Tashi Dorji describes a pilgrimage to Tshong Tshongma and the surrounding area. He discusses a biography of Tshong Tshongma Ney (the religious site) which was taken by the people of Bonglang village (Tawang District, Arunachal Pradesh, India) for reception purposes but never returned. It says there is a garden of Tshong Tshongma at the base of Dukti village with fruits, betel leaves, betel nuts, and other plants which only those who are about to die can reach. He explains that the deity behind the Jomo is Tshong Tshongma. If someone has lost one’s life force, it can be retrieved from the devil with the help of Jomo.

Tashi Dorji describes a pilgrimage to Tshong Tshongma and the surrounding area. Tshong Tshongma is a sacred mountain and a local deity in Eastern Bhutan. Over 4000 meters in elevation, it is accessible only four months per year due to local customs. He states that Tshong Tshongma is king amongst the worldly deities, wrathful in nature. He describes landmarks seen on the way to Tshong Tshongma, including a rock symbolizing the riding horse of Tshong Tshongma Lopen, Buddhist scriptures, a stupa, a treasured hole, a golden table, a door to the sky, a monastery of monks, and a meditation place of Guru Rinpoche. Travelers offer libations twice per day to have nice weather during pilgrimages.

Tashi Dorji describes how residents of Dukti village appease the local deities for taking care of their crops when the mountain roads are closed for four months every year. During this time, they offer feasts and fermented wine to the local deities once a month. He explans that the wine for the appeasement and Tshok for the deity is collected as a community tax. Recorded at Dukti Gup Sonam's house in Dukti village.

A discussion with Beshot Khullar and Rengpu Rex Khullar on how questions are formed in Lamkang.

Discussion of traditional songs by Shetwor Dilbung and Bunghon Suungnem at a storytelling festival funded by the NSF project and organized and implemented by Rex Khullar and Harimohon Thounaojam. The speakers discuss the types of songs they would like to collect and archaic vocabulary used in songs. They also discuss the Totlang festival in Phaidaam in 2008.