Postcard of a metal sculpture shaped in the figure of a female mermaid sitting and holding her fish tail on a light-colored, flat rock in the middle of a small pool of water. The sculpture's image is reflected in the water below. The pool is surrounded by light-colored rocks and weeds, lining the banks, and the golden lighting indicates the photo was taken at either dusk or dawn. On the back are postcard markings, a white, rectangle sticker, and a brief paragraph detailing the history and meaning of the statue.

Postcard of a small, two-story, cream-colored farmhouse, with an off-white, wooden, four-wheel cart sitting in the grassy lawn in front of the house's white picket-fence. The house has an L-shaped, covered porch on the front and left side of the house - the overhang supported by white, circular columns. Two groups of trees stand in the yard, one group on the front left of the house, and the other just to the front right. A small, white truck is just visible in the driveway on the left, while a windmill and standing water tank are partially visible past the trees on the right. On the back of the postcard are postcard markings and a brief paragraph about the history of the house.

Postcard advertising for two exhibitions at the Mexic-Arte Museum in Austin, Texas. The first exhibition, Kisses, opened on February 14th, 1990 and closed on March 10th, 1990. The second exhibition, Erotic Art, opened on February 14th, 1990 and closed on February 23rd, 1990. The front of the postcard depicts a series of "kiss marks," all but two of which are trapped behind bars. The text reads "Let the kiss free!"

Color photo postcard picturing the new Veteran's Memorial Bridge in front of the older Rainbow Bridge. These bridges connect Bridge City and Port Arthur, Texas over the Neches River. Written on the back of the card, "Twin bridges span the Neches River connecting Bridg City & Port Arthur. The cable-stayed Veteran's Memorial Bridge was dedicated on Sept. 8, 1990, 52 years after the Rainbow Bridge. The clearance of the new bridge is 143 feet; the old bridge is 176 feet." It is postmarked Bridge City, Texas on Sept 8, 1990.

Postcard for the opening exhibition of A Chest of "Purls", a fiber arts show at the Carver Gallery in the Carver Community Cultural Center. The show featured the work of Nettie Jackson Bellinger, Gloria Bryant, Beverly Ann Dudley, and Harriet Kelly. The postcard was sent to Mr and Mrs. C. T. Harris.

Postcard from the Lesbian/Gay Political Coalition containing endorsements for the November 6, 1990 election.

Postcard advertising an art gallery with several installation by various artists. The first exhibition is The Critical Decade by Roshini Kempadoo and Maxine Walker, photographers who express what is means to be Black and British in Europe. The first installation is Banthu by Annette Lawrence; Banthu is a word used by Black South Africans use Banthu as a word of solidarity. The second installation is Move? by Pat Ward Williams and the third installation was Shout by Colette Veasey.

Flyer advertising the Mexic-Arte Museum's 1st annual exhibition of Texas Environmental Art in Austin, Texas. The exhibition ran from April 5th to 27th, 1991.

Postcard by the Community Artists' Collective presenting an exhibit of oil paintings by Aleice Phillips Conley. The gallery was hosted by Barnes-Blackman Galleries.

Postcard advertising the Jubilations and Celebrations art gallery presented by Barnes-Blackman Galleries. On the back on the card, the hours for the reception, gallery, and workshops are listed.

Invitation to the Jubilee Dallas Heritage Lecture Series, headlined by Dr. Charles Vert Willie and hosted on November 3, 1991 by the Junior Black Academy of Arts and Letters at the Dallas Convention Center Theatre.

Postcard of several lines of text and printed images regarding the Danish Cultural Center. At the top left, there is a line drawing of the "Pioneer House," which, according to the caption beneath it, was "one of the pre-1900 houses, restored and furnished to reflect the early lifestyle of the Danevang pioneers." The small image shows a a two-story house with a smaller, single-story structure in the background and two flag poles in the foreground bearing the American and Danish flags. The drawing opposite on the top right corner is of a long structure with a mansard roof, which, according to its caption, is the museum. It is "reminiscent of an old Danish barn, it houses artifacts of the early days of the immigrants plus displays of farming, community life and Danish culture." In the very center, there is an outlined image of the state of Texas, with a tiered, bold line of text in red that reads, "Danish Culture Center." On the back of the postcard, there is further information about the Center. It reads: "Located approximately 12 miles south of El Campo on Hwy. 71 South and CR 426. The Cultural Center was established in 1992 and opened …

An invitation to the investiture ceremony of judicial candidates Jeff Kaplan and Barbara Rosenberg.

An invitation to the investiture ceremony of judicial candidates Jeff Kaplan and Barbara Rosenberg.

A postcard invitation to the judicial investiture ceremony of candidates Jeff Kaplan and Barbara Rosenberg.

A postcard regarding Justice Barbara Rosenberg's campaign for Dallas Court of Appeals.

A postcard from the Justice Barbara Rosenberg campaign.

Post card from Madge Saenz of Galveston, Texas to Rosa Walston Latimer of Lubbock Texas, in which she talks about an upcoming Grand Canyon reunion.

Letter from Doris Tanner to Rigdon Edwards asking him for the name of a picture show in Sweetwater, Texas in 1943 and 1944, the titles of movies shown from November 1, 1943 to May 23, 1944, and other information from that time period. The back of the letter has notes on different events in the same time period

Postcard from Doris Tanner to Rigdon Edwards thanking him for the information he provided and explaining that it was needed for the book she was working on.

Postcard from Kay D'Arezzo to Rigdon Edwards, also a receipt, discussing his payment of $152 for his registration for the upcoming Anniversary Conference in San Antonio, Texas.

Postcard featuring a photograph of the entire Names Project AIDS Memorial Quilt on the National Mall in Washington, D. C. with the Washington monument behind it.

Postcard featuring a photograph of an aerial view of the entire Names Project AIDS Memorial Quilt on the National Mall in Washington, D. C. with the Washington monument and White House in view.

Postcard from Doris Tanner to Rigdon Edwards asking him about the Bluebonnet Hotel.