This paper analyzes Alexander Glazounov's Concerto in E-Flat major for saxophone and string orchestra and explores the music and style of Alexander Glazounov. Robert E. Austin provides a complete listing of the composer's works as well as biographical details about his life.

This paper identifies the major clarinetists who contributed to the development of jazz and the history of the jazz movement. Gary F. Hallquist traces the history of the clarinet in jazz from the beginnings in New Orleans to the late twentieth century, touching on the major events in the scene during this era.

This study attempts to show the relationship of Hindemith's harmonic theories and practice in the revision of Das Marienleben, op. 27. The study is based on Hindemith's The Craft of Musical Composition, commentaries on Hindemith's application of his theories, and analyses of Das Marienleben. Chapter One concerns Hindemith's contribution as a theorist, including a synopsis of his harmonic theories, and his application of the theories in his compositions. Chapter Two concerns Das Marienleben itself, including general information about the work and its revision, and an analytical comparison of its two versions. Chapter Three concludes that Hindemith made improvements in the new version in accordance with his harmonic theories through replacing ambiguous harmony with carefully controlled fluctuation and clearly defined tonalities.

This paper explores nine German art songs composed by Robert Alexander Schumann, songs that were solo settings of the poems of Robert Burns. Paula Shaneyfelt Spencer provides historical background to this detailed analysis of the songs.