The focus of this thesis is the relationship between immigration historiography and the history of Basque migration to the United States. The depictions of immigration presented by historians Oscar Handlin, Marcus Lee Hansen, and John Higham have been influential in immigration historiography and are presented in the first chapter. The second chapter contains a description of Old World Basque culture and the third chapter presents a brief history of Basque migration to the United States. The fourth chapter discusses to what extent the immigration theories presented in chapter one match the Basque experience in the New World. The concluding chapter contains some observations on the nature of immigration historiography, on the Basques, and on new directions for research.

This study has two purposes: (1) to provide a reference tool--a list of the best books, articles, and audiovisual materials about photojournalism, and (2) to make a general evaluation of available literature. In response to a mail survey, photojournalists and photojournalism educators recommended twenty-four sources of information about photojournalism in twenty subject categories. Respondents believe reading about photojournalism is important in helping professionals do their jobs well. But, they do not think there is enough up-to-date information available. Further, a majority think photojournalism literature is unrealistic, poorly written and designed, and ineffective in preparing students.

This study provides a detailed analysis of the confession motif in Dostoevsky' s Crime and Punishment. It discusses Dostoevsky's use of the sacramental concept of confession, in which the estranged person is reunited with the human community through contrite confession. Throughout the novel, Raskolnikov wavers between desiring estrangement and seeking union. These two poles are shown in his encounters with Sonya and Porfiry (who represent union) and Luzhin and Svidrigaylov (who represent estrangement). Sonya and Porfiry tell Raskolnikov to confess and accept responsibility for his life; Luzhin and Svidrigaylov show him how to continue passing responsibility to others. This study also demonstrates that the epilogue is not merely a tag, as some Dostoevsky critics have argued. Rather, Raskolnikov' s redemption is the only thematically and psychologically valid conclusion.

The synthesis and insecticidal activity of certain alcohols (hydroxymethyldibenzofurans, hydroxymethyldibenzothiophenes and some of their ⍺-cyano derivatives), esterified with trans-chrysanthemic acid, were investigated. The preparation of these planar alcohol moieties was undertaken to study conformation-activity effects in insecticides of the pyrethroid type. The synthesis of final ester products employed two methods. One was the direct condensation of the appropriate alcohol with chrysanthemic acid chloride in the presence of pyridine. The other involved the in situ formation of the cyanohydrin from the appropriate aldehyde and subsequent condensation with chrysanthemic acid chloride in the presence of a phase transfer reagent. Insecticidal activity is to be tested at rates of 0.001, 0.01, 0.1, 10, 100, and 1000 ppm. Fenvalerate is used as the standard against Diabrotica undecimpuntata (spotted cucumber beetles).

My work dealt with the life within inanimate objects and what occurred when one placed apparently unrelated objects together in an arrangement. The arrangements had three interrelated elements: the objects, spacial relationships, and materials.

Edith Wharton structured her novels using a technique that relies on what she called "crucial episodes" or "illuminating incidents" to reveal theme and develop character. In Wharton's novels this technique attains a rare perfection as subject matter, circumstance, and dialogue are repeatedly connected by succeeding episodes. In addition, Wharton's fictional method allowed her to stage a series of incidents that essentially foretell the nature of a novel's outcome, creating a dramatic sense of inevitability that is often mistaken for determinism or naturalism. Wharton used the same technique throughout her career, lending strength to her published theories of fiction. The House of Mirth (1905), Ethan Frome (1911), and The Age of Innocence (1921) are representative not only of her best work, but also of her basic structural technique.

Dependency is defined as authentic or pathological and is seen as a component important to the treatment of patients with chronic illness. It is hypothesized that a significant portion of ecology patients will meet the criteria for pathological dependence and differ on psychological and physiological parameters from those who do not. This study strongly supports the first two hypotheses but does not find that the two groups differ physiologically. One hundred eleven variables are surveyed. Fifty-two show significant differences between the groups and 29 are significant at greater than the .0001 level. A discriminant analysis was used to determine the least number of orthogonal variables that best discriminate between the groups. These are MMPI Scales 8, 3, subscale Ma2, employment status, and early childhood illness.

This study examined the public relations practices-- the concept, structure, functions, goals and objectives, procedures, and standards of performance--at Hardin-Simmons University in Abilene, Texas. The study concluded that the public relations practices provide an effective, well-organized, well-planned and well-executed program based on formal goals and objectives, definite philosophy and purpose, and criteria for measurement of effectiveness. Although the program has a good sense of direction, it lacks focus, largely because of the mingling of public relations and fund-raising responsibilities in some staff positions and a lack of separate standards of performance for each staff member. Recommendations to strengthen the program include separate and distinct public relations and fund-raising responsibilities in each staff position and standards of performance for each staff member.

The purpose of this project was to develop a body of work in which the content has probable, if not definite, cross-cultural application. It was my intent to analyze images for their content and underlying themes. This collection of "image content" was to be used in the production of a body of work which hopefully would transcend cultural bias or limitations. I consulted art and anthropological texts, books, and periodicals (listed in bibliography) which contained images produced by different cultures.

The sex-role orientation was determined for 352 high school seniors in Plano, Texas. Using maternal employment status as the independent variable, the students were divided according to full-time employed mothers or full-time homemaker mothers. Results indicated that adolescents of employed mothers had a more liberal sex-role orientation and attitude towards the division of household tasks than adolescents of homemaker mothers. When male and female scores were analyzed separately, the order from most liberal to least liberal was females of employed mothers, females of homemaker mothers, males of employed mothers, and males of homemaker mothers. The mean scores indicated a nontraditional attitude. The study also indicated that maternal happiness with employment did not affect male and female sex-role orientation.

The study was designed to determine the effects of psychological sex-role on pre-performance anxiety in masculine (rugby), feminine (balance beam), and neutral (badminton) sex-typed motor activities. Instruments used to gather data included the Personal Attributes Questionnaire, the Sport Competition Anxiety Test, and the Competitive State Anxiety Inventory-2. Twenty-six masculine, 24 feminine, and 27 androgynous males and females were submitted to a three-phase training session for each sport skill. At the conclusion of each session, prior to performing the skill in front of a panel of judges (confederates of the experimenter), subjects were administered the self-report state anxiety (A-state) inventory. Data were analyzed by a 2 x 3 x 3 design. Conclusions were that individuals classified as feminine reported more feelings of A-state prior to performance than individuals classified as masculine or androgynous. Furthermore, the performer's biological sex affected anxiety levels, depending upon perceptions concerning the sex-appropriateness of the activity.

The purpose of this study was to evaluate the amount of change in transverse tibial rotation at the knee achieved through the use of shoe modification. In addition, an attempt to evaluate the Q-angle dynamically through the stance phase to reflect changes in transverse tibial rotation was made. Ten male subjects were filmed as they ran on a treadmill at a 2.82 m/sec pace and transverse tibial rotation data was collected simultaneously from an affixed electrogoniometer at the knee joint. The subjects were tested under three conditions: 1) barefoot, 2) running shoe, and 3) shoe plus standard orthotic. The results of the study showed that an unprescribed, standard orthotic was ineffective in changing foot pronation and transverse tibial rotation at the knee. It also showed that there was no relationship between leg-heel alignment measurements of pronation and electrogoniometric measurements of transverse tibial rotation. Q-angle measurements could not be obtained from the film date due to difficulty in visualizing body landmarks.

The purpose of the creative project was an attempt to intensify the perceptual disruption while simultaneously continuing my exploration of the expressive power of certain images and symbols. These ideas were explored in a new series of paintings.

Benjamin Keach (1640-1704) was a seventeenth-century preacher and hymn writer. He is considered responsible for the introduction and continued use of hymns, as distinct from psalms and paraphrases, in the English Nonconformist churches in the late seventeenth century, and is remembered as the provider of a well-rounded body of hymns for congregational worship. This thesis reviews the historical climate of seventeenth-century England, and discusses Keach's life in terms of that background. Keach's influence on congregational hymn singing, hymn writers, preaching, and education is also examined. Keach's writings and contributions to hymn singing are little known today. This thesis points out the significance of these writings and hymns to seventeenth-century religious life.

The purpose and problem of this thesis is to formulate a theory on screenplay aesthetics with Eisenstein's montage as the mother theory providing the aesthetic nourishment for the proposed concept of imaging. The theory of screenplay imaging proposes that the screenplay is a montage of sub-narratives occurring in the sensual, emotional, and intellectual dimensions and expressing the grand narrative theme. It further suggests that the interaction between the screenplay and the reader-interpreter should yield a prolificity of interpretation with a unified meaning. The thesis consists of five chapters. Chapter I, Introduction, lays the background for subsequent arguments. Chapter II, The Principles of Montage, discusses Eisenstein's theory. Chapter III, The Theory of Imaging, explains imaging and develops Gonzalez's Model of Imaging. Chapter IV, The Principles of Sensual, Emotional, and Intellectual Imaging, explains the three dimensions with examples. Chapter V, Conclusion and Recommendation, suggests improvements and applications of the theory.

Errors by ESL writers involving connectives show a need for changes in the current teaching approach of composition teachers, an approach which reflects a lack of attention to the discourse function of connectives on the part of linguists and rhetoricians. More recent studies in text and functional grammars reveal that factors other than syntax control conjunctive use. These include pragmatic differences between spoken and written language, the role of semantics in defining dependency, and discourse functions of connectives. Conjunction is seen as part of a continuum of semantic dependency that is manifested as degrees of syntactic complexity. Teaching methods should take into account semantic and pragmatic factors and encourage learning of connectives through activities such as revision of student writing for content as well as mechanics.

An analysis of Thai government expenditures demonstrates that they expanded rapidly between 1900 and 1969, due primarily to rising prices and the extension of government functions, particularly during the post-war period. In contrast, the war effect had little influence on the growth of expenditures. During the period under study, Thai government expenditures were devoted largely to general, social, and economic services, with emphasis on transportation and communication, defense, agriculture, and education. Current expenditures (for defense, education, etc.) represented a higher percentage of total government expenditures than did capital expenditures (for public construction, social services, etc.). In general, the case of Thailand indicates that levels of government expenditure were higher in conjunction with greater emphasis on economic and social development.

This study examined the relationship between Bandura' s theory of self-efficacy and the rehabilitation outcome of spinal cord injured persons. The study elicited selfefficacy expectations from fifteen subjects on three occasions: admission and two and four weeks later. Patients rated how they expected to perform six weeks after admission on fifteen rehabilitation behaviors. Patients' ratings were compared to actual performance ratings made by the medical staff on the Barthel Index. Results reveal that subjects' predictions two weeks and four weeks after admission were accurate (r = .74, < .01; r = .89, p < .001, respectively). Findings support the limited applicability of Bandura's theory of spinal cord injury rehabilitation. Recommendations for future research include examining variables which enhance self-efficacy and using a larger, more homogeneous sample.

To determine if learned helplessness treatment debilitates human working memory and fluid intelligence, 60 university students, classified as high or low self-monitors, were assigned to one of three treatments: intermittent (50%) controllable positive feedback, uncontrollable (yoked) negative feedback, and no treatment. Test tasks included backward digit and backward spatial span (representing working memory), matrices (representing fluid intelligence), vocabulary (representing crystallized intelligence), and forward digit and forward spatial span (representing immediate span of apprehension). Results generally were not significant and were discussed as possibly due to ineffective treatment procedure. Further research on this topic is needed.

This study provides commentary on Mizler's Dissertatio and Anfangs-Gründe des General Basses. Chapter V is an annotated guide to his Neu eröffnete musikalische Bibliothek, one of the earliest German music periodicals. Translations of Mizler's biography in Mattheson's Grundlage einer Ehrenpforte and selected passages of Mizler's Der musikalischer Staarstecher contribute a sampling of the critical polemics among Mizler, Mattheson, and Scheibe. As a proponent of the Aufklärung, Mizler was influenced by Leibnitz, Thomasius, and Wolff. Though his attempts to apply mechanistic principles to music were rejected during his time, his founding of a society of musical sciences, which included J. S. Bach, Telemann, Handel, and C. H. Graun as members, and his efforts to establish music as a scholarly discipline deserve recognition.

Questions that arise are: 1. How will the form and content of my current work be affected by a more implicit narrative form? 2. How will the work be affected by: a. source of imagery? b. scale of images and overall works? c. materials? d. intent? Will the intent of my current work change because of a more linear narrative format? 3. Assuming the narrative will change from one piece to another, what will be the effect of placement of images in each work and how will the placement of each work in relation to the others be affected?

The three respond motets from Matins for the Dead by Robert Parsons constitute an important part of the sacred Latin repertory of mid-sixteenth-century England, illustrating central features of the English mid-century style. Although he worked within a conservative musical tradition, Parsons experimented with that tradition in personal and individual ways. Specifically his modal and thematic construction as well as his practice of musica ficta are singled out for closer analysis. Consequently, a methodology for editorial decisions concerning musica ficta is developed. Two special problems, the simultaneous cross-relation and diminished fourth, are shown as the result of normative polyphonic processes and vertical structures.

My intent in this creative project has been to further explore the transcendence of reality in my work in seven still lifes. The body of work done for this problem was reviewed and analyzed after completion rather than during the process.

This is a demographic study of Nigeria between 1952-1982. Relationships between population growth and economic development are described in detail. Comparisons are made of demographic growth in Nigeria with other developing countries, particularly those in Africa. Population pressure, the condition of the rural areas, and some internal and external population problems are discussed in length. The government's position and the public view on population control and family planning programs are also examined. Current programs of family limitation are discussed and evaluated. The study concludes with recommendations for solutions. Emphasis is placed on the need for immediate recognition and action. Various solutions, particularly education, are evaluated.