The humorous illustration depicts people behaving poorly at dinner. There is dialogue written above the heads of the diners.

Six clergy are seen in profile behind the silhouettes of nine geese.

Maifest ballgown of lemon yellow organza, polonaised. Fitted princess-line bodice with narrow shoulder straps and shaped neckline. Decorative shoulder straps of gathered mustard green and moss green velvet ribbon. Floral accent over the left breast consisting of a pink rose and blue cornflower with lemon yellow velvet and organza leaves. The velvet shoulder straps extend to the overskirt. As they cross the bodice they follow the princess seams and are encased in ruched lemon yellow organza. These casings run from the top of the bustline to waistlevel. Centerback zipper closure from midback to hiplevel. The princess-line bodice extends to a dropped yoke. Hiplevel seam with a full, gathered and swagged polonaise overskirt of lemon yellow organza. The velvet shoulder straps carry down through the overskirt running through wide ruched casings at the apex of the swags. They emerge at the hem of the overskirt as large looped bows with tails. The casing areas are accented with floral clusters of pink roses, yellow organza roses, violets and lavender cornflowers with yellow velvet leaves. Full, yellow organza, double underskirt with dropped yoke and wide gathered flounce. Yellow taffeta petticoat. Fully lined in yellow taffeta. Label located inside right center back, beside the …

Debutant dress of ivory synthetic floral lace bodice and synthetic satin skirt. Floor length; cap sleeves of lace. Square neckline trimmed in lace dotted with faux pearls, princess waist with gathered skirt below natural waist; bottom of bodice piped in synthetic. Bodice lined with synthetic. Sleeves and upper bodice unlined. Side zipper.

Coat of tan leather suede. Knee length or slightly longer. Round neckline with slight band collar. Center front opening with 7 circular metal buttons attached with matching leather thongs. Edges of opening have thong stitching. Two front horizontal, slit pockets edged with same thong stitching as opening with ends hanging as single strands of fringe. Long sleeves with thong stitching at cuff. At upper bust, shoulder, elbow, and hem of coat is leather thong fringe. On collar above upper bust fringe, above elbow fringe, on pocket, and above hem are "stamped and painted" decorative bands. In line above fringe at upper bust is line of round brass studs. Label handwritten at inside center back: "Handmade/ by / Sherri Shelton Heath / © 5-99"

This article explores consumers' perceptions of sustainability labels on apparel products and examines sustainability labels as an effective means of determining consumers' purchase intentions using the technology acceptance model.

Artist Statement from the MFA Exhibition: "Through my art I strive to raise awareness towards the protection of the ocean. Plastic pollution, over-fishing, species extinction, and nuclear waste are some of the problems I symbolize in order to create conversations around the issues and do my part in starting a wave of change. The ocean is one interconnected circulatory system for our plane,t so anywhere that humans are abusing the oceans, it affects us all. I hope to remind people of the sacredness of the sea in order to help renew our reverence and respect for it."

Artist Statement from the MFA Exhibition: "This body of work contains digital photographs, sculptures and wallpapers to highlight a personal journey through motherhood. Traditionally, the roles of a new mother have been handed down from generation to generation. A mother teaches her daughter how to soothe her fussy infant, her domestic responsibilities, to maintain her feminine mystique. Though many of these traditions of mouth to ear to mouth familial heritage continue, today’s society inundated women with visual language to remind them that although they can challenge the traditions and their choice to participate, those same discarded ideals of how to act or perform will continue to tug at the shoulder. "

Artist Statement from the MFA Exhibition: "When I left my parents to venture out into the world alone, my white privilege was stripped. While my racial background is not white, I was raised by white parents who had two biological children. Being raised this way afforded me the comfort and ability to pass through life with little to no danger of being hurt, being granted permission to be anywhere I wanted, never shut out because of my color. I still have access to many of those things because I am still my parents' daughter. I am however increasingly aware of the color of skin and how I am perceived in the context of being on my own, a single, bi/asexual artist. I also learned of my membership in a club of other people of color that I didn’t know I belonged, small and yet furiously protective of its members. A language of nods, shrugs, and eye to eye glances are a part of the language of the club, our nonverbal communication that validates our presence in a white world. much of the work this group does involves teaching and explaining why we exist as a unit separate from the world …

Artist Statement from the MFA Exhibition: "My work represents my personal experience with having learning differences such as Dyslexia, ADD, Auditory Processing Disorder, and others. I create pieces that reflect my thoughts, experiences, and the obstacles that I face daily. I utilize materials obtained from school desks as memories that reflect on the long periods of time we spend siting at desks in classrooms, during which we discover how to process information. To articulate these experiences, I create marks and drawings on recycled pieces of school desks. These marks indicate equations, words spelling, and information that mimics symbols from my own learning experience. Through the inclusion of hidden stones and drawings, I integrate positive associations and humor."

Work of art in porcelain shown in the exhibition "Concurrencies," by artist Hanna Pettyjohn.

Presentation for the Bachelor's of Fine Arts degree Fibers Senior Exhibition

Artist Statement for the Bachelor's of Fine Arts degree Fibers Senior Exhibition

Images from the Bachelor's of Fine Arts degree Fibers Senior Exhibition

Artist Statement from the MFA Exhibition: "I did everything right. I counted my carbs, meal prepped, and joined the high school volleyball team (For exercise of course. Heaven forbid it be for fun). All growing up, I always assumed that things would get so much easier when I stepped into adulthood. I would be comfortable in my body. Spoiler Alert, that didn’t happen. Before this starts to sound like a Judy Blume novel, let me explain. A shot of apple cider vinegar, 13 vitamins, gluten free diet, and portion control. These are all aspects of my routine that I dread but they keep me going. The concept of routine as composition really resonated with me when I first made these dietary changes. Much like repeated elements in a composition, repeated elements in my routine are what keep me going, help me function, and make me a successful composition (or human, whatever you want to call it). So why do I get bogged down by the objects that are supposed to be helping me? As a woman who has been on some sort of diet since age 12, it was difficult to come to terms with the fact that your body …

Images from the Bachelor's of Fine Arts degree Fibers Senior Exhibition

Artist Statement for the Bachelor's of Fine Arts degree Fibers Senior Exhibition

Presentation from the Bachelor's of Fine Arts degree Fibers Senior Exhibition

Artist Statement from the Bachelor's of Fine Arts degree Fibers Senior Exhibition

Artist Statement for the BFA Fibers Senior Exhibition "No Major No Rules."

Photos from the BFA Fibers Senior Exhibition "No Major No Rules."

Presentation describing the BFA Fibers Senior Exhibition "No Major No Rules."

Artist Statement from the MFA Exhibition: "My work about place attachment and the physical markers within the landscape that I consider home - Minnesota. I am interested in space and place and where those two things intersect. Using a limited color palette, metalsmithing and enameling techniques, texture, drawing, and photographs, I imbue my work with the memories of the landscape. My work is about experiencing space and is meant to bring pause -a moment of quiet and calm.."

Artist Statement from the MFA Exhibition: "My work merges craft and queer iconography to reflect on my journey of is covering identity in the absence of a positive sexual role model. It has resulted in a body of work that is heavy with sex-toy imagery, and explores multiple disciplines including quilting, soft sculpture, crochet, and printmaking. Through this exploration of material, I humorously combine wholesome and taboo imagery in order to reclaim and confront sexual commodity, an industry that is heavily dominated by male pleasure. While questioning my own constructed identity, I use humor as a defense mechanism to ease into the conversation of Queer identity and the Queer female gaze."