Book about Chicano and Latino experiences in North Texas, based on the author's personal history, newspaper articles, community input, and other sources. Chapters address education, culture, politics, heritage, and related topics.

Captain Frank Jones, a famed nineteenth-century Texas Ranger, said of his company’s top sergeant, Baz Outlaw (1854-1894), “A man of unusual courage and coolness and in a close place is worth two or three ordinary men.” Another old-time Texas Ranger declared that Baz Outlaw “was one of the worst and most dangerous” because “he never knew what fear was.” But not all thought so highly of him. In Whiskey River Ranger, Bob Alexander tells for the first time the full story of this troubled Texas Ranger and his losing battle with alcoholism. In his career Baz Outlaw wore a badge as a Texas Ranger and also as a Deputy U.S. Marshal. He could be a fearless and crackerjack lawman, as well as an unmanageable manic. Although Baz Outlaw’s badge-wearing career was sometimes heroically creditable, at other times his self-induced nightmarish imbroglios teased and tested Texas Ranger management’s resoluteness. Baz Outlaw’s true-life story is jam-packed with fellows owning well-known names, including Texas Rangers, city marshals, sheriffs, and steely-eyed mean-spirited miscreants. Baz Outlaw’s tale is complete with horseback chases, explosive train robberies, vigilante justice (or injustice), nighttime ambushes and bushwhacking, and episodes of scorching six-shooter finality. Baz met his end in a …

Historical description of military operations organized into eight chapters covering frontier Texas: [1] Tribal Warfare of Colonial Tejas, 1822-1835, [2] The War for Texian Independence, 1835-1836, [3] Conflicts of the Early Texas Republic, 1836-1838, [4] Conflicts of the Middle Texas Republic, 1838-1840, [5] Conflicts of the Late Texas Republic, 1841-1845, [6] The Mexican-American War, 1846-1848, [7] Conflicts of Antebellum Texas, 1846-1861, and [8] The War for Confederate Independence, 1861-1865. Index starts on page 393.

Frank Reaugh (1860–1945; pronounced “Ray”) was called “the Dean of Texas artists” for good reason. His pastels documented the wide-open spaces of the West as they were vanishing in the late nineteenth century, and his plein air techniques influenced generations of artists. His students include a “Who’s Who” of twentieth-century Texas painters: Alexandre Hogue, Reveau Bassett, and Lucretia Coke, among others. He was an advocate of painting by observation, and encouraged his students to do the same by organizing legendary sketch trips to West Texas. Reaugh also earned the title of Renaissance man by inventing a portable easel that allowed him to paint in high winds, and developing a formula for pastels, which he marketed. A founder of the Dallas Art Society, which became the Dallas Museum of Art, Reaugh was central to Dallas and Oak Cliff artistic circles for many years until infighting and politics drove him out of fashion. He died isolated and poor in 1945. The last decade has seen a resurgence of interest in Reaugh, through gallery shows, exhibitions, and a recent documentary. Despite his importance and this growing public profile, however, Rounded Up in Glory is the first full-length biography. Michael Grauer argues for Reaugh’s …

Women in Civil War Texas is the first book dedicated to the unique experiences of Texas women during this time. It connects Texas women’s lives to southern women’s history and shares the diversity of experiences of women in Texas during the Civil War. Contributors explore Texas women and their vocal support for secession, coping with their husbands’ wartime absences, the importance of letter-writing, and how pro-Union sentiment caused serious difficulties for women. They also analyze the effects of ethnicity, focusing on African American, German, and Tejana women’s experiences. Finally, two essays examine the problem of refugee women in east Texas and the dangers facing western frontier women. The contents include: "Everyone has the war fever" / Vicki Betts -- Caroline Sedberry, politician's wife / Dorothy Ewing -- He said, she said / Beverly Rowe -- Finding joy through hard times / Brittany Bounds -- Black Texas women and the freedom war / Bruce A. Glasrud -- Black women and Supreme Court decisions during the Civil War era / Linda S. Hudson -- Mexican-Texan women in the Civil War / Jerry Thompson and Elizabeth Mata -- Courage on a Texas frontier / Judith Dykes-Hoffman -- "In favor of our fathers' country …

Convict Cowboys is the first book on the nation’s first prison rodeo, which ran from 1931 to 1986. At its apogee the Texas Prison Rodeo drew 30,000 spectators on October Sundays. Mitchel P. Roth portrays the Texas Prison Rodeo against a backdrop of Texas history, covering the history of rodeo, the prison system, and convict leasing, as well as important figures in Texas penology including Marshall Lee Simmons, O.B. Ellis, and George J. Beto, and the changing prison demimonde. Over the years the rodeo arena not only boasted death-defying entertainment that would make professional cowboys think twice, but featured a virtual who’s who of American popular culture. Readers will be treated to stories about numerous American and Texas folk heroes, including Western film stars ranging from Tom Mix to John Wayne, and music legends such as Johnny Cash and Willie Nelson. Through extensive archival research Roth introduces readers to the convict cowboys in both the rodeo arena and behind prison walls, giving voice to a legion of previously forgotten inmate cowboys who risked life and limb for a few dollars and the applause of free-world crowds. The contents include: Texas prisons: a pattern of neglect -- A cowboy's a man …

Two family names have come to be associated with the violence that plagued Colorado County, Texas, for decades after the end of the Civil War: the Townsends and the Staffords. Both prominent families amassed wealth and achieved status, but it was their resolve to hold on to both, by whatever means necessary, including extra-legal means, that sparked the feud. Elected office was one of the paths to success, but more important was control of the sheriff’s office, which gave one a decided advantage should the threat of gun violence arise. No Hope for Heaven, No Fear of Hell concentrates on those individual acts of private justice associated with the Stafford and Townsend families. It began with an 1871 shootout in Columbus, followed by the deaths of the Stafford brothers in 1890. The second phase blossomed after 1898 with the assassination of Larkin Hope, and concluded in 1911 with the violent deaths of Marion Hope, Jim Townsend, and Will Clements, all in the space of one month. The contents include: The murders of Bob and John Stafford at the hands of Larkin and Marion Hope -- The seven Townsend brothers (and one sister) of Texas -- Robert Earl Stafford -- The …

Texan Identities rests on the assumption that Texas has distinctive identities that define “what it means to be Texan,” and that these identities flow from myth and memory. What constitutes a Texas identity and how may such change over time? What myths, memories, and fallacies contribute to making a Texas identity? Are all the myths and memories that define Texas identity true or are some of them fallacious? Is there more than one Texas identity? The discussion begins with the idealized narrative and icons revolving around the Texas Revolution, most especially the Alamo. The Texas Rangers in myth and memory are also explored. Other essays expand on traditional and increasingly outdated interpretations of the Anglo-American myth of Texas by considering little known roles played by women, racial minorities, and specific stereotypes such as the cattleman. The contents include: Texan identities / Light Townsend Cummins and Mary L. Scheer -- Line in the sand, lines on the soul / Stephen L. Hardin -- Unequal citizens / Mary L. Scheer -- The Texas Rangers in myth and memory / Jody Edward Ginn -- On becoming Texans / Kay Goldman -- Ethel Tunstall Drought / Light Townsend Cummins -- W. W. Jones of …

"The Byrd Williams Collection at the University of North Texas contains more than 10,000 prints and 300,000 negatives, accumulated by four generations of Texas photographers, all named Byrd Moore Williams. Beginning in the 1880s in Gainesville, the four Byrds photographed customers in their studios, urban landscapes, crime scenes, Pancho Villa's soldiers, televangelists, and whatever aroused their unpredictable and wide-ranging curiosity. When Byrd IV sat down to choose a selection from this dizzying array, he came face to face with the nature of mortality and memory, his own and his family's. In some cases these photos are the only evidence remaining that someone lived and breathed on this earth"--Amazon. The contents include: Foreword : One bright thread / Roy Flukinger -- Photographs : The family album -- Landscape -- Postcard -- The Great Depression -- Studio -- People -- Non-people -- Violence and religion in Texas -- Night -- Afterword : Palimpsest / Anne Wilkes Tucker.