A spread from Esquire magazine featuring an illustration of a blonde hula dancer Varga Girl paired with the verse Reveille by Phil Stack. The next image is a spread of illustrations by Pachner with descriptive text detailing men and women's winter sports and recreation fashion. This clipping came from the February edition of Esquire Magazine 1942.

An old Olney Bruin publication regarding art and clubs.

Letter from Corky Evans to Mrs. Roosevelt discussing Evans's request for Roosevelt's autograph for his collection.

The Esquire girl calendar from 1947, of The Varga Girl(s) by Peruvian-American painter Alberto Vargas. The calendar is missing months June, August, September, and November.

Pinup Esquire calendar from 1943, of The Varga Girl(s) by Peruvian-American painter Alberto Vargas. The calendar begins in January and ends with December, featuring verses by Phil Stack and a "checkpayer" wager and payoff scenario on the back of each pin up girl.

Pin Up poster calendar mockup from 1940 of The Varga Girl(s) by Peruvian-American painter Alberto Vargas. The mockup for the calendar showcases images for the corresponding month beginning in January and ending in December.

Page from True Magazine featuring a pin-up illustration, graphic map, and descriptive text. On the first page is an illustration by Bradshaw Crandall of a redhead pin-up model themed around spring flowers. On the facing page is the Sportsman's Map of America by Paul Savitt. The map shows numbered graphic illustrations of landmarks, cities, transportation, and sporting events across America.

Pinup calendar from 1942, of The Varga Girl(s) by Peruvian-American painter Alberto Vargas. The calendar begins in January and ends with December, featuring verses by Phil Stack and astrological signs on the back of each pin-up girl.

Pinup calendar from 1940, of The Varga Girl(s) by Peruvian-American painter Alberto Vargas. The calendar begins in January and ends with December, featuring verses by Phil Stack.

Esquire's 1948 pin-up calendar features monthly artwork from various artists under Esquire, Inc, and verses by Frances Geiger Adams. Months May, June, September, and December are missing.

Esquire's 1945 Varga calendar yearbook of The Varga Girl(s) by Peruvian-American painter Alberto Vargas. The calendar includes all months except January, September, and December. The yearbook includes pages dedicated to birthdays and anniversaries, and "good numbers" for addresses and telephone numbers. Additionally, there are comics from various artists on each month published under Esquire Inc.

Pin Up poster calendar mockup from 1940 of The Varga Girl(s) by Peruvian-American painter Alberto Vargas. The mockup for the calendar showcases images for the corresponding month beginning in January and ending in December.

Pinup calendar and envelope from 1945, of The Varga Girl(s) by Peruvian-American painter Alberto Vargas. The calendar begins in January and ends with December, featuring verses by Phil Stack.

Pinup calendar and envelope from 1946, of The Varga Girl(s) by Peruvian-American painter Alberto Vargas. The calendar begins in January and ends with December, featuring verses by Phil Stack.

Petty Girl calendar and envelope from 1947 featuring "12 Gorgeous Petty Pin-ups In Beautiful Full Color" by American pin-up artist George Brown Petty. The calendar features monthly prints from January to December.

Pinup Esquire calendar from 1942, of The Varga Girl(s) by Peruvian-American painter Alberto Vargas. The calendar begins in January and ends with December, featuring verses by Phil Stack and a "checkpayer" wager and payoff scenario on the back of each pin up girl.

Esquire magazine clipping of a single front and back leaf with full color lithograph commercially printed illustrations of oil paintings by American painter Philip Reisman courtesy of the A.C. A. Gallery in New York and No. 14 Esquiregraph titled Walter Winchell. The front of the page shows images of five oil paintings each with their title, dimensions and a short description. The photocollage on the back shows a man in a sheet held by a taxidermy stork with its leg held poised over a stack of newspapers. The Esquiregraph is intended as a comedic satire as outlined by the descriptive text.