Interview with Pedro J. González by Lorena Parlee and Maria Gonzalez. A wide column of text continues across numerous pages, multiple of which have handwritten annotations on them.

Photograph of a man standing outside a building in Chihuahua, Mexico. The man carries a large object in one hand and is dressed in a hat, long-sleeved shirt, and overalls. The building behind the man has a row of arched openings along its side and faces a set of train tracks. Blue handwritten text, including the words "Seccion de Meza," occupy the back of the photograph.

Photograph of men standing along train tracks in the Chihuahua division of Mexico. The men are wearing hats, long-sleeved shirts, and pants or overalls and stand in front of a fence or atop a cart placed on the train tracks. Behind the men is a long brick building with archways along its side and trees planted nearby. Blue handwriting, including the words "Seccion de la Cruz," occupies the back of the photograph.

Photograph of a damaged building in Saucillo, Chihuahua in Mexico. Three men dressed in hats, long-sleeved shirts, and pants stand on and around a cart set atop a railroad. The building sits beyond the men and has multiple circles containing words marked on its outer walls. Blue handwriting occupies the back of the photograph.

Photograph of three men standing in front of a burned bridge in the Chihuahua division of Mexico. The men wear hats, long-sleeved shirts, and overalls and face towards the viewer. In the background, a railroad runs parallel to the burnt bridge, which two men with a cart are positioned on top of. Blue handwriting occupies the back of the photo.

Photograph of the side of a train bridge in Chihuahua, Mexico. The bridge rises above sparse vegetation and extends from the right side of the image towards the left, disappearing into the distance. The text "Puente Ortiz Mayo 1929" and "Div Chihuahua Nacionales" are handwritten on the back of the photo, in blue ink.

Photograph of five men standing on train tracks next to a building labeled the "Santa Rosalia." One man stands on a cart sitting on the tracks while another man sits on a curb and the other three men stand. In the background, a man leans out of one of the Santa Rosalia's windows to talk to a man standing outside. Blue handwriting occupies the back of the photo.

México Contemporáneo, Vol. 1 Num. 7. The first page of the article has its title printed above smaller lines of text, both on yellow blocks of color, below which is a photo of a man in formal clothing next to text on a blue block of color. To the left of the photo and text printed on blue is the price "$2.00" surrounded by lines while at the bottom of the page is a row of text. The rest of the article's pages are occupied by columns of text and a few photographs printed below headlines.

Letter from Pedro J. Gonzalez to the Honorable Comision de Honor y Justicia. A wide column of paragraphed text fills the front and back of one page before continuing onto the front of a second page, ending above a signature.

Letter from the Asociacion de Locutores de Radio y Similares de la Baja California to Pedro J. Gonzalez. A microphone icon is printed next to multiple lines of red and blue text, below which are short lines of black text. Additional black text is printed in paragraphs above signatures, which have been signed below a stamped microphone icon. Upon the back of the page is a third signature followed by a single block of printed text.

Letter from Pedro J. Gonzalez to Sindicato Nacional de locutores de la republica Mexicana. Multiple short lines of text are printed above a column of paragraphs, which continues onto the doument's back. A signature has been marked in red ink below the end of the text column.

Letter from Pedro J. Gonzalez to Manuel Acuña Varela and a radio announcer association. Multiple short lines of text and a column of paragraphs are printed above a signature.

Notice to all employees of XEAU Radio. A microphone icon is printed to the left of titles, below which is a wide column of paragraphed text that ends above a signature. A second microphone icon is stamped next to the signature, above additional signatures that have been written out along printed lines. The back of the page is covered by handwritten text.

Pedro J. Gonzalez writing to the executive committee of XEAU. A date and address are printed above a wide column of paragraphed text that ends above multiple lines of handwriting. The address porton of the letters is marked over with red ink.

Letter from Ernesto O. Schuster to Joaquin Aguilar Robles. A wide column of paragraphed text is printed below a date, name, and location. The text column continues across the fronts of three additional pages before ending above a signature. Portions of the second page's text are underlined.

Letter to Ernesto O. Schuster from Joaquin Aguilar Robles. A wide column of paragraphed text is printed below a date, name, and location. Beneath the paragraphed text is a signature.

A Tijuana Extra news article titled "Inmiscusion Indebida de Pedro Gonzalez." The date of the article is printed above its headline and a sketch of the word "extra." Two columns of text fill the rest of the page's space.

Writing about revolutionary land and the offer to pay off revolutionary veterans. A long, curving title is printed above small lines of text that are positioned beside a bird icon, below which is a printed date. Beneath the date is a wide column of text positioned to the right of a smaller text column, a stamped seal, and signature. The wider column of text continues onto the back of the page, across the front and back of a second page, and ends on the front of a smaller paper. Annotations have been written throughout the document.

Letter from Roberto Fierro Villalobos to Pedro J. Gonzalez. Two illustrations of men are printed in the top corners of the paper while the letter's title sits between them. Under the title and the illustrations are two short lists of names and one long list, which extends towards the bottom of the page. The rest of the page is occupied by a wide column of paragraphed text printed below an eagle icon and an address. Below the paragraphs is a second title.

Letter from Roberto Fierro Villalobos to Roberto Sanchez. Two illustrations of men are printed in the top corners of the paper while the letter's title sits between them. Under the title and the illustrations are two short lists of names and one long list, which extends towards the bottom of the page. The rest of the page is occupied by a wide column of paragraphed text printed below an eagle icon and an address. Below the paragraphs is a signature.

Letter from Pedro J. Gonzalez to J. Santos Castañeda and E. Tinto Ballesteros. The front and back of the page both have wide columns of paragraphed text filling the available space. The front page has a signature below its printed text.

Letter to Luis Echevarria Alvarez from the president of "Legion nacional de hijos y descendientes de veteranos de la revolución." A long title is printed above small lines of text that sit above and beside a bird icon, below which is a printed date. Beneath the date is a stamped seal and a wide column of text positioned to the right of a smaller text column. The wide column of text continues onto the page's back and ends above multiple signatures.

Letter from Pedro J. Gonzalez to the "Jefe del departamento agrario." Handwritten text sits above a wide column of printed text that continues onto the back of the page and across a second page, ending above two signatures. The second page's back has additional lines of text printed above a third signature.

A letter titled "Detailed Information for my Division General Roberto Fierro Villalobos." A long, curving title is printed above small lines of text that sit above and beside a bird icon, below which is a printed date. Below the date is a wide column of text positioned to the right of a smaller text column. The wider text column is continued across the fronts and backs of ten pages.