Photograph of a crowd of students outside the University of North Texas Union. A street preacher, "Sister Cindy," is speaking to the crowd.

Photograph of a crowd of students outside the University of North Texas Union. A street preacher, "Sister Cindy," is speaking to the crowd.

Photograph of a crowd of students outside the University of North Texas Union. A street preacher, "Sister Cindy," is speaking to the crowd.

Photograph of a crowd of students outside the University of North Texas Union. A street preacher, "Sister Cindy," is speaking to the crowd.

Photograph of a crowd of students outside the University of North Texas Union. A street preacher, "Sister Cindy," is speaking to the crowd and a student is holding a protest sign that reads "make public sex legal."

Photograph of a crowd of students outside the University of North Texas Union. A street preacher, "Sister Cindy," is speaking to the crowd. Sister Cindy is visible in the center of the crowd wearing a polka dot skirt and a sun hat.

Photograph of a mural painted by Katy Allred on a bedroom wall.

A letter written to Judge John McClellan Marshall to express gratitude for his May 1988 ruling in favor of the Dallas Gay Alliance against Parkland Hospital.

Photograph of Susan Brown seated in a chair while a nurse injects a vaccination dose into Susan's arm. The nurse is not facing the camera but is shown wearing a face shield and purple gloves. Susan is wearing a bright pink t-shirt, light pink framed cat-eye glasses, and a light pink face mask. A blue denim jacket is on her lap. Susan holds up her right arm, the arm not receiving the vaccine, and signals a hand sign with both pinkie and index finger up and thumb holding down the other two fingers.

Photograph of over two dozen disposed medical syringes used for administering Covid-19 vaccination shots at the University of Texas at Austin's Health Services Center. Boxes of unused syringes are shown stacked behind the clear bin holding the disposed syringes. In front of the clear bin are over two dozen individually wrapped and sealed sterile syringes placed on the table ready for use. The unused sterile syringe packaging reads "1 mL VanishPoint syringe."

Photograph of the inside of a gymnasium with over a dozen spaced out rectangular tables and orange chairs in rows of four. Each table has about two to three people with one person administering Covid-19 vaccination shots and the other people receiving them or waiting to. A large white net is shown in the background of the image with people standing in line waiting to be seated at one of the tables for a vaccine. Every person visible in the image is wearing a face mask.

Photograph of kYmberly Keeton smiling into the camera during an Instagram LIVE event. kYmberly is wearing a black t-shirt, camel colored hat with a gold chain, earrings, a necklace, and pink and brown tortoise shell cat eye reading glasses.

Photograph of Charles Weldon Burgoon and his wife Joy M. Burgoon as a young couple posing for the camera outdoors at what appears to be a field, which the creator states is the Burgoon Roping Arena on east McKinney Street in Denton, Texas. The black and white photograph included on his gravestone shows Charles standing in front of a wooden post that holds up a wire fence. Joy M. Burgoon is standing to the left of Charles behind the wire fence and is holding onto the top portion of the fence. Charles is wearing a white cowboy hat, a light colored or white button up shirt with the sleeves rolled up over his elbows, and jeans. Joy is wearing a dark colored or black dress and has a hairstyle reminiscent of the 1940s with pinned curls.

Photograph of Charles Weldon Burgoon and his wife Joy M. Burgoon's gravestone marker located at Trinity Cemetery in Denton, Texas. The red granite gravestone reads "The Cowboy and the Lady" in all capital serif and white letters with a black and white oval shaped photograph of the couple centered above the text. The photograph shows Charles and Joy as a young couple posing for the camera outdoors at what appears to be a field, which the creator states is the Burgoon Roping Arena on east McKinney Street in Denton, Texas. The black and white photograph included on his gravestone shows Charles standing in front of a wooden post that holds up a wire fence. Joy M. Burgoon is standing to the left of Charles behind the wire fence and is holding onto the top portion of the fence. Charles is wearing a white cowboy hat, a light colored or white button up shirt with the sleeves rolled up over his elbows and jeans. Joy is wearing a dark colored or black dress and has a hairstyle reminiscent of the 1940s with pinned curls.

Photograph of Charles Weldon Burgoon and his wife Joy M. Burgoon's gravestone marker located at Trinity Cemetery in Denton, Texas. The red granite gravestone reads "Burgoon" in all capital serif and light brownish pink letters with Charles' name ("Weldon") and birth and death dates ("Mar. 2, 1930 - Sept. 18, 2018"), as well as Joy's name ("Joy M.") and birth date ("Nov. 15, 1932")to the left of Charles'. The gravestone sits atop another stone base, which is a rectangular.

Photograph of an outdoor exhibit titled "Living History Encampment" at the historic Alamo in San Antonio, Texas. A man in a blue shirt and black top hat is shown in the distance to the right of the image behind a walking pedestrian in a white t-shirt, shorts, and sneakers who are both standing on the other side of the thin rope containing the exhibit. The exhibit contains a white awning or tent over historical props made to look like an old war-time era campsite. A clear and black cube box is situated on and around wooden logs and has a small red and yellow letter sign that reads "Donations." Another larger red and yellow letter sign hanging reads "Living History Encampment in old Baskerville-esque typeface lettering.

Photograph of a reenactor in costume and standing in front of the left side of the historical Alamo in San Antonio, Texas. The reenactor is wearing dark blue pants, a light blue button up jacket with gold buttons, brown leather belt with a buckle, canvas cross belt, black top hat, black cloth face mask, and black leather boots. The reenactor is also holding a rifle and has a short knife in a holder on the belt. Metal fencing is to the right of the reenactor in the image. The main wooden door and two columns from the front façade of the Alamo is shown in the image.

Photograph of mannequins being unloaded from a cargo van on their way to a staging space for the exhibition "Fashion in Residence: At-Home Styles from the Texas Fashion Collection" at NorthPark Center in Dallas, Texas.

Photograph of TFC collection manager Janelle McCabe steaming a Hill House nap dress for the exhibition "Fashion in Residence: At-Home Styles from the Texas Fashion Collection" at NorthPark Center in Dallas, Texas.

Photograph of Texas Fashion Collection photographer and UNT graduate photography alum Megan Desoto training new TFC undergrad photography assistant Andrew Jones as they photograph 1960s paper garments in a TFC workspace in Welch Street Complex 1.

Photograph of Texas Fashion Collection photographer and UNT graduate photography alum Megan Desoto trainsing new TFC undergrad photography assistant Riley Barkowsky as they photograph 1960s paper garments in a TFC workspace in Welch Street Complex 1.

Photograph of TFC graduate interns Clarissa Cardona and Keely Sanders stitching support petticoats to be added to mannequins for the exhibition "Fashion in Residence: At-Home Styles from the Texas Fashion Collection" at NorthPark Center in Dallas, Texas.

Photograph of Texas Fashion Collection photographer and UNT graduate photography alum Megan Desoto trains new TFC undergrad photography assistants Andrew Jones and Riley Barkowsky as they photograph 1960s paper garments in a TFC workspace in Welch Street Complex 1.

Photograph of Texas Fashion Collection graduate interns Clarissa Cardona and Keely Sanders mounting a late 1960s paper jumpsuit as part of TFC collection digitization efforts, in a workspace in Welch Street Complex 1.