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Bridging the Fantastical Gap: Dread and the Uncanny in the Score of "It Follows"
Depicting Affect through Text, Music, and Gesture in Venetian Opera, c. 1640-1658
Searching for Songs of the People: The Ideology of the Composers' Collective and Its Musical Implications
Polyphonic Harmony in Three of Ferruccio Busoni’s Orchestral Elegies
The Intimacy of Death: Mahler’s Dramatic Narration in Kindertotenlieder
Don Gillis's Symphony No 5½: Music for the People
"Being" a Stickist: A Phenomenological Consideration of "Dwelling" in a Virtual Music Scene
Musical Arrangements and Questions of Genre: A Study of Liszt's Interpretive Approaches
The Sounds of the Dystopian Future: Music for Science Fiction Films of the New Hollywood Era, 1966-1976
Expanded Perceptions of Identity in Benjamin Britten's Nocturne, Op. 60
The "Gypsy" style as extramusical reference: A historical and stylistic reassessment of Liszt's Book I "Swiss" of Années de pèlerinage.
Michael Nyman: The Man Who Mistook His Wife for a Hat
Yoon-Seong Cho's Jazz Korea: A Cross-cultural Musical Excursion
Beyond the "Year of Song": Text and Music in the Song Cycles of Robert Schumann after 1848
Poetry and Patronage: Alessandro Scarlatti, The Accademia Degli Arcadia, and the Development of the Conversazione Cantata in Rome 1700-1710
The Waning of Victorian Imperialism: Stylistic Dualism in Gustav Holst's One-Act Opera Sāvitri (1908-9)
Voice and Genre in Beethoven's Deux Grandes Sonates pour le Clavecin ou Piano-Forte avec un Violoncelle obligé, Op. 5
Jean-Georges Kastner's Traité general d'instrumentation: A Translation and Commentary
Robert Schumann's Symphony in D Minor, Op. 120: A Critical Study of Interpretation in the Nineteenth-Century German Symphony
The Whole as a Result of Its Parts: Assembly in Aaron Copland's Score for The Red Pony
Eighteenth-Century French Oboes: A Comparative Study
The Essercizii musici: A Study of the Late Baroque Sonata
Beyond the Human Voice: Francis Poulenc's Psychological Drama La Voix humaine (1958)
Cadential Syntax and Mode in the Sixteenth-Century Motet: a Theory of Compositional Process and Structure from Gallus Dressler's Praecepta Musicae Poeticae
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