The thesis here is that the Argentina of the 1940's provided a perfect matrix for the rise of a charismatic leader. Juan Perón did not emerge as an European-style fascist or the traditional Latin American dictator. Rather, he was called forth by his environment to exercise authority over his followers in a leader-mass, savior-disciple relationship. Perón's base environment was Argentine. Thus, Argentine patterns, values, and culture outlined the scope and methods of his rule. For this reason the total social and political behavior of the Argentine people will be studied and equated with the Perón phenomenon.

Photograph used for a story in the Daily Oklahoman newspaper. Caption: "SKIDDING to a new location is Rig 28, one of five rigs being operated by Kerr-McGee Oil Industries of Oklahoma City in the Mendoza area of Argentina."

This report provides background on the political and economic situation in Argentina and U.S.-Argentine relations. Argentina, a South American country with a population of almost 42 million, has had a vibrant democratic tradition since its military relinquished power in 1983. Argentina has Latin America's third-largest economy and is endowed with vast natural resources. Agriculture has traditionally been a main economic driver, but the country also has a diversified industrial base and a highly educated population.

This report summarizes the economic and political crisis in Argentina and the policies implemented by President Nestor Kirchner, Argentina's President, winner of the 2003 election.

Pioneering journal devoted to the performance practice of early music in Argentina. Index to issues 1977 - 1979 start on page 73.

Latin American classical vocal repertoire is vast, but in the United States, we only hear a fairly limited part of this literature. Much of this repertoire blends western European classical music traditions and native folk music traditions. One example of such a Latin American vocal work that is well-known in the United States is Alberto Ginastera's frequently performed song set from 1943, Cinco canciones populares argentinas. However, another lesser-known, earlier work, Cinco canciones argentinas (1923), by fellow Argentine composer Pascual De Rogatis (1880-1980) deserves attention as well. As with Ginastera's set, De Rogatis' songs are based on Argentine folk genres, but contain stylistic features of European classical music of its time. De Rogatis' neglected songs are a significant, overlooked part of Argentine classical music history, and a full understanding of well-known works such as Ginastera's song set and of the genre as a whole, must include attention to De Rogatis' Cinco canciones argentinas. Beyond vocal repertoire, De Rogatis' songs are an important part of the development of Argentine classical music. While Western musical trends change rapidly, folk music remains largely unchanged. Both De Rogatis and Ginastera were proud of their Argentine heritage, and incorporated traditional music into their compositions. I …

Script from the WBAP-TV/NBC station in Fort Worth, Texas, relating a news story.

Script from the WBAP-TV/NBC station in Fort Worth, Texas, relating a news story about Agnew agreeing to being Nixon's running mate, guerrilla soldiers being shot, a hijacked plane, and a statue being recovered from the sea.

Script from the WBAP-TV/NBC station in Fort Worth, Texas, relating a news story of IRS commissioner says taxpayers will find little change in their 1973 income tax forms. Agriculture Department reports that farmers are getting prices that average 62 percent higher for their raw products. Cambodia's third largest city is under heavy insurgent pressure. Juan Peron says the he will start his presidential campaign with massive rally and parade.