In early 2013 same-sex marriage was legal in only ten states and the District of Columbia. That year the Supreme Court’s decision in United States v. Windsor appeared to open the door to marriage equality. In Texas, Mark Phariss and Vic Holmes, together for sixteen years and deeply in love, wondered why no one had stepped across the threshold to challenge their state’s 2005 constitutional amendment prohibiting same-sex marriage. They agreed to join a lawsuit being put together by Akin Gump Strauss Hauer & Feld LLD. Two years later—after tense battles in the Federal District Court for the Western District of Texas and in the Fifth Circuit Court of Appeals, after sitting through oral arguments at the Supreme Court of the United States in Obergefell v. Hodges—they won the right to marry deep in the heart of Texas. But the road they traveled was never easy. Accidental Activists is the deeply moving story of two men who struggled to achieve the dignity of which Justice Anthony Kennedy spoke in a series of Supreme Court decisions that recognized the “personhood,” the essential humanity of gays and lesbians. Author David Collins tells Mark and Vic’s story in the context of legal and …

Adolphe Gouhenant tells the story of artist, revolutionary, and early North Texas resident Francois Ignace (Adolphe) Gouhenant (1804-1871). Gouhenant was selected by well-known Icarian communist Etienne Cabet to lead an advance guard from France to settle a utopian colony in North Texas. The community, beset by hardships, ultimately scapegoated Gouhenant, accused him of being a French agent, and expelled him. He then journeyed first to Fort Worth to teach the federal soldiers French and art, and next to Dallas, where he founded the town’s first arts establishment in the 1850s. Gouhenant set up shop as a daguerreotypist and photographed the town’s early residents. His Arts Saloon was the scene of many exhibitions and dances but ultimately became the high stake in a nasty battle among Dallas’s leading citizens, setting legal precedent for Texas homestead law.

The AEF in Print is an anthology that tells the story of U.S. involvement in World War I through newspaper and magazine articles—precisely how the American public experienced the Great War. From April 1917 to November 1918, Americans followed the war in their local newspapers and popular magazines. The book’s chapters are organized chronologically: Mobilization, Arrival in Europe, Learning to Fight, American Firsts, Battles, and the Armistice. Also included are topical chapters, such as At Sea, In the Air, In the Trenches, Wounded Warriors, and Heroes. “Some of these stories are real gems. Irving Cobb’s account of the sinking of the SS Tuscania, for example, is absolutely riveting, and the same can be said of William Shepherd’s description of life aboard US Navy destroyers in the Atlantic, Floyd Gibbons’s narration of his wounding at Belleau Wood, and George Pattullo’s roll-out of the Sergeant York legend.” —Steven Trout, author of On the Battlefield of Memory: The First World War and American Remembrance. “The well-written and evocative articles bring the war to life.” —Jennifer Keene, author of Doughboys, the Great War, and the Remaking of America.

The task of providing military defense for the Texas Frontier was never an easy one because the territory was claimed by some of the greatest querrilla fighters of all times—the Comanches, Kiowas, Apaches, and Lipans. Protecting a line running from the Red River southwest to El Paso was an impossible task, but following the Mexican War the federal government attempted to do so by establishing a line of forts. During the Civil War the forts were virtually abandoned and the Indians once again ruled the area. Following the war when the military began to restore the old forts, they found that the Indians no longer fought with bows and arrows but shouldered the latest firearms. With their new weapons the Indians were able to inflict tremendous destruction, bringing demands from settlers for more protection. In the summer of 1866 a new line of forts appeared through central Texas under the leadership of General Philip H. Sheridan, commander of federal forces in Louisiana and Texas. Guardians of a raw young land and focal points of high adventure, the old forts were indispensable in their day of service and it is fitting that they be preserved. In and around the forts and …

Louisiana’s Neutral Strip, an area of pine forests, squats between the Calcasieu and Sabine Rivers on the border of East Texas. Originally a lawless buffer zone between Spain and the United States, its hardy residents formed tight-knit communities for protection and developed a reliance on self, kin, and neighbor. In the early 1900s, the timber boom sliced through the forests and disrupted these dense communities. Mill towns sprang up, and the promise of money lured land speculators, timber workers, unionists, and a host of other characters, such as the outlaw Leather Britches Smith. That moment continues to shape the place’s cultural consciousness, and people today fashion a lore connected to this time. In a fascinating exploration of the region, Keagan LeJeune unveils the legend of Leather Britches, paralleling the stages of the outlaw’s life to the Neutral Strip’s formation. LeJeune retells each stage of Smith’s life: his notorious past, his audacious deeds of robbery and even generosity, his rumored connection to a local union strike—the Grabow War—significant in the annals of labor history, and his eventual death. As the outlaw’s life vividly unfolds, Always for the Underdog also reveals the area’s history and cultural landscape. Often using the particulars of …

In the opening decades of the 20th century, war reporting remained one of the most well-guarded, thoroughly male bastions of journalism. However, when war erupted in Europe in August 1914, a Boston woman, Mary Boyle O’Reilly, became one of the first journalists to bring the war to American newspapers. A Saturday Evening Post journalist, Mary Roberts Rinehart, became the first journalist, of any country, of any gender, to visit the trenches. These women were only the first wave of female journalists who covered the conflict. American Women Report World War I collects more than 35 of the best of their articles and those that highlight the richness of their contribution to the history of the Great War. Editor Chris Dubbs provides section introductions for background and context to stories such as “Woman Writer Sees Horrors of Battle,” “Star Woman Runs Blockade,” and “America Meets France.” The work of female journalists focuses more squarely on individuals caught in the conflict—including themselves. It offers a valuable counterpoint to the male, horror-of-the-trenches experience and demonstrates how World War I served as a catalyst that enabled women to expand the public forum for their opinions on social and moral issues.

Soon after the close of military operations in the American Civil War, another war began over how it would be remembered by future generations. The prisoner-of-war issue has figured prominently in Northern and Southern writing about the conflict. Northerners used tales of Andersonville to demonize the Confederacy, while Southerners vilified Northern prison policies to show the depths to which Yankees had sunk to attain victory. Over the years the postwar Northern portrayal of Andersonville as fiendishly designed to kill prisoners in mass quantities has largely been dismissed. The Lost Cause characterization of Union prison policies as criminally negligent and inhumane, however, has shown remarkable durability. Northern officials have been portrayed as turning their military prisons into concentration camps where Southern prisoners were poorly fed, clothed, and sheltered, resulting in inexcusably high numbers of deaths. Andersonvilles of the North, by James M. Gillispie, represents the first broad study to argue that the image of Union prison officials as negligent and cruel to Confederate prisoners is severely flawed. This study is not an attempt to “whitewash” Union prison policies or make light of Confederate prisoner mortality. But once the careful reader disregards unreliable postwar polemics, and focuses exclusively on the more reliable …

Founded in 1845 as a steamboat port at the entryway to western markets from the Red River, Jefferson was a thriving center of trade until the steamboat traffic dried up in the 1870s. During its heyday, the town monopolized the shipping of cotton from all points west for 150 miles. Jefferson was the unofficial capital of East Texas, but it was also typical of boom towns in general. For this topical examination of a frontier town, Bagur draws from many government documents, but also from newspaper ads and plats. These sources provide intimate details of the lives of the early citizens of Jefferson, Texas. Their story is of interest to both local and state historians as well as to the many readers interested in capturing the flavor of life in old-time East Texas. “Astoundingly complete and a model for local history research, with appeal far beyond readers who have specific interests in Jefferson.”—Fred Tarpley, author of Jefferson: Riverport to the Southwest

Archive Activism is a memoir of activism rooted in a new way to converse with history—by rescuing it. Archive activists discover documents and other important materials often classified, “gone missing,” or sealed that somehow escaped the fireplace or shredder. It is an approach to LGBTQ advocacy and policy activism based on citizen archivery and original archival research to effect social change. Research=Activism is the formula growing out of Charles Francis’s personal story as a gay Texan born and raised during the 1950s and 1960s in Dallas. The rescues range in time and place from Francis’s first encounter with a raucous, near-violent religious demonstration in Fort Worth to attics loaded with forgotten historic treasures of LGBTQ pioneers. Archive Activism tells how Francis helped Governor George W. Bush achieve his dream of becoming president in 2000 by reaching out to gay and lesbian supporters, the first time a Republican candidate for president formally met with gay and lesbian Americans. This inspired Francis to engage with deleted LGBTQ history by forming a historical society with an edge, a new Mattachine Society of Washington, DC. For the first time, Archive Activism reveals how LGBTQ secrets were held for decades at the LBJ Presidential Library …

Keith Johnson retired in 2014 from the University of North Texas, where he was Regents Professor of Trumpet and was honored with the Distinguished Teaching Professor award. Johnson wrote more than thirty articles, two pedagogical texts, and two method books. During his career, he presented masterclasses at universities and conservatories throughout the United States and worldwide. Johnson’s former students hold positions in universities, orchestras, and military ensembles in over a dozen countries. In The Art of Trumpet Teaching, his students describe Johnson’s teaching approach and tireless work to help each person succeed. Along with Johnson’s biography and studio stories, Leigh Anne Hunsaker presents an extensive collection of pedagogical concepts from Johnson’s six decades of teaching. Johnson’s hallmark pedagogical tenets, along with much practical advice given to his UNT students, provide a teaching and reference handbook for a new generation of teachers and players.

In October of 1989, the State of Texas set Kenneth Allen McDuff, the Broomstick Murderer, free on parole. By choosing to murder again, McDuff became the architect of an extraordinarily intolerant atmosphere in Texas. The spasm of prison construction and parole reforms—collectively called the “McDuff Rules”—resulted from an enormous display of anger vented towards a system that allowed McDuff to kill, and kill again. Bad Boy from Rosebud is a chilling account of the life of one of the most heartless and brutal serial killers in American history. Gary M. Lavergne goes beyond horror into an analysis of the unbelievable subculture in which McDuff lived. Equally compelling are the lives of remarkable law enforcement officers determined to bring McDuff to justice, and their seven-year search for his victims. “Texas still feels the pain inflicted by Kenneth Allen McDuff, despite the relentless efforts of law enforcement officials to solve his crimes and bind up its wounds. Bad Boy from Rosebud is an impeccably researched, compellingly detailed account of the crimes and the long search for justice. Gary Lavergne takes us directly to the scenes of the crimes, deep inside the mind of a killer, and in the process learns not only …

On November 22, 1963, the author of Behind the Scenes was a young Dallas Times Herald reporter who sprinted from his newspaper desk to Dealey Plaza minutes after shots were fired at President John F. Kennedy. Thus began Darwin Payne’s close involvement in covering one shocking event after another on this history-making weekend. Eyewitnesses he found at Dealey Plaza included Abraham Zapruder, who insisted from the first moments that the president could not have survived the serious wounds he had seen so clearly through his camera viewfinder. Payne interviewed detectives outside the School Book Depository that early afternoon as they brought down evidence of the shooter’s location, as well as his rifle, and he was among several journalists taken to the assassin’s sixth-floor window from where fatal shots had been fired. Before the day ended, Payne was in the Oak Cliff rooming house where the suspect had been living briefly apart from his Russian wife, Marina. Payne learned that the alleged assassin, now in police custody after being charged with the murder of officer J. D. Tippit, was known as O. H. Lee instead of Lee Harvey Oswald. On Payne’s regular Saturday night police-beat duty, he was among the growing …

Texas holds one in every nine U.S. inmates. Behind the Walls is a detailed description of one of the world's largest prison systems by a long-time convict trained as an observer and reporter. It spotlights the day-to-day workings of the Texas Department of Criminal Justice-what's good, what's bad, which programs work and which ones do not, and examines if practice really follows official policy. Written to inform about the processes, services, activities, issues, and problems of being incarcerated, this book is invaluable to anyone who has a relative or friend incarcerated in Texas, or for those who want to understand how prisoners live, eat, work, play, and die in a contemporary U.S. prison. Containing a short history of Texas prisons and advice on how to help inmates get out and stay out of prison, this book is the only one of its kind-written by a convict still incarcerated and dedicated to dispelling the ignorance and fear that shroud Texas prisons. Renaud discusses living quarters, food, and clothing, along with how prisoners handle money, mail, visits, and phone calls. He explores the issues of drugs, racism, gangs, and violence as well as what an inmate can learn about his parole, custody …

This is the story of Victor Rodriguez, star track athlete and San Antonio educator. From his earliest days in South Texas in the 1940s he broke many barriers. As a football player and track star he set records and won trophies at Edna High School, at Victoria College, and at North Texas State College. At each stage of his education, he often found himself the only Mexican American in his group. He developed his sports prowess from nine years of early morning running to the church in Edna, to ring the bell before Mass. He earned the first Hispanic scholarships as an athlete at both Victoria Junior College and North Texas State College. After graduating in 1955, he began a career in the San Antonio School District, ultimately retiring in 1994 after twelve years as Superintendent of the District. As a pioneer Mexican American educator in San Antonio, he brought dignity and respect to the people of the Westside, where he remains a role model today.

Ben Thompson was a remarkable man, and few Texans can claim to have crowded more excitement, danger, drama, and tragedy into their lives than he did. He was an Indian fighter, Texas Ranger, Confederate cavalryman, mercenary for a foreign emperor, hired gun for a railroad, an elected lawman, professional gambler, and the victor of numerous gunfights. As a leading member of the Wild West’s sporting element, Ben Thompson spent most of his life moving in the unsavory underbelly of the West: saloons, dance-houses, billiard halls, bordellos, and gambling dens. During these travels many of the Wild West’s most famous icons—Wyatt Earp, Doc Holliday, Bat Masterson, Wild Bill Hickok, John Wesley Hardin, John Ringo, and Buffalo Bill Cody—became acquainted with Ben Thompson. Some of these men called him a friend; others considered him a deadly enemy. In life and in death no one ever doubted Ben Thompson’s courage; one Texas newspaperman asserted he was “perfectly fearless, a perfect lion in nature when aroused.” This willingness to trust his life to his expertise with a pistol placed Thompson prominently among the western frontier’s most flamboyant breed of men: gunfighters.

The New Yorker recently referred to Pat Metheny as “possibly the most influential jazz guitarist of the past five decades.” A native of Lee’s Summit, Missouri, just southeast of Kansas City, Metheny started playing in pizza parlors at age fourteen. By the time he graduated from high school he was the first-call guitarist for Kansas City jazz clubs, private clubs, and jazz festivals. Now 66, he attributes his early success to the local musical environment he was brought up in and the players and teachers who nurtured his talent and welcomed him into the jazz community. Metheny’s twenty Grammys in ten categories speak to his versatility and popularity. Despite five decades of interviews, none have conveyed in detail his stories about his teenage years. Beneath Missouri Skies also reveals important details about jazz in Kansas City during the sixties and early seventies, often overlooked in histories of Kansas City jazz. Yet this time of cultural change was characterized by an outstanding level of musicianship.

Anthology of writing by the ten winners of the 2016 Best American Newspaper Narrative Writing Contest at the Mayborn Literary Nonfiction Conference. The pieces are published in order of places awarded: Saslow, "Into the Lonely Quiet" (1st place); Moskowitz, "Marathon Carjacking" (2nd place); Johnson, "The Course of Their Lives" (3rd place), and runners up, Goffard, "The Manhunt"; McCrummen, "Wait—You Described It as a Cloudy Feeling?"; Phillips, "The Lobotomy Files"; Applegate, "Taken Under"; Kissinger, "A Mother, at Her Wits' End"; Kruse, "The Last Voyage of the Bounty"; McKinnon, "Alone on the Hill" ; Newall, "Almost Justice"; and Schweitzer, "Together, Despite All."

Anthology of writing by the ten winners of the 2016 Best American Newspaper Narrative Writing Contest at the Mayborn Literary Nonfiction Conference. The pieces are published in order of places awarded: Barry, “The Boys in the Bunkhouse,” (1st place); Goffard, “The Favor,” (2nd place); McCrummen, “A Father’s Scars,” (3rd place), and runners-up, Bomey, Gallagher and Stryker, “How Detroit was Reborn”; Hesse, “Love and Fire”; Schweitzer, “Chasing Bayla”; Varble, “Then the Walls Closed In”; Kimberlin and Bryant, “Dangerous Minds”; Harbarger, “Fred Nelligan”; and Johnson, “Murray's Problem."

Anthology of writing by the ten winners of the 2016 Best American Newspaper Narrative Writing Contest at the Mayborn Literary Nonfiction Conference. The pieces are published in order of places awarded: McCrummen, “An American Void” (1st place); Goffard, “Fleeing Syria: The Choice” (2nd place); Schweitzer, “The Life and Times of Strider Wolf” (3rd place), and runners up, Hubert, “Genny’s World”; Phillips, “Inside an FBI Hostage Crisis”; Johnson, “Patient, Surgeon Work Together”; Reich, “Norman Malone’s Quest”; Cox, “Telling JJ”; Cramer, “The Boy Who Burned Inside”; and Barton, “Unsolved: A Murdered Teen, a 40-year Mystery."

This anthology collects the eleven winners of the 2018 Best American Newspaper Narrative Writing Contest at the Mayborn Literary Nonfiction Conference, an event hosted by the Frank W. Mayborn Graduate Institute of Journalism at the University of North Texas. First place winner: Kale Williams, “The Loneliest Polar Bear” (The Oregonian), relates the tale of Nora, a baby polar bear raised by humans in a zoo after being abandoned by her mother. Second place: Patricia Callahan, “Doomed by Delay” (Chicago Tribune), reveals the experiences of Illinois families with children diagnosed with Krabbe—a deadly disease that healthcare professionals could have screened for at birth, and ultimately treated, if it weren’t for government bureaucracy. Third place: Christopher Goffard, “Dirty John” (Los Angeles Times), is an investigative story that explores the dynamics of domestic violence with a nuanced, psychologically complex narrative of family and survival. Runners-up include John Woodrow Cox, “Twelve Seconds of Gunfire” (The Washington Post); Tom Hallman Jr., “His Heart, Her Hands” (The Oregonian); Jenna Russell, “The Last Refugee” (The Boston Globe); Lisa Gartner and Zachary T. Sampson, “Wrong Way” (Tampa Bay Times); Casey Parks, “About a Boy” (The Oregonian); Jennifer Emily, “Hope for the Rest of Us” (The Dallas Morning News); …

This anthology collects the winners of the 2019 Best American Newspaper Narrative Writing Contest at UNT’s Mayborn Literary Nonfiction Conference. First place winner: Eli Saslow, “It Was My Job, and I Didn’t Find Him” (The Washington Post), narrates the life of a former officer at the Parkland high school shooting. Second place: Elizabeth Bruenig, “What Do We Owe Her Now?” (The Washington Post), is the story of a high school rape victim who received no justice. Third place: Hannah Dreier, “The Disappeared” (ProPublica), follows a mother who lost her teenage son to gang violence. Runners-up include Jamie Thompson, “Standoff” (The Dallas Morning News); Lane DeGregory, “Lincoln’s Shot” (Tampa Bay Times); Jenna Russell, “The World, the Stage, the Way Ahead” (The Boston Globe); Evan Allen, “Under a Dark Sky, a Baby is Born” (The Boston Globe); Lisa Gartner, “She’s Taught at the Parkland High School for 14 Years. Can She Go Back?” (Tampa Bay Times); Claire McNeill, “So You Remember the Student Who Was Shot at FSU? He’s Pretty Sure We’ve All Moved On” (Tampa Bay Times); and Bethany Barnes, “Targeted” (The Oregonian).

his anthology collects the ten winners of the 2020 Best American Newspaper Narrative Writing Contest at UNT’s Mayborn Literary Nonfiction Conference. First place winner: Christopher Goffard, “Detective Trapp” (Los Angeles Times) is about a complicated murder investigation and its human impact. Second place: Annie Gowen, “Left Behind: American Farm Families in Crisis during Trump’s Trade War” (The Washington Post) tells about a despairing farmer’s suicide and aftermath. Third place: Jennifer Berry Hawes and Stephen Hobbs, “It’s Time for You to Die” (Post & Courier) presents a gut-wrenching drama of America’s deadliest episode of prison violence. Runners-up include Peter Jamison, “The Confession” (The Washington Post); Mark Johnson, “House Calls and Rarest of Diseases” (Milwaukee Journal Sentinel); Nestor Ramos, “At the Edge of a Warming World” (Boston Globe); Noelle Crombie, Kale Williams, and Beth Nakamura, “No Mercy” (The Oregonian); Tara Duggan and Jason Fagone, “The Fisherman’s Tale” (San Francisco Chronicle); Jenna Russell, “Brilliant, Faithful, Undaunted” (Boston Globe); and Charles Scudder, “Guardians: When Evil Came Through the Door” (Dallas Morning News).

This anthology collects the nine winners of the 2021 Best American Newspaper Narrative Writing Contest at UNT’s Mayborn Literary Nonfiction Conference. First-place winner: Greg Jaffe and his three-part series on the pandemic, beginning with “The Pandemic Hit and This Car Became Home for a Family of Four” (The Washington Post). Second place: Hannah Dreier with “The Worst- Case Scenario” (The Washington Post). Third place: Leonora LaPeter Anton, Kavitha Surana, and Kathryn Varn with “Death at Freedom Square” (Tampa Bay Times). Runners-up include Rory Linnane, “Maricella’s Last Breath” (Milwaukee Journal Sentinel); Hannah Dreier, “Tatiana’s Luck” (The Washington Post); Deborah Vankin, “This 81-Year-Old was L.A.’s Most Devoted Museum-Goer until COVID-19” (Los Angeles Times); Lauren Caruba, “Night Shift” (San Antonio Express News); Mark Johnson, “Saving Raynah’s Brain” (Milwaukee Journal Sentinel); and John Woodrow Cox, “They Depended on Their Parents for Everything” (The Washington Post).

This anthology collects the ten winners of the 2022 Best American Newspaper Narrative Writing Contest at UNT’s Mayborn Literary Nonfiction Conference. First place winner: Jason Fagone, “The Jessica Simulation: Love and Loss in the Age of A.I.,” about one man’s attempt to still communicate with his dead fiancée (San Francisco Chronicle). Second place: Jenna Russell, Penelope Overton, and David Abel, “The Lobster Trap” (The Boston Globe and Portland Press Herald). Third place: Jada Yuan, “Discovering Dr. Wu” (The Washington Post). Runners-up include Lane DeGregory, “Who Wants to Be a Cop? (Tampa Bay Times); Christopher Goffard, “The Trials of Frank Carson” (Los Angeles Times); Evan Allen, “Under the Wheel” (The Boston Globe); Mark Johnson, “A Wisconsin Mom Gave Birth in a COVID-19 Coma before Slipping to the Brink of Death” (Milwaukee Journal Sentinel); Annie Gowen, “A Dance, Not a War” (The Washington Post); Peter Jamison, “They’d Battled Addiction Together. Then Lockdowns became a ‘Recipe for Death’” (The Washington Post); and Douglas Perry, “The Obsession” (The Oregonian / Oregon Live).