Transcript for an interview with Pedro J. Gonzalez. A wide column of paragraphed text is printed across the fronts of three pages. Handwritten words sit between the printed text and each page's left edge.

Transcript for an interview with Pedro J. Gonzalez. A wide column of paragraphed text is printed across the fronts of five pages. On the first two pages, handwritten words sit between each page's left edge and printed text.

Transcript for Pedro J. Gonzalez interview (tape I side 2). A wide column of paragraphed text is printed across the fronts of two pages. Handwritten words sit between the printed text and each page's left edge.

Letter from William L. McIntyre to Pedro J. Gonzalez. Eight ruled paper sheets have paragraphs of handwritten text across their front sides. The envelope accompanying the letter has handwriting in three different inks on its back and a red stamp its top right corner.

One telegram from Pedro J. Gonzalez to the president José Lopez Portillo and one telegram from José Lopez Portillo's secretary, Carlos Javier Vega, to Pedro J. Gonzalez. A paper with a wide column of printed text across it has a signature at its bottom and is layered over a paper that has text printed atop a faint pattern. Both papers have stamped marks on them. The upper paper has some handwritten text at its top.

Legal agreement document between Pedro J. Gonzalez and Isaac Artenstein (Cinewest Productions). The first page is titled "Agreement" and has two introductory paragraphs followed by a single wide column of text containing two paragraphs numbered "1" and "2." The paragraph labeled "2" continues onto a second page and is followed by a paragraph numbered as "3" and a finishing statement containing a date. Gonzalez's and Artenstein's signatures sit at the bottom of the page.

Legal assignment between Pedro J. Gonzalez and Isaac Artenstein (Cinewest Productions). At the top of the page is the title "Assignment" followed by an introductory paragraph and three paragraphs numbered "1," 2," and "3." At the bottom of the page is a closing statement containing a date, below which is Gonzalez's signature.

A NY Times article titled "Protests Lead to Release." The name of the newspaper and the date are printed in the top right corner of the page. The text of the article is printed near the page's left edge and is formatted as a single column of type.

A NY Times Article with "Story of a Mexican Immigrant 'Hero'" as its headline. Three columns of text fill the space around a portrait photo of Pedro J. Gonzalez, describing his past and connection to the Mexican Revolution. Jesus Rangel is credited as the author of the article.

A NY Times news clipping titled "TV Programs Today." Five columns of text include lists of program names next to the times they are scheduled to be shown at. The clipping also includes an image of a man above a brief description of Pedro J. Gonzales being interviewed for the program "Ballad of an Unsung Hero."

A San Francisco Chronicle article titled "A Folk Hero in Retirement." The title is printed at the top of the first page of the article, next to the hand-written name and date of the newspaper. Two columns of text fills the rest of the page, continuing onto the second page of the article which has a photograph of Pedro Gonzalez above its left column of text.

Letter from Pedro J. Gonzalez to Roberto Fierro Villalobos. A long, curving title is printed above small lines of text that sit above and beside a bird icon, below which is a printed date. Beneath the date is a wide column of text positioned to the right of a smaller text column and above a signature.

Letter from Pedro J. Gonzalez to Claudio Estrada. A long, curving title is printed above small lines of text that are positioned above and beside a bird icon, below which is a printed date. Below the date is a wide column of text positioned to the right of a smaller text column. The wider text column continues across the back of the pages and onto a second paper, filling its front and half of its back. Beneath the end of the printed text are multiples lines of blue handwriting.

Letter from Pedro J. Gonzalez to Roberto Fierro Villalobos. A line of text is handwritten in red ink above a long, curving title printed above small lines of text and a bird icon, below which is a printed date. Beneath the date is a wide column of text positioned to the right of a smaller text column and a line of handwriting. The wider column of text continues onto the back side of the page, ending above a signature.