Color photograph of a young girl sliding down the berm at the Institute of Texas Cultures during the 4th Annual Texas Folklife Festival in August of 1975 in San Antonio, Texas. The girl in the photograph is tumbling out of a cardboard box and down the grass hill. She is wearing a navy shirt, pale blue shorts, and tan leather sandals.

Document is an unsigned resolution regarding the settlement of debt owed by League of United Latin American Citizens to Banco Internacional. The resolution terms were drafted at an emergency meeting of the Supreme Council of LULAC on August 23, 1975.

Letter from Abraham Kazen, Jr. to John J. Herrera regarding difficulties in getting visas for his clients and about the Rodino bill.

Onionskin paper carbon copy of letter from John J. Herrera to Texas International Airlines, Attn: Air Freight Department, requesting that they ship a car part to his son, John Michael Herrera, in Vera Cruz, Mexico.

Brief newspaper article describing a dinner held in honor of Judge Jimmie Duncan, including some notable attendees, including E. A. "Squatty" Lyons and District Attorney Carol Vance.

Funeral program for Mr. Odie Earnest Davis, Jr., died August 1975. Funerals were held August 11, 1975 at St. Paul United Methodist Church, officiated by Dr. P. S. L. Woods, and August 13, 1975 at Trinity East Methodist Church, officiated by Rev. W. B. Randolph. The funeral arrangements were made through Sutton-Sutton Mortuary and he was buried in Paradise North Cemetery in Houston, Texas.

Photograph of a pudding eating competition at the 4th Annual Texas Folklife Festival in August of 1975. In the photograph, two blindfolded women stand on a stage covered in yellow plastic protective coverings. The woman on the right is holding the bowl of chocolate pudding as she directs the spoon towards the other woman's mouth.

Photograph of the E.I.R.E. dancers from Houston, Texas, performing Irish folk dances for the 4th Annual Texas Folklife Festival in August of 1975. The dancers consist of four couples performing a dance on a stage. A large crowd is watching from the lawn as the dancers spin around. The women are wearing matching white sleeveless dresses with heavy embroidery around the neck. The men are wearing traditional Irish costume of white blouses and golden kilts with green cummerbunds.

Color photograph of Sakae Ogama, demonstrating Japanese brush writing at the 4th Annual Texas Folklife Festival in San Antonio, Texas in August of 1975. In the photograph, Sakae is seated at a table wearing a traditional kimono. She is holding onto a long sheet of paper with her left hand, and writing with a bamboo brush with her right hand. A young girl and a woman watch as Sakae creates the Japanese forms.

Photograph of five women performing Lebanese dances at the 1975 Folklife Festival as members of the San Antonio Ameleb Club. They are wearing traditional dancing costumes called bedlahs that consist of gold-trimmed brassieres and sheer, flowing skirts of different colors. Each woman is holding a tambourine above her head.

Photograph of a several people dressed in a dragon costume surrounded by other fair goers at the 4th Annual Texas Folklife Festival in August of 1975.. One man makes up the long next, head, and front legs of the dragon. Another woman is visible behind the man, supporting the back of the dragon. A woman, Valerie Grace, is walking to the right of the dragon wearing a traditional Polish costume.

Photograph of Lanie Karam, a dancer and member of the San Antonio Ameleb Club, performing in a covered pavilion on a wide, white floor. A covered fabric tent is visible behind her. She is costumed in a bedlah suit (a bra and a sheer skirt) that is heavily trimmed with gold accents. Audience members are visible in both the foreground and the background.

Photograph of Jo Ann Andera, a dancer and member of the San Antonio Ameleb Club, and an employee of the Institute of Texas Cultures. She is performing in a covered pavilion on a wide, white floor. A covered fabric tent is visible behind her. She is costumed in a bedlah suit (a bra and a sheer skirt) that is heavily trimmed with gold accents. She is dancing with her arms out while her face is mid-exclamation. Audience members are visible in both the foreground and the background.

Photograph of Jo Ann Andera, a dancer with the San Antonio Ameleb Club dancer and an employee at the Institute of Texan Cultures. Andera is seated on her legs with her arms curled slightly above her, smiling as she bends over backward to face the crowd. She is wearing a traditional bedlah suit; hers is a gold-trimmed top and a sheer, beige skirt. She is also wearing gold bangles on both her wrists. The heads of two audience members are visible in the foreground; the person on the right is pointing at Andera.

Photograph of young girl in a gold-trimmed bra and skirt, otherwise known as a bedleh. She is a member of the San Antonio Ameleb Club. She is standing outdoors with her hands on her hips amongst two other young girls and a few women, some of whom are seated.

Color photograph of a participant slicing beef at the 4th Annual Texas Folklife Festival in August of 1975. The man is wearing a striped shirt and jeans underneath a red apron. He carefully angles the knife down against the meat that is hung from a metal prong.

Color photograph of Jerry Young from Devine, Texas, serving molasses at the 4th Annual Texas Folklife Festival in San Antonio, Texas in August of 1975. Jerry sits on a white upturned bucket with a large metal ladle in his hands. He wears a light-colored cowboy hat, denim long-sleeve shirt, and khaki pants. Another man stands behind Jerry, holding a long stick he appears to be using to stir the molasses. Another man stands behind him, while a woman looks on from behind a stone wall.

Color photograph of a young girl vigorously turning the handle of an antique corn sheller in Hondo's Corn Shuckin' and Shellin' area at the 4th Annual Texas Folklife Festival in August of 1975. In the photograph, the girl is wearing a pink and white flowery swimsuit. The bodies of three women and a man are visible around the girl, although the frame of the photograph crops their faces out of the frame.

Color photograph of Don Vogel splitting shingles for a log house at the 4th Annual Texas Folklife Festival in August of 1975. In the photograph, Don straddles a sawhorse as he adjusts a piece of wood he is about to split. He is wearing a light denim shirt and dark denim jeans. Festival booths and people walking about are visible behind him.

Photograph of Los Conquistadores, a musical group performing at the 4th Annual Texas Folklife Festival on August 7th, 1975. The group features many band members playing a variety of instruments including the accordion, trumpet, saxophone, drums, and trumpet. The men are all dressed in matching costumes, including white shirts, brown shorts, ties and suspenders. The accompanying says that Jose Morantes is the director of the group.

Color photograph of two children sliding down a grassy hill outside of the Institute of Texas Cultures during the 4th Annual Texas Folklife Festival in August of 1975. The photograph features the two boys sitting tandem inside a cardboard box labeled "Lone Star Bakery." The two children are holding onto the sides of the box and lifting one side up, as if trying to steer.

Color photograph of a young girl sliding down the berm at the Institute of Texas Cultures during the 4th Annual Texas Folklife Festival in August of 1975 in San Antonio, Texas. The girl in the photograph is tumbling out of a cardboard box and down the grass hill. She is wearing a navy shirt, pale blue shorts, and tan leather sandals.

Photograph of a man and woman at the 4th Annual Texas Folklife Festival serving Bigos (Hunter's stew) at a Polish food booth. The couple is dressed in traditional Polish clothing. The woman is holding a pan and a ladle of food while the man stands over a large pot. Colorful booths are visible in the background behind the couple.

Color photograph of a steel guitarist at the Texas Folklife Festival in September of 1975. The steel guitarist is seated on a small chair playing the steel guitar and wearing a white shirt, jeans, tan leather boots, and a dark brown cowboy hat. Members of the band are visible behind him as they okay under a striped canopy.