Transmittal of copies of documents in the reform of the Fundación de la Obra Pía; efforts to save the organization from destruction; opposition of “los principales en lo científico” Juan José Espinosa de los Monteros, Juan Francisco Azcárate, and Andrés Quintana Roó, directed by Francisco Sánchez de Tagle; mercantile opposition by Lorenzo Carrera; benefits obtained by Lorenzo Zavala for editing the “Decreto sentencia expoliatoria”; financial support given group by Francisco González Agüero; opposition of deputies and senators; provisions of benefactress' will changed; appointment of Patronos; fear of ministry of Lerdo; election of president; fear of spending of all money derived from “tratado pendiente” with the United States; effort to withdraw Jesuits from supervision of the Obra pía; denuncia made by Promotor Robledo; appeal to Pedro Escudero; “El Impreso del S. Vélez”; exclusion of Jesuits from Hacienda pública confirmed by Santa Anna in 1843; limits on amortization.

Postcard of a train station with four men in suits standing outside, behind the train track. A powerline stands by the station, on the deck. The right edge identifies the scene as "P. & L. E. Station, Monogahela, Pa." The back of the postcard addresses it to "Mamie McFaddin 1906 McFaddin Ave Beaumont Texas."

Postcard of multiple story brick buildings near docks where horses draw carts laden with bags of sugar. The back of the postcard has a short letter, which reads, "Just got your letter, it was so sweet of you to write. [illegible] to get a hustle on [illegible] please. Love to all Maria." The postcard is addressed to "Miss M. McFaddin Beaumont, Tex. 1906 McFaddin Ave."

Postcard of a partially harvested sugar cane field with a yellow building in the background. The letter reads, "Mama must send you a postal every day if you'd rather have," the rest is illegible. The postcard is addressed to "Miss M. McFaddin, Beaumont, Tex 1906 McFaddin Ave."