in the middle ground.

Photograph of the crossing tower on St. Albans Abbey in St. Albans, England. The cross section of the church is visible in the foreground. The tower rises out of three intersecting brick walls. Tree branches intersect the top foreground.

Photograph of St. Michael's Parish Church in St. Albans, England. In the foreground, a low stone fence is visible in front of the church. A large tree stands between the church and the fence. The side of the church is visible and the bell tower in the background. Sir Francis Bacon was buried at this church.

Photograph of a cottage in St. Albans, England. A detail of the cottage exterior is visible in the foreground. The cottage is constructed with flint stones which are visible in the center of the image. A pink flower grows out of the stones. Vines are visible in the bottom right corner climbing up a window.

Photograph of a house constructed of flint stones in St. Albans, England. A low fence is visible in the foreground in front of the house. Flowers and plants are visible between the front of the house and the fence.

Photograph of the White Hart Hotel in St. Albans, England. The hotel is visible in the foreground between two buildings. A planter with flowers sticks out in the right foreground.