This transcript is the record of an interview with photographer Elda Harrington about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Harrington discusses her own work in photography as well as the schools and the photography festival that she has established in Argentina. The transcript includes a brief introduction with a biography of Harrington and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.

This transcript is the record of an interview with Paula Sibilia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Sibilia discusses her research into how technological body modifications affect the cultural, social, and philosophical aspects of the human body. The transcript includes a brief introduction with a biography of Sibilia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.

Work of art in archival inkjet prints by artist Kendra Smith as part of a 2019 MFA Exhibition, entitled "The Walk".

Work of art of installation image by artist Sarah Janke as part of a 2019 MFA Exhibition, entitled "Bewildering Genealogy"

Work of art in archival inkjet prints (40 prints each 8 x 10 inches) by artist Kendra Smith as part of a 2019 MFA Exhibition, entitled "The Walk".

Work of art in archival inkjet prints (64 prints each 4 x 6 inches) by artist Kendra Smith as part of a 2019 MFA Exhibition, entitled "The Walk".

Work of art in archival inkjet prints (various sizes) by artist Kendra Smith as part of a 2019 MFA Exhibition, entitled "The Walk".

Work of art of installation image by artist Sarah Janke as part of a 2019 MFA Exhibition, entitled "Bewildering Genealogy"

Work of art in archival inkjet prints by artist Kendra Smith as part of a 2019 MFA Exhibition, entitled "The Walk".

Work of art of installation image by artist Sarah Janke as part of a 2019 MFA Exhibition, entitled "Bewildering Genealogy"

This article centers two fabric assemblage pieces the author created in response to the Black Lives Matter protests of the summer 2020.

Quick! Butterick pattern 6130 to make a shirt with optional hood or pointed collar and long or short raglan sleeves, and shorts or pants with drawstring waist, including illustrations of the finished pieces and information about sizing and construction on the back.

Video recording featuring guest panelists, Stephanie A. Johnson-Cunningham, and Kelli Morgan, Ph.D., this third installment of the 2044 series frames Afrofuturism and futurist thinking in museum practice to examine the roles museums play in maintaining and recreating anti-blackness and white supremacy. Panelists discuss how museum educators and curators can practice anti-racist pedagogy and thinking. Racist and colonial practices of museums need greater racial equity and recognition. Through the use of visual imagery, Afrofuturism as a framework may be a viable strategy for community building, imagination, and expression. Recognizing that museums are rooted in white colonial narratives that have been and continue to be oppressive to Black and people of color, museums can amplify Black experiences and narratives while pointing out the need for systemic change in the sector. From the periphery of colonial violence and commodification to the centrality of visibility and recognition, museum education can provide opportunities to “analyze how racism shapes how we view, discuss, create, and engage multiple audiences within the museums.”

Work of art in Tree branches and sticks, twine, by artist Maria Villanueva as part of a 2021 MFA Exhibition, entitled "Legend Systems: An Escape to a Hidden Land, ” in the Environmental Education, Science and Technology Building Atrium on the campus of the University of North Texas on March 1-5, 2021. MFA Exhibition, view from the stairs in the atrium.

Work of art in driftwood, aquarium plants, 3d prints, bronze by artist Russell Anderson as part of his 2021 exhibition, entitled "Modified Aesthetics on an Inner Space".

Work of art using wood decorated with metal rods by artist Philip F. Samson as part of a 2022 MFA exhibition, entitled "Confluence" in the Environmental Education, Science and Technology Building Atrium on the main campus of the University of North Texas from April 4 to April 14, 2022.

Work of art in Collection of rocks and faux crystals by artist Maria Villanueva as part of a 2021 MFA Exhibition, entitled "Legend Systems: An Escape to a Hidden Land, ” in the Environmental Education, Science and Technology Building Atrium on the campus of the University of North Texas on March 1-5, 2021. MFA Exhibition, view from the stairs in the atrium.

Work of art (Installation View) by artist Maria Villanueva as part of a 2021 MFA Exhibition, entitled "Legend Systems: An Escape to a Hidden Land, ” in the Environmental Education, Science and Technology Building Atrium on the campus of the University of North Texas on March 1-5, 2021.

Work of art of installation image by artist Sarah Janke as part of a 2019 MFA Exhibition, entitled "Bewildering Genealogy"

Work of art in archival inkjet prints by artist Kendra Smith as part of a 2019 MFA Exhibition, entitled "The Walk".

Work of art in archival inkjet prints, video (in various sizes) by artist Kendra Smith as part of a 2019 MFA Exhibition, entitled "The Walk".

Work of art in archival inkjet prints by artist Kendra Smith as part of a 2019 MFA Exhibition, entitled "The Walk".

Work of art, close up of installation image by artist Sarah Janke as part of a 2019 MFA Exhibition, entitled "Bewildering Genealogy"

Work of art of installation image by artist Sarah Janke as part of a 2019 MFA Exhibition, entitled "Bewildering Genealogy"