A card from University of North Texas' College of Business Administration announcing the appointment of Jared E. Hazleton as the new Dean.

A card from the University of North Texas' College of Business Administration announcing Dean Henry H. Hays' retirement and inviting people to the retirement reception.

A postcard from Vocus, Inc. to PAC Director advertising leveraging technology.

Postcard of the green 1939 Cadillac sedan used by General George Patton after World War II on display at the Patton Museum .

Postcard of mannequins in an army Jeep display at the General George Patton Museum in Fort Knox, Kentucky.

Postcard of a camouflage tank at the General George Patton Museum in Fort Knox, Kentucky.

Postcard of the exterior of the United States Bullion Depository in Fort Knox, Kentucky.

Postcard of a statue of George Rogers Clark in Louisville, Kentucky. The engraving on the granite base reads, "General George Rogers Clarke by Felix W. de Weldon -- A gift to the people of Louisville by the Helman-Hopkins family.”

Postcard of the UH-1B helicopter exhibit at the General George Patton Museum in Fort Knox, Kentucky.

Postcard of a pair of parked camouflage tanks at the General George Patton Museum in Fort Knox, Kentucky.

Postcard of a line of parked camouflage tanks on display at the General George Patton Museum in Fort Knox, Kentucky.

Postcard of a line of parked camouflage tanks on display at the General George Patton Museum in Fort Knox, Kentucky.

Postcard from the Patton Museum of the exterior of the Patton Museum of Cavalry and Armor in Fort Knox, Kentucky.

Postcard of soldiers in a U.S. M-24 Light Tank, "Chaffee," with a painted star at the General George Patton Museum in Fort Knox, Kentucky.

Postcard invitation that advertises and exhibition that exhibits the work by Malaquías Montoya, a renowned Chicano artist, at the Mexic-Arte Museum in Austin, Texas. The exhibit ran from July 31, 1998 to August 29th, 1998. The front of the postcard features a painting titled "The Beating," which was created using acrylic wash pencil and pastel on paper. The painting is of a bald man who holds his right hand at his brow in an expression of pain.

Postcard from a friend of Sterling Houston's sent to his home in San Antonio, Texas. The note on the back expresses gratitude for receiving one of his plays - Le Griffon - and goes on to discuss personal matters. She appears to be recently married and expecting her first child. The front of the postcard shows a family of sequin artists in Haiti working in their home.

Postcard inviting the recipient to visit the Rosario Cabrera and Swallow exhibits at the Mexic-Arte Museum in Austin, Texas. The Rosario Cabrera exhibit ran from March 13th, 1998 to April 18th, 1998. The front of the postcard features two images set side by side. The leftmost image is a photograph of a young woman. The woman's hair reaches just below her ears and is pinned to one side. Her smile is enigmatic and she looks directly at the camera. The rightmost image appears to be a sketch of the same woman, though some changes have been made. In this image the woman looks slightly to her right and much attention is paid to her hair. The drawing has an unfinished quality to it.

Postcard by Barnes-Blackman Galleries advertising an art gallery called "The Conscience of Houston Black Women Artists."

Postcard inviting the recipient to visit exhibits of The Purple Land and Cultural Dialogue at the Mexic-Arte Museum in Austin, Texas. Both exhibits ran from January 16th, 1998 to February 28th, 1998.

Postcard invitation from The Marsh, a theatre venue in San Francisco, to Sterling Houston, prominent San Antonio playwright. The invitation is for Civil Sex, a performance starring Brian Freeman, founder of the Postmodern African-American Homosexuals (Pomo Afro Homos).

Postcard of the Sacred Heart Catholic Church in Latium, Texas.

Postcard of the Sacred Heart Catholic Church in Latium, Texas.

Postcard of the Sacred Heart Catholic Church in Latium, Texas.

Postcard discussing the Mexic-Arte Museum's exhibit, "Voices and Visions," featuring the work of Regina Vater and David Medalla. The front of the postcard is a photograph of three people, two men and a woman with handwritten text in red over the image.