Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

A junior recital presented at the UNT College of Music Voertman Hall.

A senior recital presented at the UNT College of Music Kenton Hall.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

A guest artist recital performed at the UNT College of Music Concert Hall.

Faculty jazz recital performed at the UNT College of Music.

Faculty Recital performance given at UNT's College of Music Concert Hall.

Afro-Cuban, Brazilian, and Latin Jazz Ensembles recital performed at the UNT College of Music Concert Hall.

Interview with Bill Graham, a Marine during World War II. He begins by discussing joining the Navy and becoming a corpsman, then being transferred to the 2nd Marine Division after the Pearl Harbor attack. He also talks being in the first wave on Guadalcanal and various things that happened during the six months there, as well as contracting a severe strain of malaria, getting shipped back to the States and stationed near his home in Fort Worth, then returning to training in Virginia to prepare for an invasion of Japan.

Interview with Joseph Brown, who was in the Marine Corps during World War II. He discusses going to Guadalcanal, various guns and artillery he used, the battle of Tarawa and getting malaria just before it, then going to Hawaii for more training before returning to the South Pacific and fighting on Saipan and Tinian. He also discusses being wounded on Saipan, having a bayonet run through his forearm and keeping the bayonet as a souvenir after the war, and he talks about some of his experiences and travels after the war.

The National Museum of the Pacific War presents an oral interview with Richard Taylor. Taylor was a young boy in Canada during World War II. He describes the effort on the homefront, including growing Victory gardens and rationing gasoline. Beginning in 1943 he received training in the Royal Canadian Sea Cadets, the Air Cadets, and the Army Cadets. He helped with the manufacturing of Fairmile D-motor torpedo boats. In 1946 he joined an antitank unit in the Irish Regiment of Canada and received training at Petawawa. He then left the Irish Regiment and joined the Royal Canadian Air Force, 400th Squadron. Taylor was discharged in 1949 and became a master plumber.

Transcript of an oral interview with William E. Steigerwald. He begins by describing the conditions he grew up in during the Great Depression of the 1930s. He joined the Marine Corps and went to boot camp at Parris Island. He trained on radar and shipped out to New Caledonia for more training, this time with Marine Raider battalions. He contracted malaria on Guadalcanal and was assigned to the 3rd Defense Battalion, and antiaircraft artillery unit. Eventually, he was assigned to the 4th Battalion, 11th Marines, an artiller yunit in the 1st Marine Division. He discusses landing in the third wave on Okinawa. He participated in the battle at Kunishi Ridge and describes killing a Japanese soldier. When Japan surrendered, Steigerwald went with the First marine Division to China to facilitate the Japanese surrender there. He stayed in the Marine Corps and became a Drill INstrucotr before going to the Korean War. He finishes by telling anecdotes about his career in the Marines. He retired in 1967.

The National Museum of the Pacific War presents an oral interview with Herb Smith. Smith was born in Shreveport, Louisiana in 1920. In 1940 he entered Centenary College in Shreveport and participated in the Civilian Pilot Training Program. After completing the course he joined the Navy. After receiving his wings in July 1943 he went to Melbourne, Florida where he began training in the Grumman F6F fighter plane. Upon qualifying in carrier landings on Lake Michigan, he was sent to Guadalcanal in May 1944. He flew various combat missions from there. He then went to Espiritu Santo, New Hebrides and was assigned to Carrier Aircraft Service Unit 39. After several months he was assigned to VF-80 aboard the USS Ticonderoga (CV-14). Smith, with another Hellcat, was returning from an airstrike to the Ticonderoga and encountered fifteen Japanese planes. Smith and his wingman employed the Thach Weave, resulting in them shooting down several of the enemy. In December 1944 the Ticonderoga was caught in Typhoon Cobra. During a mission over Formosa, Smith’s group commander was forced to bail out. Smith protected him from the air until he was picked by an American submarine. On 21 January 1945, while Smith was airborne, …

Concert presented at Winspear Hall at the Murchison Performing Arts Center.

The National Museum of the Pacific War presents an oral interview with Ethel Reisberg Schectman. She begins by discussing her family background: her parents were Jews born in Poland and emigrated to the United States. Ethel's European aunts, uncles and grandparents all likely died in the Holocaust. As a first grade student, she taught her mother, a Polish immigrant, how to read and write English. She recalls, wartime rationing, Victory Gardens, scrap drives, and antisemitism among her school-aged classmates in Dallas, Texas, and the end of the war.

The National Museum of the Pacific War presents an oral interview with Annie May Webb. She discusses her husband's service and her experiences on the homefront. She describes delivering word of the birth of their daughter to her husband while he was aboard the USS Bennington serving with VMF-112

Transcript of an oral interview with Bill Graham. He begins by discussing joining the Navy and becoming a corpsman, then being transferred to the 2nd Marine Division after the Pearl Harbor attack. He discusses being in the first wave on Guadalcanal and various things that happened during the six months there, contracting a severe strain of malaria, getting shipped back to the States and stationed near his home in Fort Worth, then to training in Virginia preparing for an invasion of Japan.

Transcript of an oral interview with Joesph B. Brown. He discusses going to Guadalcanal, various guns and artillery he used, the battle of Tarawa and getting malaria just before it, then going to Hawaii for more training before returning to the South Pacific and fighting on Saipan and Tinian. He also discusses being wounded on Saipan, getting a bayonet run through his forearm and keeping the bayonet as a souvenior after the war and talks about some of his experiences and travels after the war.

The National Museum of the Pacific War presents an oral interview with William Steele, Sr. He was born in Nashville, Tennessee on January 6, 1924. He enlisted into the Marines in February, 1943 and was assigned to 2nd Marine Division, M Company, 3rd Battalion 8th Marines, as a machine gunner. He describes his experiences while landing at Tarawa in LCVPs (Landing Craft Vehicle Personnel) also known as Higgins Boats. During the landing he recalls being wounded by shrapnel. After Tarawa, he recounts returning to Hawaii where he received training for the invasion of Saipan. He recalls the landing at Saipan and being once more wounded by shrapnel from an artillery round. After being treated for his wounds, he recalls returning to the island and providing machine gun cover. After ten days on Saipan he describes his third landing on Tinian and his unit taking a Japanese Air Force airfield. Steele recalls that he returned to the States on December 7, 1944, with other veterans who had received multiple wounds.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Kenton Hall in partial fulfillment of the Master of Music (MM) degree.

Senior recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Bachelor of Music (BM) in Performance degree.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.