Photograph of an unidentified woman, pictured from the shoulders up. She wears a light-colored dress with a lace collar, and looks to the left of the photographer.

Photograph of the Ashbel Smith Building at the University of Texas Medical Branch, also known as Old Red. The front facade of the sandstone building is pictured with its high stairs, its arched curved entrance, and its cylindrical pillars.

Photograph of three people in bathing clothes. Two men kneel with a woman in a dress sitting criss-cross between them. All wear round caps. A note on the back identifies Charles Niles[?] at the right.

Photograph of an unidentified man in a coat and a bowtie. He has combed hair and looks forward.

Postcard of an army encampment (a bivouac) at an Army exhibition in Galveston, 1914. Tents are pitched across a grass field, with soldiers seated in groups or walking around them. Larger wooden encampments are visible in the left background, possibly built to resemble the Alamo with barred windows and arched walls. Soldiers stand on the structure, looking out from above. Other Army buildings are in the background at right.

Photograph of an unidentified woman with a pendant on her collar. She looks to the right of the photographer.

Postcard of First Presbyterian Church in Galveston. Two cars and a horse and buggy are parked alongside the church's front and right side. Text written in the bottom and left-hand margin reads "I actually saw the inside of one of these kind of buildings while in Houston- Sunday- was I awake? S.C.F." The card is addressed to Miss Ellen Forsgard of Waco, Texas.

Postcard of George Sealy's mansion taken from outside the front gate. Text Text on the upper left-hand margin reads: "*Where Mr Joe Wren lives." Text toward the bottom of the photograph reads "Sealy Residence, 25th & Broadway. Galveston." Text on the bottom margin reads "Please take note that there is a 'sidewalk' here, not steps. Many thanks for the postals." Text on the right margin reads "Give my best to tall. S.C.F. 11-30-08." Text on the back of the card reads "It's 'a good thing,' I was not in Waco when 'my friend' was 'put out of the way,' what a time there would have been!" This text is accompanied by a drawing of an older woman with glasses, a tight bun and a long dark dress. The card is addressed to Miss Annie Forsgard.

Postcard of the Breakers bath house in Galveston taken from Seawall Boulevard. Text towards the bottom of the photograph reads "This is not "Bates Specialty." with an arrow pointing toward a car parked along the boulevard. Text on the bottom margin of the front of the card reads "This is where I took Uncle Gus to see the seawall. -Shirley" Text on the right margin reads "love to all." The card is addressed to Miss Annie Forsgard of Waco.

Postcard of Electric Park lit up a night. Several rides, including the carousel, are visible. Text on the left side of the front of the card reads "The Scene of that 'Eventful" (?) night. Do you remember it?" The card is addressed to Miss Josephine Forsgard of Houston, Texas. Text on the bottom right of the card reads "Galveston Trube Photo"

Postcard of a harbor in Galveston where two boats are moored. Debris litters the concrete on the edge of the harbor, and several large industrial structures rise up in the distance. Handwritten print on the front of the postcard reads "this is not snow— just shell. Not egg shell either." Cursive handwriting at the bottom reads "Just a little different from the fleet of Waco." The card is addressed to Miss Jennie Forsgard of Waco.

Postcard of four individuals sitting on a piece of wood against a beach backdrop. A man in a sailor cap and a dress shirt with tie is flanked by women with wet hair in swimsuits, two at left and one at right.

Postcard sent from J. Kat[?] in Galveston to Rhea C[?] in Dallas with well wishes for Thanksgiving. The front of the postcard is a photograph of Hotel Galvez in Galveston, Texas.

Photograph of an unidentified couple in wedding attire, both holding each other's hand. They stand in front of a painted backdrop.

Photograph of a flood along Post Office Street in Galveston. Floodwater covers the lower half of the image, submerging the road's surface. The margins of the road, lined with trees, fences, and a tall church building, appear dry. A person stands at the very end of the road, along the horizon.

Photograph of an unidentified woman in a dark gown, facing left.

Photograph of Gertrude Shirar (née Nitze, 1884–1956). She wears a white dress and looks left.

Photograph of an unidentified man with a prominent English mustache. He wears a coat and a bow tie and faces the right.

Photograph of William James Creighton, Jr. (Berkshire, England, 1882 – Houston, 1922) in a black coat.

Photograph of Leslie Spindler (1892-1986) as a baby. He wears a white dress and rests on a cushion with a flower print. A note on the back states he was a veteran of World War I in his later life.

Photograph of Leslie Spindler (1892–1986) as a child. He wears a bow on his white shirt and poses with his right arm on the armrest of a wicker chair. A note on the back states he was a veteran of World War I in his later life.

Photograph of Carrie Spindler (1897–1989) as a toddler. She stands on a wicker chair in a white gown with a necklace around her neck.

Photograph of William Henry Baldinger in his medical office in Galveston. He stands at left next to a chair in front of a table containing various medical apparatuses. A large table is at center; a rocking chair and a shelf with medical tools is at right. A note on the back of the photograph frame contains biographical details about his career.

Photograph of an unknown young man. He is wearing a dark color suit and is holding a dark hat in one hand. He is positioned between two wooden fences.