Amir and Kahan complete set-up 1 of the Family Story Task, a picture-based stimulus task. They describe the 16 pictures and then rearrange them in whatever order they think is right. This recording is the first part of three. The task was broken into three parts because the instructions for this task are too lengthy. Consequently, breaking down the recording made it more manageable to follow the instructions. The recording was made at Amir's home, Amar Guest House, in Chhitkul village.

Amir and Kahan complete set-up 1 of the Family Story Task, a picture-based stimulus task. This is the second part of the task where they tell the whole story from start to finish. The recording was made at Amir's home, Amar Guest House, in Chhitkul village.

Amir and Kahan complete set-up 1 of the Family Story Task, a picture-based stimulus task. This is the final part of the task where they tell the whole story from start to finish, from the man's perspective. The recording was made at Amir's home, Amar Guest House, in Chhitkul village.

Lamkang causative constructions discussed by Shobhana Chelliah and Sumshot Khular. From this recording one can learn about noun marking in causative constructions as well as the type of verb that takes the causative and the position of directional prefixes in causative constructions.

A discussion between Sumshot Khular and Tyler Utt of the causative construction and the verb 'give'. This elicitation was recorded in the Linguistic conference room at Discovery Park, UNT.

Shobhana Chelliah and Tyler Utt discussing the paradigm of the verb "push" with Sumshot Khular.

Tyler Utt discussing the verb paradigm of 'give' /pii-I, piik-II/ with Sumshot Khular.

Handwritten notes on Lamkang language including verb agreement and Pear Story discussion

A poem on Boro New year festival Bwisagu included in a mouthpiece of the All Odalguri Silver Jubilee year celebration, Odalguri College, Udalguri held on 15-22, April 2017.

Rajesh Kumar Thakur and Bhag Singh Negi discuss the Dumti road, which was being built at the time. The road will connect Chhitkul to Dumti, located closer to the border with China (Tibet). Dumti will serve as a military post. The road is the result of recurring tensions between India and China. The recording was made in front of Rajesh's house in Chhitkul village.

Ravinder Singh Mathus and Devi Chand describe the functions they perform at Rakchham’s main temple. They are the interpreter and oracle of the local deities, respectively. The recording was made next to Shiv's temple in Rakchham, during a ritual break.

Arvind and Kahan discuss the Panchayat, the village leadership that runs government programs in Chhitkul village, and what it has achieved. Arvind is a current member of the Panchayat, while Kahan is a former member. The recording was made at Amar Guest House in Chhitkul.

Sarita and Narayan discuss the Sazi Festival, which takes place every year at the end of March in Rakchham village. The recording was made in the garden of Uma Homestay.

Sumshot Khular and Tyler Utt discuss the story of the Stepmother.

Sumshot Khular and Tyler Utt discuss the story "The Stepmother."

A description of an indigenous game where women at Koide village used to compete to show their bravery and skills in wearing the mekhala.

Satender describes his experience as interpreter of the deities in Rakchham village. The recording was made at his second house in Dhangdhangshi, further down Rakchham village.

This is a description of the important status of cleanliness in Karbi culture.

This is a description of the important status of cleanliness in Karbi culture.

This is a description of cooking alkaline food by burning jhum fields and using the ashes.

This is a description of cooking alkaline food by burning jhum fields and using the ashes.

This is a description of cooking alkaline food by burning jhum fields and using the ashes.

Rajesh describes a very peculiar event that marks the beginning of the Sazo festival during Maang. The festival takes place in Chhitkul during the month of January. The recording was made in front of Rajesh's home in Chhitkul village, on the path that leads towards Amar Guest House, at the back of the main temple.

Satender describes gunsaa, the traditional migration to lower (and warmer) places from Rakchham and Chhitkul village that takes place during winter. The recording was made at Satender's second residence in Dhangdhangshi, a place that belongs to Rakchham, down below the village.