Choir concert performed at the UNT College of Music Concert Hall

Guest symphonic band concert performed at the UNT College of Music Winspear Hall

Student recital presented at the UNT College of Music Recital Hall.

Recording of the MUAG 5650 class, performing "Opera Without Elephants: Scenes Program" at the UNT College of Music Lyric Theater.

Symphonic Band performance at the UNT College of Music Winspear Performance Hall.

Guitar Ensembles recital performed at the UNT College of Music Kenton Hall.

Wind Symphony performance at the UNT College of Music Winspear Performance Hall.

Concert performed at the UNT College of Music Concert Hall.

Chamber music concert performed at the UNT Murchison Performing Arts Center, Winspear Hall.

Mariachi concert presented at the UNT College of Music Main Auditorium.

Flute choir concert presented at the UNT College of Music Recital Hall.

Choir concert presented at the UNT College of Music Winspear Performance Hall.

Jazz recital presented at the UNT College of Music Kenton Hall.

Symphonic wind and band concert presented at the UNT College of Music Winspear Performance Hall.

Vocal jazz concert presented at the UNT College of Music Winspear Performance Hall.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree.

Faculty lecture recital performed at the UNT College of Music Recital Hall.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree.

Band concert performed at the UNT College of Music Winspear Performance Hall.

Jazz concert performed at the UNT College of Music Winspear Performance Hall.

Jazz concert performed at the UNT College of Music Winspear Hall.

Texas holds one in every nine U.S. inmates. Behind the Walls is a detailed description of one of the world's largest prison systems by a long-time convict trained as an observer and reporter. It spotlights the day-to-day workings of the Texas Department of Criminal Justice-what's good, what's bad, which programs work and which ones do not, and examines if practice really follows official policy. Written to inform about the processes, services, activities, issues, and problems of being incarcerated, this book is invaluable to anyone who has a relative or friend incarcerated in Texas, or for those who want to understand how prisoners live, eat, work, play, and die in a contemporary U.S. prison. Containing a short history of Texas prisons and advice on how to help inmates get out and stay out of prison, this book is the only one of its kind-written by a convict still incarcerated and dedicated to dispelling the ignorance and fear that shroud Texas prisons. Renaud discusses living quarters, food, and clothing, along with how prisoners handle money, mail, visits, and phone calls. He explores the issues of drugs, racism, gangs, and violence as well as what an inmate can learn about his parole, custody …

Death provides us with some of our very best folklore. Some fear it, some embrace it, and most have pretty firm ideas about what happens when we die. Although some people may not want to talk about dying, it’s the only thing that happens to all of us–and there’s no way to get around it. This Publication of the Texas Folklore Society examines the lore of death and whatever happens afterward. The first chapter examines places where people are buried, either permanently or temporarily. Chapter Two features articles about how people die and the rituals associated with funerals and burials. The third chapter explores some of the stranger stories about what happens after we’re gone, and the last chapter offers some philosophical musings about death in general, as well as our connection to those who have gone before.

Interview with salesperson Marla Bullard. The interview includes Bullard's personal experiences about the Texas International Pop Festival. Bullard talks about her Mexican-American family values, her use of drugs and alcohol in high school, her attitudes toward the Vietnam War, hippie activities at Allen's Landing in Houston, Texas, conflicts between rednecks and hippies, her attraction to the musical groups of the Sixties, the importance of lyrics in Sixties music, her decision to attend the festival, drug use at the festival, Janis Joplin's performance, and the influence of the festival on her life.