Recording of Stanislaw Krupowicz's Music for S. The work is a computer generated tape, composed at CCRMA, Stanford University using additive synthesis and John Chowning's voice simulation instrument.

Recording of Mauro Graziani's Landing. It uses computer both in composition and sound synthesis. Other programs used in composition include ALGEN and MUSIC360 program. Landing was realized at the :Centro di Sonologia Computazionale" (University of Padova), March to April 1982.

Recording of Alden Jenks's Nagasaki made in the electronic music studio of the San Francisco Conservatory of Music. Both electronic and non-electronic sounds were used (of the latter the human voice and music of the Japanese court, "gagaku", figure prominently). The human voice appears to be electronically generated, or electronic sounds appear to be gagaku instruments, singing voices, or a percussion ensemble. The words used are those of Fujio Tsujimoto at the age of five, of Nagasaki; on the tape they are spoken by the Japanese violinist Mayumi Ohira.

Recording of Robert Grassi's Amour énorme. Grassi was responsible for the samples used in the recording. He used an FM synthesizer, tms sampler, and a SPX-1000 effect processor.