This anthology collects the eleven winners of the 2018 Best American Newspaper Narrative Writing Contest at the Mayborn Literary Nonfiction Conference, an event hosted by the Frank W. Mayborn Graduate Institute of Journalism at the University of North Texas. First place winner: Kale Williams, “The Loneliest Polar Bear” (The Oregonian), relates the tale of Nora, a baby polar bear raised by humans in a zoo after being abandoned by her mother. Second place: Patricia Callahan, “Doomed by Delay” (Chicago Tribune), reveals the experiences of Illinois families with children diagnosed with Krabbe—a deadly disease that healthcare professionals could have screened for at birth, and ultimately treated, if it weren’t for government bureaucracy. Third place: Christopher Goffard, “Dirty John” (Los Angeles Times), is an investigative story that explores the dynamics of domestic violence with a nuanced, psychologically complex narrative of family and survival. Runners-up include John Woodrow Cox, “Twelve Seconds of Gunfire” (The Washington Post); Tom Hallman Jr., “His Heart, Her Hands” (The Oregonian); Jenna Russell, “The Last Refugee” (The Boston Globe); Lisa Gartner and Zachary T. Sampson, “Wrong Way” (Tampa Bay Times); Casey Parks, “About a Boy” (The Oregonian); Jennifer Emily, “Hope for the Rest of Us” (The Dallas Morning News); …

"This book provides a well-researched, exhaustive, and fascinating examination of the life of Benjamin Bickerstaff, a desperado who preyed on blacks, Unionists, and others in northeastern Texas during the Reconstruction era until armed citizens killed him in the town of Alvarado in 1869. The work adds to our knowledge of Reconstruction violence and graphically supports the idea that the Civil War in Texas did not really end in 1865 but continued long afterward.”—Carl Moneyhon, author of Texas after the Civil War: The Struggle of Reconstruction

During the late 1880s, the Cornett-Whitley gang rose on the Texas scene with a daring train robbery at McNeil Station, only miles from the capital of Texas. In the frenzy that followed the robbery, the media castigated both lawmen and government officials, at times lauded the outlaws, and indulged in trial by media. At Flatonia the gang tortured the passengers and indulged in an orgy of violence that earned them international recognition and infamy. Private enterprises, such as Wells Fargo, the railroads, and numerous banks, joined forces with law enforcement to combat them. Lawmen from cities and counties combined with federal marshals and the Texas Rangers to further cement what would become the “brotherhood of the badge.” These efforts succeeded in tracking down and killing or capturing a good number of the gang members. Readers of the Old West and true crime stories will appreciate this sordid tale of outlawry and the lawmen who put a stop to it.

James L. Freaner was one of America’s first war correspondents covering General Winfield Scott’s campaign during the Mexican War. His letters appeared in newspapers under the byline “Mustang,” and his reports from the front included publication of complete casualty lists (long before official reports became public), detailed battle descriptions, and observations on postwar Mexico. Freaner’s greatest contribution was persuading Nicholas P. Trist, negotiator with Mexico, to ignore his recall and conclude a peace treaty that added California, Nevada, Utah, and other territory to a growing country. From the Halls of the Montezumas is a complete compilation of Freaner’s Mexican War reporting. Editors Alan D. Gaff and Donald H. Gaff annotated the text with footnotes identifying people, places, and events, also adding pictures of key figures and maps.

Born in Ponca City, Oklahoma, Bob Camblin (1928-2010) was an artist, first and foremost. He earned his BFA and MFA degrees from the Kansas City Art Institute. His studies were followed by a Fulbright Fellowship that allowed him a year’s stay in Italy. Returning to the USA, he held teaching positions at the Ringling Museum, the University of Illinois, Detroit Mercy, and the University of Utah before moving to Houston in 1967 to teach at Rice’s new art department. He was active in Houston during the late 1960s through the 1980s, collaborating with Earl Staley and Joe Tate on many projects, including “happenings” on the beach in Galveston. His career led him to creative undertakings all over the world. Throughout his lifetime he constantly experimented with various art media. He remained open to new ideas and new techniques until his death in Louisiana in 2010. Camblin was a central figure in the period of artistic fermentation in Houston that is now beginning to receive increasing critical attention. He chose Rowland to be his historian while still at Rice, and her insights into him are based on many personal letters and conversations. In addition, she is a trained art historian and …

This anthology collects the winners of the 2019 Best American Newspaper Narrative Writing Contest at UNT’s Mayborn Literary Nonfiction Conference. First place winner: Eli Saslow, “It Was My Job, and I Didn’t Find Him” (The Washington Post), narrates the life of a former officer at the Parkland high school shooting. Second place: Elizabeth Bruenig, “What Do We Owe Her Now?” (The Washington Post), is the story of a high school rape victim who received no justice. Third place: Hannah Dreier, “The Disappeared” (ProPublica), follows a mother who lost her teenage son to gang violence. Runners-up include Jamie Thompson, “Standoff” (The Dallas Morning News); Lane DeGregory, “Lincoln’s Shot” (Tampa Bay Times); Jenna Russell, “The World, the Stage, the Way Ahead” (The Boston Globe); Evan Allen, “Under a Dark Sky, a Baby is Born” (The Boston Globe); Lisa Gartner, “She’s Taught at the Parkland High School for 14 Years. Can She Go Back?” (Tampa Bay Times); Claire McNeill, “So You Remember the Student Who Was Shot at FSU? He’s Pretty Sure We’ve All Moved On” (Tampa Bay Times); and Bethany Barnes, “Targeted” (The Oregonian).

In 1990, Ann Mix began her search to find out about her father who had been killed in World War II. She discovered that, of the servicemen who died in that war, 183,000 were fathers. During her search, Mix met others whose fathers had been killed and few of them had much information about their fathers. As a result, Ann founded the American WWII Orphans Network to locate war orphans and become a depository for sources of information about WWII servicemen who were fathers. Senator Robert Dole, who had fought in the 10th Mountain Division with Mix’s father, assisted the network as a National Advisor until 1995, helping it to become a true humanitarian organization. War orphan Susan Johnson Hadler, a psychologist, began a collaboration with Ann to collect the stories of the orphans when she discovered there were no statistics on the number of children and no studies on the effects of their fathers’ deaths on their lives. Records which could have helped sociologists, psychologists, and historians were simply nonexistent. Mix and Hadler began to interview war orphans, who nearly all reported having felt the awkwardness with which America treated the subject of their fathers. At a young age, …

A descendant of one of the pioneering boarding house families, Wanda Landrey searched the Big Thicket to find survivors of the boarding house era and to collect their stories and recipes.

The Boardinghouse is an account of how a diverse group of high spirited, self-assured, talented youths were able to meld in supporting one another during Vogel’s first year as a student at the Chicago Art Institute’s School of Fine Art during the desperate times of the great depression. The book portrays one year in the lives of eighteen young men from various parts of the country who shared similar dreams of becoming an artist. In this Artist Community House, under the charge of Malcolm Hackett, some of the other young art students included Don Goodall, later to become Chairman of the Art Department at the University of Southern California and then the University of Texas at Austin; Gibson Danes, later to become chairman of the Art Department at UCLA and then Yale School of Art and Archeology; Dick Shaw who later would work on such cartoons as “Grin and Bear It,” and “Mr. Magoo.”

On a hot summer’s day in Montana, a daring frontier cavalry officer, Powhatan Henry Clarke, died at the height of his promising career. A member of the U.S. Military Academy’s Class of 1884, Clarke graduated dead last, and while short on academic application, he was long on charm and bravado. Clarke obtained a commission with the black troops of the Tenth Cavalry, earning his spurs with these “Buffalo Soldiers.” He evolved into a fearless field commander at the troop level, gaining glory and first-hand knowledge of what it took to campaign in the West. During his brief, action-packed career, Clarke saved a black trooper’s life while under Apache fire and was awarded the Medal of Honor. A chance meeting brought Clarke together with artist Frederic Remington, who brought national attention to Clarke when he illustrated the exploit for an 1886 Harper’s Weekly. The officer and artist became friends, and Clarke served as a model and consultant for future artwork by Remington. Remington’s many depictions of Clarke added greatly to the cavalryman’s luster. In turn, the artist gained fame and fortune in part from drawing on Clarke as his muse. The story of these two unlikely comrades tells much about the …

The nine stories in Mike Alberti’s debut collection shine a sharp light on small-town American life —not the Arcadian small towns of yesteryear, but the old mill towns hanging on after the mill has stopped running, the deserted agricultural communities in the middle of vast industrial farms, places where bad luck has become part of the weather. But even in these blighted, neglected landscapes, the possibility of renewal always presents itself: there is hope for these places and the characters who inhabit them. In these fresh, innovative stories, some people let you down, but some people don’t.

Texas has one of the world’s largest prison systems, in operation for more than 170 years and currently employing more than 28,000 people. Hundreds of thousands of people have been involved in the prison business in Texas: inmates, correctional officers, public officials, private industry representatives, and volunteers have all entered the secure facilities and experienced a different world. Previous books on Texas prisons have focused either on records and data of the prisons, personal memoirs by both inmates and correctional officers, or accounts of prison breaks. Tall Walls and High Fences is the first comprehensive history of Texas prisons, written by a former law enforcement officer and an officer of the Texas prisons. Bob Alexander and Richard K. Alford chronicle the significant events and transformation of the Texas prison system from its earliest times to the present day, paying special attention to the human side of the story. Incarceration policy evolved from isolation to hard labor to rodeo and educational opportunities, with reform measures becoming an ever-evolving quest. The complex job of the correctional officer has evolved as well—they must ensure custody and control over the inmate population at all times, in order to provide a proper environment conducive to …

From their founding in the 1820s up to the modern age, the Texas Rangers have shown the ability to adapt and survive. Part of that survival depended on their use of firearms. The evolving technology of these weapons often determined the effectiveness of these early day Rangers. John Coffee “Jack” Hays and Samuel Walker would leave their mark on the Rangers by incorporating new technology which allowed them to alter tactics when confronting their adversaries. The Frontier Battalion was created at about the same time as the Colt Peacemaker and the Winchester 73—these were the guns that “won the West.” Firearms of the Texas Rangers, with more than 180 photographs, tells the history of the Texas Rangers primarily through the use of their firearms. Author Doug Dukes narrates famous episodes in Ranger history, including Jack Hays and the Paterson, the Walker Colt, the McCulloch Colt Revolver (smuggled through the Union blockade during the Civil War), and the Frontier Battalion and their use of the Colt Peacemaker and Winchester and Sharps carbines. Readers will delight in learning of Frank Hamer’s marksmanship with his Colt Single Action Army and his Remington, along with Captain J.W. McCormick and his two .45 Colt pistols, …

In TFS Extra Book #28, Beatrice Upshaw shares her memories of growing up in County Line. A Biscuit for Your Shoe captures the lore of a community which began as a freedom colony west of Nacogdoches in East Texas. The book is a memoir, but it shares more than merely family memories of significant events. It tells of beliefs, home remedies, folk games, and customs, as well as the importance of religion and education to a community of like-minded people. The narrative is a rich source of colloquial language and proverbial sayings that help define a group of people and their strong sense of place. Richard Orton was first introduced to County Line by F. E. “Ab” Abernethy, the Secretary-Editor of the TFS for nearly four decades. Richard eventually did a photographic book on the people of the community, The Upshaws of County Line: An American Family, but he believed that Beatrice’s memoir should be developed into a separate work that could be shared with an audience larger than just family and friends. Richard’s introduction explains the value of the stories Beatrice Upshaw presents in A Biscuit for Your Shoe; they are personal, but the overall narrative speaks collectively about …

Most readers of the Wild West know Wyatt Earp, Virgil Earp, and Morgan Earp for the famous shootout on the streets of Tombstone, Arizona. But few know the later years of the close-knit Earp family, which revolved around patriarch Nicholas Earp, and their last push at a major monetary coup in Los Angeles. By 1900 a newly established Old Soldiers’ Home was in place at Sawtelle (between Santa Monica and Los Angeles), with thousands of veterans earning monthly pensions, but in an environment where alcohol was prohibited. Enter the Earps and their “blind pig” (illicit alcohol sales) scheme. Two of the Earps, Nicholas and son Newton, were enrolled in the Soldiers’ Home, and Newton’s far more famous half-brothers Wyatt and Virgil showed up from time to time, but the star of the operation was older brother James. Booze would flow, the pension money would be “dispersed about,” and jails were sometimes filled, as the Earps and several other men on the make competed for the veterans’ money. We are also reintroduced to Old West figures such as “Gunfighter Surgeon” Dr. George Goodfellow, “Silver Tongued Orator” Thomas Fitch, millionaire George Hearst, detective J.V. Brighton, Lucky Baldwin, and many other well-known westerners …

This collection’s title-as in tether, strike, eyelash, welt-is a nod to the fluidity of language and the foolish penchant we have for naming things, including ourselves. The poems refuse to navigate, choosing instead to face head-on the snares of gender, patriarchy, and parenting. In the closing environmental poems of farewell, the speaker regains communion with nature through the aging body.

Much of the history written about the Vietnam War overlooks the U.S. Marine Corps Combined Action Platoons. These CAPs lived in the Vietnamese villages, with the difficult and dangerous mission of defending the villages from both the National Liberation Front guerrillas and the soldiers of the North Vietnamese Army. The CAPs also worked to improve living conditions by helping the people with projects, such as building schools, bridges, and irrigation systems for their fields. In War in the Villages, Ted Easterling examines how well the CAPs performed as a counterinsurgency method, how the Marines adjusted to life in the Vietnamese villages, and how they worked to accomplish their mission. The CAPs generally performed their counterinsurgency role well, but they were hampered by factors beyond their control. Most important was the conflict between the Army and the Marine Corps over an appropriate strategy for the Vietnam War, along with weakness of the government of the Republic of South Vietnam and the strategic and the tactical ability of the North Vietnamese Army. War in the Villages helps to explain how and why this potential was realized and squandered. Marines who served in the CAPs served honorably in difficult circumstances. Most of these …

his anthology collects the ten winners of the 2020 Best American Newspaper Narrative Writing Contest at UNT’s Mayborn Literary Nonfiction Conference. First place winner: Christopher Goffard, “Detective Trapp” (Los Angeles Times) is about a complicated murder investigation and its human impact. Second place: Annie Gowen, “Left Behind: American Farm Families in Crisis during Trump’s Trade War” (The Washington Post) tells about a despairing farmer’s suicide and aftermath. Third place: Jennifer Berry Hawes and Stephen Hobbs, “It’s Time for You to Die” (Post & Courier) presents a gut-wrenching drama of America’s deadliest episode of prison violence. Runners-up include Peter Jamison, “The Confession” (The Washington Post); Mark Johnson, “House Calls and Rarest of Diseases” (Milwaukee Journal Sentinel); Nestor Ramos, “At the Edge of a Warming World” (Boston Globe); Noelle Crombie, Kale Williams, and Beth Nakamura, “No Mercy” (The Oregonian); Tara Duggan and Jason Fagone, “The Fisherman’s Tale” (San Francisco Chronicle); Jenna Russell, “Brilliant, Faithful, Undaunted” (Boston Globe); and Charles Scudder, “Guardians: When Evil Came Through the Door” (Dallas Morning News).

Fort Worth Stories is a collection of thirty-two bite-sized chapters of the city’s history. Did you know that the same day Fort Worth was mourning the death of beloved African American “Gooseneck Bill” McDonald, Dallas was experiencing a series of bombings in black neighborhoods? Or that Fort Worth almost got the largest statue to Robert E. Lee ever put up anywhere, sculpted by the same massive talent that created Mount Rushmore? Or that Fort Worth was once the candy-making capital of the Southwest and gave Hershey, Pennsylvania, a good run for its money as the sweet spot of the nation? A remarkable number of national figures have made a splash in Fort Worth, including Theodore Roosevelt while he was President; Vernon Castle, the Dance King; Dr. H.H. Holmes, America’s first serial killer; Harry Houdini, the escape artist; and Texas Guinan, star of the vaudeville stage and the big screen. Fort Worth Stories is illustrated with 50 photographs and drawings, many of them never before published. This collection of stories will appeal to all who appreciate the Cowtown city.

The New Yorker recently referred to Pat Metheny as “possibly the most influential jazz guitarist of the past five decades.” A native of Lee’s Summit, Missouri, just southeast of Kansas City, Metheny started playing in pizza parlors at age fourteen. By the time he graduated from high school he was the first-call guitarist for Kansas City jazz clubs, private clubs, and jazz festivals. Now 66, he attributes his early success to the local musical environment he was brought up in and the players and teachers who nurtured his talent and welcomed him into the jazz community. Metheny’s twenty Grammys in ten categories speak to his versatility and popularity. Despite five decades of interviews, none have conveyed in detail his stories about his teenage years. Beneath Missouri Skies also reveals important details about jazz in Kansas City during the sixties and early seventies, often overlooked in histories of Kansas City jazz. Yet this time of cultural change was characterized by an outstanding level of musicianship.

In the opening decades of the 20th century, war reporting remained one of the most well-guarded, thoroughly male bastions of journalism. However, when war erupted in Europe in August 1914, a Boston woman, Mary Boyle O’Reilly, became one of the first journalists to bring the war to American newspapers. A Saturday Evening Post journalist, Mary Roberts Rinehart, became the first journalist, of any country, of any gender, to visit the trenches. These women were only the first wave of female journalists who covered the conflict. American Women Report World War I collects more than 35 of the best of their articles and those that highlight the richness of their contribution to the history of the Great War. Editor Chris Dubbs provides section introductions for background and context to stories such as “Woman Writer Sees Horrors of Battle,” “Star Woman Runs Blockade,” and “America Meets France.” The work of female journalists focuses more squarely on individuals caught in the conflict—including themselves. It offers a valuable counterpoint to the male, horror-of-the-trenches experience and demonstrates how World War I served as a catalyst that enabled women to expand the public forum for their opinions on social and moral issues.

Recovering an Irish Voice from the American Frontier is a bilingual compilation of stories by Eoin Ua Cathail, an Irish emigrant, based loosely on his experiences in the West and Midwest. The author draws on the popular American Dime Novel genre throughout to offer unique reflections on nineteenth-century American life. As a member of a government mule train accompanying the U.S. military during the Plains Indian Wars, Ua Cathail depicts fierce encounters with Native American tribes, while also subtly commenting on the hypocrisy of many famine-era Irish immigrants who failed to recognize the parallels between their own plight and that of dispossessed Native peoples. These views are further challenged by his stories set in the upper Midwest. His writings are marked by the eccentricities and bloated claims characteristic of much American Western literature of the time, while also offering valuable transnational insights into Irish myth, history, and the Gaelic Revival movement. This bilingual volume, with facing Irish-English pages, marks the first publication of Ua Cathail’s work in both the original Irish and in translation. It also includes a foreword from historian Richard White, a comprehensive introduction by Mahoney, and a host of previously unpublished historical images.

Changing Perspectives charts the pivotal period in Houston’s history when Jewish and Black leadership eventually came together to work for positive change. This is a story of two communities, both of which struggled to claim the rights and privileges they desired. Previous scholars of Southern Jewish history have argued that Black-Jewish relations did not exist in the South. However, during the 1930s to the 1980s, Jews and Blacks in Houston interacted in diverse and oftentimes surprising ways. The distance between Houston’s Jews and Blacks diminished after changing demographics, the end of segregation, city redistricting, and the emergence of Black political power. Allison Schottenstein shows that Black-Jewish relations did exist during the Long Civil Rights Movement in Houston.

Compilation of short stories submitted by faculty and staff of the Dallas County Community College District.