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School of Music
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An Interpretative Analysis of the Song Cycle An die ferne Geliebte by Ludwig Van Beethoven
Stylistic Comparisons and Innovations in Mozart's E-Flat Major Piano Concertos, K. 271 and K. 482
The Twenty-Four Preludes of Chopin, Opus 28: Formal Structure, Harmonic Deviations, and Modulation Devices
The Development and Utilization of the Valved Brasses in the Orchestra of the First Half of the Nineteenth Century
Music and its Relation to Futurism, Cubism, Dadaism, and Surrealism, 1905 to 1950
A Pedagogical Approach to the Bach Two-Part Inventions
Poems of Love and the Rain, by Ned Rorem
Public Performances with Elemenetary School Vocal Classes
The Stylistic Characteristics of Beethoven's Early Piano Trios
Clavecin Pieces of Louis Couperin
The English Horn: Its History and Development Into Orchestral Music
Stylistic Analysis of "Banalités" by Francis Poulenc
The Use of Imitation in the String Quartets of Béla Bartók
The Use of the Trombones in Beethoven's Symphonies Nos. 5, 6, 9, and Schubert's Symphony No. 8
Audio-Visual Materials for the Primary Music Classroom
Blend in Choral Sound
The Male Falsetto
The Six Authentic Motets of J.S. Bach: An Analysis in Relation to Performance
The Tenor Roles in the Oratorios of George Frederick Handel Based on the Old Testament and Jewish History
The Unaccompanied Choral Music of Felix Mendelssohn
The Chaconne and Passacaglia in Twentieth Century Organ Music
Choral Problems in the Unaccompanied Music of Francis Poulenc
Analysis of the Song Cycle “On Wenlock Edge” by Ralph Vaughan Williams
Form and Rhythm in the Moerike Lieder of Hugo Wolf
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