Studio photograph of a man and woman dressed in nice clothes. He is seated on the left side of the photo. He has a beard and wears a dark suit with boots, a vest, and a watch chain. She is standing next to him with her right harm on his left shoulder. She wears a dark dress with large and medium-sized coin buttons, a high lace collar, and ruffles at the bottom. She is also wearing earrings, a necklace, and a pocket watch. Her hair is pulled up and curled. Behind them is a fake backdrop that depicts bookshelves, art, a mantle with a clock, and a plant.

Studio portrait photograph of E.C. Gray's bust. He wears a black suit with a black bowtie and has short gray hair.

Photograph of tornado damage in Glazier, Texas. There are three trees stripped bare with broken limbs. Strewn all over the ground are wooden planks and other objects like chairs and couches. In the far background is a two story building.

Studio portrait photograph of Dr. Ira T. Smith. He is wearing a striped button-up shirt and jacket. He has white hair parted on the side, round glasses, and a mustache. Dr. Smith was married to Minnie Adella "Addie" Halsey.

Photograph of Lipscomb County ranchers and farmers. Every man wears a suit with either neckties or bowties. They are in front of a fake backdrop that depicts lavish drapery. In the back row, from left to right, is Mose Hays, A.E. Moreland, Bill Nail, Charley Rynearson, S.Y. Cupp and Bud Walker. Middle row, left to right, is Ira Boone, F.M. Carmichael, Seb Jones, Bill Kelley, Hiram Black, and Alex Young. Front row, left to right, is Henry Mallup, Ed Rubottom, Alex Maltsberger, and Bill Hale.

Photograph of Laveta Steinhart Buckner in her wedding dress and veil. The dress is long-sleeved and covered in white lace. She wears a pearl necklace and a wedding ring and holds a bouquet of white carnations. She stands in-between two pots of white flowers in tall stands. On the left side of the frame is a stand with a row of white candles burning. In the background are several empty shelves.

Studio photograph of a young woman in a dark dress with puffy sleeves. She has short, dark, curly hair and is wearing a military hat. She is also wearing a crystal necklace and dark lipstick.

Studio photograph of a smiling Dianna Koch from the bust up. She is wearing a white blouse with a white carnation and ribbon corsage. Her hair is short and curled and she has short even bangs.

Studio photograph of a smiling Luella Koch Miller from the bust up. She wears a white blouse and a carnation and ribbon corsage. Her hair is dark, curled, and short.

Studio portrait photograph of a smiling Lois Koch from the bust up. She is wearing cat-eye glasses, a white blouse with lace collar, and a carnation corsage with ribbons. Her hair is short and curled.

Studio photograph of Lois Koch smiling from the bust up. She wears a light-colored jacket with a lace collar. Pinned on the jacket is a jeweled brooch and a white carnation corsage with ribbons. Her hair is short and curled and she wars cat-eye glasses.

Studio portrait photograph of Lela Mae Koch from the bust up. She wears a blazer, white blouse, white scarf, a cross necklace, and a carnation corsage. Her hair is short and curly and she is wearing lipstick.

Studio portrait of Lela Mae Koch. She is pictured from the bust up. She wears a white blouse with a white scarf and a carnation corsage. Her hair is curly and short and she has lipstick on.

Photograph of two small children, a boy and a girl, sitting on the top step of a large porch of a house. The little girl has short hair and is wearing a white dress with black stockings and boots. The boy is wearing a short suit with a tie, stockings, and dark boots. There is a door directly behind them and a porch swing behind a pillar on the right side of the frame.

Photograph of two women standing in front of the base of a windmill. The woman on the left side of the frame is holding on to the ladder of the windmill and her collar is blown up so that it covers part of her face. The other woman is holding up a cup. They both wear white dresses with white stockings and headbands. The woman on the left wears black shoes and the other wears white shoes. There is a barrel in the background on the right side of the frame.

Black and white photograph looking down on town of Higgins, Texas. In foreground is a railroad yard with boxcar and two human figures. Behind them is the town with several buildings including homes, businesses, and a church.

Photograph of street scene in Higgins, Texas in 1905. Depicted are several buildings lining a wide dirt road. In-between are many horse-drawn wagons and some people, including a man on a ladder in the foreground.

Photograph of Ed Lehman sitting in a Model T Ford. The front of the car faces the left side of the frame. His right hand is on the steering wheel and his body is angled towards the camera. He is wearing a suit with gloves and newsboy cap and he has a cigar in his mouth. Behind him are two horse-drawn vehicles, one with many drawers on it.

Photograph of the Follett Village Improvement Committee. In the front row, from left to right, is Stanley Love, Devona Gadberry, Dorothy Schoenhals and John Heil. In the back from left to right is Floyd Thiessen, Darlis Nace, Pam Chase and Charles Skeen. The men wear trousers, belts and button-up shirts, two of the shirts are striped. Two of the men wear watches. Ms. Gadberry wears trousers and a blue blouse and Ms. Schoenhals wears a teal dress. Two men and two women wear glasses, one man has a mustache.

Photograph of nine cowboys from the S-T Ranch lined up on horseback. All of the horses are dark. Each man wears a button up shirt with a vest, three wear ties, and all of them wear cowboy hats. They are posed in front of a Lipscomb store that has a porch with people standing on it. Beside the store is a man with a child.

Photograph of a smiling Frankie McWhorter from the bust up. He wears a black, gray and white pearl-snap shirt with a white undershirt and a cowboy hat. Frankie McWhorter was a fiddler who played with Bob Wills and the Texas Playboys.

Photograph of a Lipscomb Street north of the Courthouse. There are three old, historically preserved buildings. The building closest building on the left side of the frame is white with a porch. The building in the middle is wooden and the third building on the right side of the frame is wooden with a tin roof. To side of the first building is an old wooden wagon. In front of the first building is a telephone pole and hitching post. There are tiny yellow flowers all over the ground.

Photograph of a young Jack King standing on top of a horse named Chigger. He wears a button-up shirt, pants tucked into cowboy boots, and cowboy hat. Behind them is fenced in King home and property. The home is light-colored, two stories tall, and has a front porch with a stoop. On the right side of the frame are three small buildings.

Photograph of George and Henry Schoenhals using a steam engine hiched to a trailer with traction outfits to break sod. The steam engine is on the left side of the frame with one of the men steering it. The other man stands on the trailer on the right side of the frame.