Tank dress of ecru silk organza and cotton with floral embellishment of self-fabric at center neckline; bodice is composed of vertical panels of mesh, stretch nylon, and cotton; skirt of paneled, crinkled cotton has ties that can be cinched up gathering the fabric; underskirt of silk organza with ties to raise skirt in sections; full-length; center-back zip closure. Label: Donna Karan/ (Duplicate/ Not For Sale/ Style # Z2043)

Ensemble consisting of two pieces: A) Dress of gray striped cashmere with scoop neckline and long sleeves with rolled hem and edges; wide, horizontal stripes of alternating gray and light gray; tunic-length. B) Coat of discs of laminated news clippings sewn on white jersey knit with wide silver fox trim at neckline, opening, and cuffs; lined in champagne satin; mid-length.

Interview with Earl E. Ambrose, Korean War veteran, as part of the Tarrant County War Veterans Oral History Project. The interview includes Ambrose's personal experiences of childhood, basic training, volunteering for service in Korea, and attending Arlington State College using GI Bill benefits. Additionally, Ambrose discusses family experiences in military service, the decision to join the Marines, assignments to Quantico and Yorktown, Virginia, his brief combat experience and assignment to the Main Line of Resistance near the Imjin River, his discharge from the Marines, and his career with Bell Helicopter.

Ensemble consisting of: A) Jacket of woven silver metallic, heavy-weight thread in a diamond pattern; scoop neckline; short, raglan sleeves; open-front; reverse pleat at center-back below waistline; crescent, princess seams at back and front; 2 slit pockets at sides; knee-length; fully lined in ivory silk organdy. B) Blouse of off-white silk organza moire, sleeveless and cinched under the armpit; scoop neckline embellished at front with various rectangular pieces of fabric swatches in self-fabric and white knit with triangular and square crystal gem accents; under-layer of self-moire with an extended hem; attached tie at waist sides of white cotton. C) Mini-skirt of ivory crisp woven fabric (wool) with wide waistband, with box pleat at center-front; 2 pleats at back; waistband has double breasted snap closure at back and is lined in ivory silk; center-back zip closure that adjusts to a slit with 2 zipper tabs; lined in silk taffeta; 18 ½” length.

Paper examines American Indian artists’ self-identities and the factors that affect the way they identify, focusing on two artists that live in Texas and New York.

Evening gown of pale pink/copper metallic fabric. Deep V-neckline; sleeveless. Full length, A-line skirt with princess seams and bust darts. Left side zipper closure. Lined in pale pink silk. Designer's label at center back neckline: "Ralph Lauren / Collection" Maker's tag attached to designer label.

Evening gown of champagne chiffon with swirl gold details of metallic thread and sequins in floral motif. Metallic trim at strapless neckline and a silk ribbon bow center front at empire waistline. Bust is heavily embellished with gold beads and sequins. Bust has boning and is lined in silk. Skirt has attached slip of silk crepe. Full-length. Side-zipper closure. Designer's label: "Oscar de la Renta"

Tunza is a UNEP magazine for and by young people. This issue is devoted to the relationship between gender and the environment.

Gown of black jersey crepe with halter top embellished with gems, pearls, and patent leather pinwheels. Halter top is trimmed in silver flat chain. Jersey is gathered at center front neckline and center back. Full length with hip-length, center-front slit. Center back zipper closure. Designer's label: "Carolina Herrera / New York"

Cropped cardigan or bolero jacket of off-white or ecru unbleached cotton made of openwork lace with needlelace and tatting circular floral motifs Label: Oscar de la Renta, S07, 6

The National Museum of the Pacific War presents an oral interview with James Hood of Indianapolis, Indiana. He discusses entering the U.S. Navy in September of 1942 without basic training as he was a college graduate. After being sworn in at Wabash College he was sent to Harvard Business School for Supply Corps for 4 months before being assigned to a ship in Pearl Harbor despite having no sailing training. Mr. hood was assigned to the Cummings DE643, he was supposed to be on the Samuel B. Roberts but the naval officer over him changed his mind last minute and 37 days later the Roberts sunk. While in Tulagi, Mr. Hood was involved in shooting down a Kamikaze plane, even receiving a ribbon for it after the war. He was also involved in the Battle of Okinawa and even saved two shells and years later had them signed by U.S. pilot Paul Tibbets. Mr. Hood was discharged from the Navy on February 28th, 1946, at Santa Ana, California as a Full Lieutenant. He was recalled to the Navy for the Korean War on March 2nd, 1951, and discharged for the final time on March 30th, 1953, as a Lieutenant Commander.

The National Museum of the Pacific War presents an oral interview with James Hood of Indianapolis, Indiana. He discusses entering the U.S. Navy in September of 1942 without basic training as he was a college graduate. After being sworn in at Wabash College he was sent to Harvard Business School for Supply Corps for 4 months before being assigned to a ship in Pearl Harbor despite having no sailing training. Mr. hood was assigned to the Cummings DE643, he was supposed to be on the Samuel B. Roberts but the naval officer over him changed his mind last minute and 37 days later the Roberts sunk. While in Tulagi, Mr. Hood was involved in shooting down a Kamikaze plane, even receiving a ribbon for it after the war. He was also involved in the Battle of Okinawa and even saved two shells and years later had them signed by U.S. pilot Paul Tibbets. Mr. Hood was discharged from the Navy on February 28th, 1946, at Santa Ana, California as a Full Lieutenant. He was recalled to the Navy for the Korean War on March 2nd, 1951, and discharged for the final time on March 30th, 1953, as a Lieutenant Commander.